For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless...and the terrors would escape to the world at large. Loosely based on "Little Snow White" by the Brothers Grimm. The year is 2093. When the evil in Woodcutter's Grim unleashed with a vengeance fifty years ago, humans turned into ghouls that avoided the sun and water...and had the innate instinct to contaminate others with their evil. In no time at all, the evil spread and wiped out most of the world's population before the Protectorate--the guardians sworn to protect Woodcutter's Grim and those outside against the evil pervading it--came up with a way to hold the threat at bay, not completely but enough to save those few left. In these years, everything has changed, from occupations to marriage. A curfew has been imposed and all live within the heavily-fortressed walls on the Shaussegeny Estate. Few children are born and those that are have a mutated form of dwarfism that makes them barren. Protectorate hunters patrol the world outside in the daylight. They are the last of humanity with no idea how much future they actually have left. Unofficial Guardian and hunter, Reece Pallaton, wonders what it's all for and whether he'll lose everyone he cares about in this endless battle. Fellow Protectorate Brethren, Mishell "Shell" Anderson insists that they can find a cure, a way to survive and push back the evil, that life will someday go back to normal. But Reece is beginning to believe that the battle he and what's left of humanity are waging can never be won...until he discovers the source of the evil, the mirror that's only the opposite half of the "glass darkly" world he lives in, and his own terrifying connection to both.

"I got outside and realised I only had my hospital gown on which promptly fell off because it wasn't tied at the back. I was naked...almost. When they do an operation like this, you're fitted with a catheter. So there I am, naked as the day I was born with a big frigging catheter hanging between my legs. I am scundered, I thought to myself. I tried to remove it but my zombie fingers wouldn't work."For far too long zombies have been seen as the monsters they are not so it's time for a few changes! Welcome to Zombie Blues where you will discover what really goes on behind those dead eyes and shuffling walk. You will meet ten different zombies each with a story to tell. From Vegetarian Zombie to Kidney Trans[plant Zombie to The Zombie who would be King, you will reevaluate everything you thought you knew about the undead. You will finally get to hear their side of the story. What lies behind their tears and how did the apocalypse really begin? Enter if you dare because everything you knew about zombies is about to change.

This collection assembles the best interviews from Steve Cushing's long-running radio program Blues Before Sunrise, the nationally syndicated, award-winning program focusing on vintage blues and R&B. As both an observer and performer, Cushing has been involved with the blues scene in Chicago for decades. His candid, colorful interviews with prominent blues players, producers, and deejays reveal the behind-the-scenes world of the formative years of recorded blues. Many of these oral histories detail the careers of lesser-known but greatly influential blues performers and promoters. The book focuses in particular on pre–World War II blues singers, performers active in 1950s Chicago, and nonperformers who contributed to the early blues world. Interviewees include Alberta Hunter, one of the earliest African American singers to transition from Chicago's Bronzeville nightlife to the international spotlight, and Ralph Bass, one of the greatest R&B producers of his era. Blues expert, writer, record producer, and cofounder of Living Blues Magazine Jim O'Neal provides the book's foreword.

Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s. Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop. Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction.

With a new foreword by Will Johnson, this book presents a detailed account of the Rust Belt-born prolific and at times cantankerous singer-songwriter Jason Molina. As the first authorized account of this self-mythologizer, the book provides unparalleled insight into Molina's t...

This little book transcends geographical, social, and economic boundaries to search the heart and soul of the blues, looking for rules to live by, hope for the downtrodden, cautionary tales for the good times, and truths that "hurt so good". Sometimes, you just gotta be blue. But, as this book goes to show, that's okay--because you're never alone.