The unprecedented political power of the Ottoman imperial harem in the sixteenth and seventeenth centuries is widely viewed as illegitimate and corrupting. This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.

The "fascinating . . . lively" story of the Russian slave girl Roxelana, who rose from concubine to become the only queen of the Ottoman empire (New York Times). In Empress of the East, historian Leslie Peirce tells the remarkable story of a Christian slave girl, Roxelana, who was abducted by slave traders from her Ruthenian homeland and brought to the harem of Sultan Suleyman the Magnificent in Istanbul. Suleyman became besotted with her and foreswore all other concubines. Then, in an unprecedented step, he freed her and married her. The bold and canny Roxelana soon became a shrewd diplomat and philanthropist, who helped Suleyman keep pace with a changing world in which women, from Isabella of Hungary to Catherine de Medici, increasingly held the reins of power. Until now Roxelana has been seen as a seductress who brought ruin to the empire, but in Empress of the East, Peirce reveals the true history of an elusive figure who transformed the Ottoman harem into an institution of imperial rule.

Hürrem is the third part in a saga that became the inspiration for the creators of the 'Magnificent Century' television series. The story, full of love, power, and intrigues, follows the lives of the Sultan's court, where behind every man, even the most powerful one, stands a woman who knows how to steer him. Set at the beginning of 16th century, Aleksandra, the small daughter of Russian clergyman, is kidnapped during a barbaric attack on the village. In a remarkable twist of trust, the young girl's kidnapper becomes her savior, and they quickly establish a father-daughter bond. However, life at the Tatar giant's side isn't a good solution for a growing beauty. Soon, Aleksandra finds herself at the Crimean Khan's palace, and immediately wins Sultana Güldane's heart. The old woman predicts a great future for the Russian girl and eventually sets her out on a journey to meet her destiny. Aleksandra, sent as a gift from the Crimean Khan to the Ottoman Empire's Khan, Sultan Sulieman, ends up in the powerful ruler's harem. There, the Russian odalisque takes on the name Ruslana, and waits weeks to meet the Sultan. Her dream is not only to win Sulieman's heart but also for power and to rule. Suleiman eventually becomes infatuated with the red-headed odalisque, and renames her Hürrem - and so begins the story of a woman who refused to be stopped in her desire for power, and to be remembered forever.

This collection is the first book-length scholarly study of the pervasiveness and significance of Roxolana in the European imagination. Roxolana, or "Hurrem Sultan," was a sixteenth-century Ukrainian woman who made an unprecedented career from harem slave and concubine to legal wife and advisor of the Ottoman Sultan Suleiman the Magnificent (1520-1566). Her influence on Ottoman affairs generated legends in many a European country. The essays gathered here represent an interdisciplinary survey of her legacy; the contributors view Roxolana as a transnational figure that reflected the shifting European attitudes towards "the Other," and they investigate her image in a wide variety of sources, ranging from early modern historical chronicles, dramas and travel writings, to twentieth-century historical novels and plays. Also included are six European source texts featuring Roxolana, here translated into modern English for the first time. Importantly, this collection examines Roxolana from both Western and Eastern European perspectives; source material is taken from England, Italy, France, Spain, Germany, Turkey, Poland, and Ukraine. The volume is an important contribution to the study of early modern transnationalism, cross-cultural exchange, and notions of identity, the Self, and the Other.

When politics and love come into play, downfall is just a matter of time. A saga that became an inspiration for creators of "Magnificent Century" series.Sultana Guldane's prophecy about Alexandra's great future begins to come true. Hailing from Rus, odalisque finds herself at Ottoman Empire ruler's palace. Suleyman doesn't seem to see world beyond red-haired beauty, whom he named Hürrem. Young woman gets pregnant, and sultan readies for war. When Padishah's armies besiege Rhodos, Hürrem gives birth to a son in Istanbul. Little prince is second in line to the throne - Suleyman already has a male heir, who was born to his former favourite, Gulbahar. However, Hürrem will do anything for the tittle of Ottoman throne's heir came to her child, blood of her blood, and at the same time, she could become the most powerful woman in history. Years of Suleyman's rule pass, and Russian's position at Padishah's side strengthens. Hürrem will do everything to achieve her goal, although she will have to resort to crime more than once. Will delicately woven plan work? And will price for its realization turn out too high?

The articles compiled in Ottoman War & Peace. Studies in Honor of Virginia H. Aksan, honor the prolific career of a foremost scholar of the Ottoman Empire, and engage in redefining the boundaries of Ottoman historiography. Blending micro and macro approaches, the volume covers topics from the sixteenth to twentieth centuries related to the Ottoman military and warfare, biography and intellectual history, and inter-imperial and cross-cultural relations. Through these themes, this volume seeks to bring out and examine the institutional and socio-political complexity of the Ottoman Empire and its peoples. Contributors are Eleazar Birnbaum, Maurits van den Boogert, Palmira Brummett, Frank Castiglione, Linda Darling, Caroline Finkel, Molly Greene, Jane Hathaway, Colin Heywood, Douglas Howard, Christine Isom-Verhaaren, Dina Rizk Khoury, Ethan L. Menchinger, Victor Ostapchuk, Leslie Peirce, James A. Reilly, Will Smiley, Mark Stein, Kahraman Şakul, Veysel Şimşek, Feryal Tansuğ, Baki Tezcan, Fatih Yeşil, Aysel Yıldız.

Ottoman charitable endowments (waqf) constituted an enduring monument to imperial beneficence and were important instruments of policy. One type of endowment, the public soup kitchen (imaret) served travelers, scholars, pious mystics, and local indigents alike. Constructing Ottoman Beneficence examines the political, social, and cultural context for founding these public kitchens. It challenges long-held notions about the nature of endowments and explores for the first time how Ottoman modes of beneficence provide an important paradigm for understanding universal questions about the nature of charitable giving. A typical and well-documented example was the imaret of Hasseki Hurrem Sultan, wife of Sultan Süleyman I, in Jerusalem. The imaret operated at the confluence of imperial endowment practices and Ottoman food supply policies, while also exemplifying the role of imperial women as benefactors. Through its operations, the imaret linked imperial Ottoman and local Palestinian interests, integrating urban and rural economies.