It's hard to imagine cows walking up Third Street or sheep on Innes Avenue, yet a large portion of the area known today as Bayview Hunters Point was once extremely rural. Called Butchertown by locals, the neighborhood was a source of much of San Francisco's food. Over the years, it evolved into an interesting combination of residences, businesses, and industries. The area was home to slaughterhouses, tanneries, tallow works, a saddle shop, the Bethlehem Steel Corporation, numerous boat yards including the legendary Allemand Brothers Boat Repair, and the U.S. Naval operations at Hunters Point Shipyard. Alongside these entities lived thousands of residents with unique stories and lifestyles.

Introduction by Justine KurlandEssay by Thomas StruthJanice Guy weaves together thirty photographs from two distinct moments of Janice Guy¿s output as an artist: it re-presents a group of works that were produced and exhibited between 1975 and 1980, interspersing them with newly printed pictures selected from her archive during our research for the book.

A thrilling spy mission, a moving Holocaust story, and a first-class work of narrative nonfiction. This Sydney Taylor Book Award- and YALSA Excellence in Nonfiction Award-winning story of Eichmann's capture is now a major motion picture starring Oscar Isaac and Ben Kingsley, Operation Finale! In 1945, at the end of World War II, Adolf Eichmann, the head of operations for the Nazis' Final Solution, walked into the mountains of Germany and vanished from view. Sixteen years later, an elite team of spies captured him at a bus stop in Argentina and smuggled him to Israel, resulting in one of the century's most important trials -- one that cemented the Holocaust in the public imagination. This is the thrilling and fascinating story of what happened between these two events. Illustrated with powerful photos throughout, impeccably researched, and told with powerful precision, THE NAZI HUNTERS is a can't-miss work of narrative nonfiction for middle-grade and YA readers.

Concrete and permutational poems celebrating a serene atrophy of language, from the author of My Vibe In his latest collection, Goodbye Letter, New York-based poet Jeremy Sigler (born 1968) deconstructs his very will to write, as he articulates, verbally and graphically, the implied obsolescence of language itself. The book feels less like a proper literary work (a book of poetry) and more like a manual for poetic survival. One poem reads like some sort of linguistic code that manages to murmur "it is what it is"; another is more classically "concrete," reflecting on typewriter and pattern poems of past centuries; and another consists of a complete signature of unmarked blank pages (they await being torn out and curled up into a loose tube) as was the 19th-century prototype for the stethoscope, but used this time to listen in on the poet's "speaking" heart. Sigler's newest collection may be seen as a field guide to a poet's last gasp.

Far from the bridges and cable cars, hidden away behind the famous hills, there is another San Francisco Bay Area that most people never see. San Francisco's Hunter's Point and Fillmore District, West Oakland and Richmond's Iron Triangle -- in the 1970s these places on the edges of this great American metropolis offered Barry Shapiro an alternate reality where he pointed his lens. Although Barry made his reputation as a professional photographer with the 1972 publication of Handmade Houses: The Woodbutcher's Art, his day job as a teacher of remedial reading to adults gave him an entree into a world that white America only saw in the blaxploitation films of the day like "Shaft" and "Superfly." His curious eye brought him to many dangerous places, but with the trust he earned, he was able to not only hang out in this unique subculture, but be allowed to photograph their very intimate and sometimes dark moments. In these photos we see glimpses of tenderness that can explode into violence, tension that dissolves into laughter, kids showing off for the camera, and tough motorcycle gangs chilled out after a night of hard partying. What instantly captures the viewer's attention is that Barry, with the force of his energetic personality, established a trusting relationship with each of his subjects, whether that relationship lasted for years or only a few seconds. When Barry wasn't hanging out in these fringe neighborhoods, he was prowling the streets of the Bay Area with his stealth Leica shooting poignant black-and-white moments of street life through the windows of his VW bus. These images record an incredible slice of everyday urban life without any hint of his even being there. Barry captured what Henri Cartier-Bresson called "the decisive moment" over and over with a natural ability that only the best photographers have. Always a maverick, rarely inclined to shoot to spec and unwilling to compromise or cater to photographic fashion, Barry shot his black-and-white photographs with no thoughts of commercialism. Although his career as a photographer spanned more than forty years, and he spent the last sixteen years of his life as a high-school teacher and principal, he never stopped shooting. With a foreword by famed San Francisco rock photographer Jim Marshall and an introduction by best-selling novelist Mark Joseph, two of Barry's closest friends, A Dangerously Curious Eye will show you a very different side of the San Francisco Bay Area.

One of the top scientists in the field of asteroid hunting explains how, for the first time, humanity could have the knowledge to prevent a devastating asteroid impact. --