Jacquelyn Frank, New York Times bestselling author of the Shadowdwellers series, invites readers into a dazzling new world of unstoppable desire and danger.. As an Advocate for his colony, Julian Sawyer travels to Earth to bring back the Chosen--women who possess energy potent enough to help revitalize his people. The stunning, silver-clad beauty who strides into his club one night radiates a sensual magnetism unlike any he's encountered, and Julian realizes that Asia Callahan is not just Chosen, she is his kindra: his one true mate. For months, Asia has tracked the beautiful and mysterious Julian across the country, convinced that he's behind the disappearance of her sister and a dozen other women. She's prepared to believe he's a ruthless killer, but when she presents herself as bait, she discovers that the truth is far more shocking. Taken to a strange, hazardous realm she never knew existed, Asia will face the ultimate choice--between abandoning the life she's always known, and forsaking a passion as dangerous as it is powerful. Praise for the Novels of Jacquelyn Frank "A lush narrative sure to please readers who have longed for new gothic and darkly romantic tales." --Booklist on Gideon "Frank's NIGHTWALKER series depicts an engrossing alternate world, drawn in prose that is lush and lyrical." --Linda Howard "Thrown for a loop from page one, I could not put this book down until I finished." --Romance Junkies on Jacob

This book is a collection of essays on Scottish witchcraft and witch-hunting, which covers the whole period of the Scottish witch-hunt, from the mid-16th century to the early 18th. It particularly emphasizes the later stages, since scholars are now as keen to explain why witch-hunting declined as why it occurred. There are studies of particular witchcraft panics, including a reassessment of the role of King James VI. The book thus covers a wide range of topics concerned with Scottish witch-hunting - and also places it in the context of other topics: gender relations, folklore, magic and healing, and moral regulation by church and state.

You don’t always have to fight alone. Julian is on the run. He doesn’t know who’s after him, but he knows he’ll have to do something about it. The fact that he’s just met his mate makes everything more complicated, especially since Tali has known for much longer than he has and hasn’t told him. Tali doesn’t want to have to choose between Julian and the council assassins. One is his mate, the other his family. Since Julian’s on the run, Tali knows he’ll end up leaving, and Tali won’t be able to go with him. But maybe Julian doesn’t have to go. Maybe he can accept the assassins’ help and work with them to find out who’s hunting him and do something about it. It’s either that or be killed, and Julian isn’t about to allow that to happen.

Classic reference by a renowned expert. Invaluable information for shooters, gunsmiths, collectors, ballisticians, and hunters. Includes new foreword.

An analysis of the hunt, its imagery and allusion, in Middle English literature.

Die Beihefte zur Zeitschrift für romanische Philologie zählen zu den renommiertesten Fachpublikationen der Romanistik. Sie pflegen ein gesamtromanisches Profil, das neben den Nationalsprachen auch die weniger im Fokus stehenden romanischen Sprachen mit einschließt. In der Reihe erscheinen ausgewählte Monographien und Sammelbände zur Sprachwissenschaft in ihrer ganzen Breite, zur mediävistischen Literaturwissenschaft und zur Editionsphilologie.

The sources for La Légende de Saint Julien l’Hospitalier, one of Flaubert’s finest literary works, have long been the subject of numerous conflicting theories. The implications of the controversy are broad and important, not only for Flaubert’s work but also for our understanding of how writers generally use traditional material. Superficial resemblances have led critics to conclude that Flaubert relied heavily on a medieval tale of Saint Julian and that he borrowed details and specific phrases from his medieval predecessor. This book, by a world renowned specialist in Flaubert studies and a medieval philologist, demonstrates that the Légende is not medieval in structure or in spirit, and that its conception is distinctly modern; where Flaubert borrowed at all he used contemporary sources to recast the Julian legend in Romantic style. Bart and Cook establish definitely what legendary sources were and show how Flaubert came into contact with them. Their extensive commentary compares the sources and the Légende in detail, explains the circumstances under which Flaubert used his materials, and analyses how they were woven into the texture of his own tale. The book makes available source material scattered throughout obscure periodicals, reproduces accurately and dates correctly important segments of Flaubert’s drafts and scenarios, and provides the first modern printed edition of the Alençon life of Saint Julian which Lecointre-Dupont adapted in 1838, thereby giving Flaubert indirect access to the old tale. An introductory chapter explores the broader question of the development of legends and how a particular legendary sequence, embodying powerful themes, was amplified and made explicit from the twelfth century to Flaubert’s time.