Ranging from pool hustling to pornography, this book analyzes deviant branches of American life, dispels misconceptions about them, and throws new light on sociological theory and method. Each chapter radically dissents from one or more mainstream opinions about deviance. The first chapter examines the alleged causes for the decline of American poolrooms and finds them wanting, traces the rise and fall of poolrooms to historical changes in America's social structure, and cogently dissects the recent poolroom revival. The second chapter, reports a field study of a deviant occupation, pool hustling, describing the hustler's work situation and career from recruitment to retirement. In revealing how pool hustlers, although dedicated wholly to a vocation that merely breaks unenforced gambling laws, frequently supplement their income by means of outright felonies, the author develops a new theory of "crime as moonlighting." The third chapter sharply criticizes our criminology textbooks for avoiding the study of uncaught adult criminals in their natural environments. It demonstrates such research to be both necessary and practical with career felons as well as moonlighters. The author describes field techniques he has used with career felons, offers new findings gleaned by means of these techniques, and answers moral objections to such research. The forth chapter presents the first genuinely empirical study of the beat delinquent sub-culture, in which the author corrects some journalistic views such as that most beats are exhibitionists and some sociological ones such as that "retreatist" drug-users can meet neither legitimate nor criminal success norms. The final chapter, on the sociology of pornography, holds that the courts are wrong to claim that naturalistic erotic art is non-pornographic, and wronger still to claim that hard-core pornography is, in Mr. Justice Brennan's words, "utterly without redeeming social importance." The author's unusual blend of

Ranging from pool hustling to pornography, this book analyzes deviant branches of American life, dispels misconceptions about them, and throws new light on sociological theory and method. Each chapter radically dissents from one or more mainstream opinions about deviance. The first chapter examines the alleged causes for the decline of American poolrooms and finds them wanting, traces the rise and fall of poolrooms to historical changes in America's social structure, and cogently dissects the recent poolroom revival. The second chapter, reports a field study of a deviant occupation, pool hustling, describing the hustler's work situation and career from recruitment to retirement. In revealing how pool hustlers, although dedicated wholly to a vocation that merely breaks unenforced gambling laws, frequently supplement their income by means of outright felonies, the author develops a new theory of "crime as moonlighting." The third chapter sharply criticizes our criminology textbooks for avoiding the study of uncaught adult criminals in their natural environments. It demonstrates such research to be both necessary and practical with career felons as well as moonlighters. The author describes field techniques he has used with career felons, offers new findings gleaned by means of these techniques, and answers moral objections to such research. The forth chapter presents the first genuinely empirical study of the beat delinquent sub-culture, in which the author corrects some journalistic views such as that most beats are exhibitionists and some sociological ones such as that "retreatist" drug-users can meet neither legitimate nor criminal success norms. The final chapter, on the sociology of pornography, holds that the courts are wrong to claim that naturalistic erotic art is non-pornographic, and wronger still to claim that hard-core pornography is, in Mr. Justice Brennan's words, "utterly without redeeming social importance." The author's unusual blend of empirical, theoretical, and methodological contributions to the study of deviance is enlivened by a witty yet disputatious style, for Mr. Polsky believes that polemical scholarship improves the quality of intellectual life by forcing genteel discussion to become genuine debate.

NEW YORK TIMES BESTSELLER For the first time, Curtis “50 Cent” Jackson opens up about his amazing comeback—from tragic personal loss to thriving businessman and cable’s highest-paid executive—in this unique self-help guide, his first since his blockbuster New York Times bestseller The 50th Law. In his early twenties Curtis Jackson, known as 50 Cent rose to the heights of fame and power in the cutthroat music business. A decade ago the multi-platinum selling rap artist decided to pivot. His ability to adapt to change was demonstrated when he became the executive producer and star of Power, a high-octane, gripping crime drama centered around a drug kingpin’s family. The series quickly became “appointment” television, leading to Jackson inking a four-year, $150 million contract with the Starz network—the most lucrative deal in premium cable history. Now, in his most personal book, Jackson shakes up the self-help category with his unique, cutting-edge lessons and hard-earned advice on embracing change. Where The 50th Law tells readers “fear nothing and you shall succeed,” Hustle Harder, Hustle Smarter builds on this message, combining it with Jackson’s street smarts and hard-learned corporate savvy to help readers successfully achieve their own comeback—and to learn to flow with the changes that disrupt their own lives.

“If Hemingway had the passion for pool that he had for bullfighting, his hero might have been Eddie Felson” (Time). The novel that inspired the classic film starring Paul Newman and Jackie Gleason, The Hustler tells the story of Fast Eddie Felson, a young pool player who hustles suckers in small towns, looking for stake money so he can reach his goal: a marathon match in Chicago against Minnesota Fats. An exploration of guts, stamina, and character, and of the difference between winners and losers, this tense, gritty tale is “a wonderful hymn to the last true era when men of substance played pool with a vengeance” (Time Out).

In the tradition of Pulitzer Prize nominated, Positively Fifth Street, here is a riveting account of a high stakes shoot-out between pool’s two most famous personalities. It was Valentine’s Day, 1978, and Howard Cosell was hosting the long-awaited show-down between the best-ever tournament player, Willie Mosconi, and the game’s most famous hustler, Minnesota Fats. This was The Great Pool Shoot-Out, one of the most highly rated televised sporting events of the year, exceeding even World Series games and basketball championships. R.A. Dyer, author of the best-selling Hustler Days, which recounts the rise of pool during the 1960s, writes of the acrid, but mutually beneficial rivalry between Fats and Mosconi, and how the televised shoot-outs came to embody that rivalry, which was nothing less than a bitter rift within the soul of American pocket billiards. Fats and Mosconi were born the same year, but were vastly different characters: one stood for artistry, the other for show business; one brought dignity to pool, the other made it fun. They are without a doubt the two most important players ever to hold a cue. This is the ultimate tale of American sportsmanship. R.A. Dyer is a columnist for Billiards Digest, and lives in Austin, Texas.

For over four decades, Martin Scorsese has been the chronicler of an obsessive society, where material possessions and physical comfort are valued, where the pursuit of individual improvement is rewarded and where male prerogative is respected and preserved. Scorsese has often described his films as sociology and he has a point: his storytelling condenses complex information into comprehensible narratives about society. In this sense, he has been a guide through a dark world of nineteenth century crypto-fascism to a fetishistic twentieth century in which goods, fame, money and power are held to have magical power. Author of Tyson: Nurture of the Beast and Beckham, Ellis Cashmore turns his attention to arguably the most influential living film- maker to explore how Scorsese envisions America. Greed, manhood, the city and romantic love feature on Scorsese's landscape of secular materialism. They are among the themes Cashmore argues have driven and inform Scorsese's work. This is America, as seen through the eyes of Martin Scorsese and it is a deeply unpleasant place. Cashmore's book discloses how, collectively, Scorsese's films present an image of America. It's an image assembled from the perspectives of obsessive people, whether burned-out paramedics, compulsive entrepreneurs, tortured lovers, or celebrity-fixated comedians. It's collected from pool halls, taxicabs, boxing rings and jazz clubs. It's an image that's specific, yet ubiquitous. It is Martin Scorsese's America.

You'll marvel at Stevenson's insider knowledge of product houses, service shops, and other aspects of a major industry in which both employees and customers are in daily peril - the former of losing their jobs, and the latter of losing their money. In an epilogue, Stevenson discusses ethical issues involved when researchers conduct covert fieldwork in natural settings.