Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-visual texts that flourished during a time when U.S. citizens were becoming increasingly conscious of the life of a larger nation. Jeff Allred draws on a range of seminal works to illustrate the convergence of modernism and documentary, two forms often regarded as unrelated. Whereas critics routinely look to James Agee and Walker Evans' Let Us Now Praise Famous Men as the sole instance of the modernist documentary book, Allred turns to such works as Richard Wright's scathing 12 Million Black Voices, and the oft-neglected You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White to open up the critical playing field. And rather than focusing on the ethos of Progressivism and/or the politics and aesthetics of the New Deal, Allred emphasizes the centrality of Life magazine to the consolidation of a novel cultural form.

Unravels Umberto Eco's classic mystery novel

Today’s workforce represents individuals of various backgrounds and experiences. The influence of such individuals is becoming an important component in the workplace and researchers continue to explore the challenges of understanding the connection between employee profiles and the overall success of a company. Impact of Diversity on Organization and Career Development brings together a reflective discussion on the previous approaches and strategies of companies in relation to the paradigm shift in workplace equity of today’s workforce. By examining both old and new strategies, the research included in this publication will present a unique approach for future company enhancement and employee success. This publication is an essential reference source for researchers, practitioners, managers, and students interested in the effects of multicultural representation on both a company and its employees through professional growth and advancement.

Finally, the truth is revealed about Manhattan’s Deutsche Bank building fire. The devastating fire at 130 Liberty Street in the heart of Manhattan’s financial center — a short distance from what was the World Trade Center — was one of the worst fires in New York City’s history. Two firefighters were killed, and 105 were injured. One of the firefighters killed during the horrific fire was author Graffagnino’s son, Joey. Graffagnino refused to believe what high-level government decision makers were telling the public — that the fire was an accident. After eight years of relentless research in pursuit of the truth — combing through public records and interviewing firefighters on the scene, government officials, informed observers, whistleblowers and eyewitnesses — Graffagnino uncovered the truth. The horrific seven-alarm Deutsche Bank building fire was no accident. And all efforts to quell the raging inferno were in vain. The Fix Is In is not based upon a conspiracy theory, opinion or undocumented rumors, but confirmed facts. Graffagnino places blame where it belongs and exposes the people who benefited from the catastrophe. Find out for yourself. Discover the disturbing truth about a calculated and complex conspiracy involving top governmental agencies, corporate leaders and organized crime figures. “The Deutsche Bank fire was preventable,” said FDNY Captain Simon Ressner. “Preventive measures were deliberately sidestepped in the name of ambition and in the name of money.”

This third edition of Joe R. Feagin’s Racist America is significantly revised and updated, with an eye toward racism issues arising regularly in our contemporary era. This edition incorporates more than two hundred recent research studies and reports on U.S. racial issues that update and enhance all the last edition’s chapters. It expands the discussion and data on concepts such as the white racial frame and systemic racism from research studies by Feagin and his colleagues. The author has further polished the book to make it yet more readable for undergraduates, including eliminating repetitive materials, adding headings and more cross-referencing, and adding new examples, anecdotes, and narratives about contemporary racism.