Husna's Story is written by Husna's husband Farid Ahmed. They were praying at El Noor Mosque in Christchurch when a gunman burst in and shot and killed 51 people and injured many others in a terrorist attack. This book tells Husna's story, describing the day of the attack - in all of its normal, mundane detail up until the tragedy, and then the horrendous tragedy of what followed. Interwoven with this is the story of Husna's life, telling of the selflessness and bravery with which she lived her life. As well as looking after her paraplegic husband, Husna was an important member of the community, helping women when they were giving birth, running classes for children and helping many others. Her last selfless act was going back into the mosque to look for her husband on that fateful day. She had already led the other women and children to safety. Tragically she was shot. Husna's husband, Farid Ahmed, quite incredibly, forgives the alleged killer. His remarkable philosophy of forgiveness, peace and love is an example of how religion and faith, through personal application, can be a tool for navigating the most horrific of tragedies.

"Husna's Story is written by Husna's husband Farid Ahmed. They were praying at El Noor Mosque in Christchurch when a gunman burst in and shot and killed 51 people and injured many others in a terrorist attack. This book tells Husna's story, describing the day of the attack - in all of its normal, mundane detail up until the tragedy, and then the horrendous tragedy of what followed. Interwoven with this is the story of Husna's life, telling of the selflessness and bravery with which she lived her life. As well as looking after her paraplegic husband, Husna was an important member of the community, helping women when they were giving birth, running classes for children and helping many others. Her last selfless act was going back into the mosque to look for her husband on that fateful day. She had already led the other women and children to safety. Tragically she was shot. Husna's husband, Farid Ahmed, quite incredibly, forgives the alleged killer. His remarkable philosophy of forgiveness, peace and love is an example of how religion and faith, through personal application, can be a tool for navigating the most horrific of tragedies."--Publisher's description.

The fifteen chapters in this volume explore both new and tested theoretical perspectives on literature and culture at large; this multiplicity of discourses is a reflection of the implicit discontent in conforming to the New World Order, and a contestation against hierarchical relationships between countries, which inform the social, cultural and political climates of weaker nations. With the political and economic hegemony of stronger nations, weaker nations run the risk of being dominated, or at the very least, having their own national identity and sovereignty steeped in ambivalence in the face of a globalised culture. This volume hopes to bring together critical views in relation to the construction of cultural studies in the Western framework, the application of literary theory in the readings of vernacular literature, contestation of the mainstream scientistic methodology of cultural evaluation, the role of English literature in Asian cultures, the application of postcolonial theory in literature, literary ethics in relation to Islamic literature, as well as the Islamic and Western conceptions of democracy. More than half of the articles in this collection centre on Islam as a guiding principle, or as a context through which critical perspectives are made on literature and culture in today’s globalised world order. This inadvertent foregrounding of Islam reflects a continuing dialogue on and with Islam and its significant impact on existing academic discourses founded upon Western-style scholarship.

Looking at a wide selection of Pakistani novels in English, this book explores how literary texts imaginatively probe the past, convey the present, and project a future in terms that facilitate a sense of collective belonging. The novels discussed cover a range of historical movements and developments, including pre-20th century Islamic history, the 1947 partition, the 1971 Pakistani war, the Zia years, and post-9/11 Pakistan, as well as pervasive themes, including ethnonationalist tensions, the zamindari system, and conspiracy thinking. The book offers a range of representations of how and whether collective belonging takes shape, and illustrates how the Pakistani novel in English, often overshadowed by the proliferation of the Indian novel in English, complements Pakistani multi-lingual literary imaginaries by presenting alternatives to standard versions of history and by highlighting the issues English-language literary production bring to the fore in a broader Pakistani context. It goes on to look at the literary devices and themes used to portray idea, nation and state as a foundation for collective belonging. The book illustrates the distinct contributions the Pakistani novel in English makes to the larger fields of postcolonial and South Asian literary and cultural studies.

This collection of essays is the culmination of a symposium on the representation of Malays and Malay culture in Singaporean and Malaysian literature in English held in Universiti Putra Malaysia.

LUQMAN HARIEZ disuruh memilih salah seorang daripada tujuh cucu perempuan mak tok untuk dijadikan isteri, sementelah hatinya masih kosong. Malangnya, dia cuma diberi masa seminggu untuk mengenali hati budi mereka. Semua ini dilakukan demi menghormati permintaan opah dan mak tok. Sejak mula lagi, Hariez dapat merasakan bahawa Husna, gadis yang paling cantik dan lemah lembut, seakan-akan sudah mengisi ruang di hatinya. Pada masa yang sama, dia turut terpaut pada Tija, cucu perempuan bongsu mak tok yang bersifat keanak-anakan, namun hatinya penuh dengan kasih sayang dan keceriaan. Bila masanya tiba, Hariez telah memilih salah seorang daripada mereka berdua. Namun pilihannya telah mendapat tentangan hebat. Bagi Hariez, itulah pilihan yang paling tepat dan dia tidak mahu berganjak lagi dari keputusannya. Dapatkah Hariez dan pilihannya disatukan? Mampukah perkenalan yang singkat menghidupkan suasana indah dalam rumah tangganya? “Cinta datang sendiri, ia satu anugerah dan aku tak perlukan sebab untuk mencintainya. Setiap kali aku pandang wajahnya, aku tahu itulah wajah kesayanganku. Aku cuma mencari kasih sayang.

Moving from the elegant drawing rooms of Lahore to the mud villages of rural Multan, a powerful collection of short stories about feudal Pakistan. An impoverished young woman becomes a wealthy relative’s mistress; an electrician on the make confronts his desperate assailant to protect his most prized possession; a farm manager rises far in the world—but his family discovers after his death the transience of power; a maid, who advances herself through sexual favours, unexpectedly falls in love. In these linked stories about the family and household staff of the ageing KK Harouni, we meet masters and servants, landlords and supplicants, politicians and electricians, village women, and Karachi housewives. Part Chekhov, part RK Narayan, these stories are dark and light, complex and humane; at heart about the relationship between the powerful and powerless, bound together in life—and in death. Together they make up a vivid portrait of a feudal world rarely brought alive in the English language. Sensuous, graceful, melancholy, In Other Rooms, Other Wonders gives you Pakistan as you have never seen it. It marks the debut of an amazing new talent.