For more than one hundred years, the Japanese Garden at the Huntington has served as a bellwether for the West's engagement with Asian culture. With its distinctive moon bridge, wisteria arbors, koi-filled ponds, bonsai courts, bamboo forest, and historical Japanese House, this nine-acre garden has captivated visitors so much that it has become one of the most photographed spots in Southern California. This lavishly illustrated volume explores the garden's history, from its development for the Huntington estate as a display of fashionable, cultivated taste, to its quiet deterioration and neglect during World War II, to its resurgence in the 1950s as a showcase for Japanese culture and garden arts. Just before its centennial, the garden and its Japanese House underwent a comprehensive renovation. The highlight of its new features is a ceremonial teahouse, Seifu-an (Arbor of Pure Breeze), set within a traditionally landscaped tea garden. Contributors: Kendall H. Brown, James Folsom, Naomi Hirahara, Robert Hori, Kelly Sutherlin McLeod, FAIA

Race riots. Labor strikes. Women's battle for the vote. The aftermath of the Great War. The transformative events and harsh realities of the year 1919 still reverberate a century later. Nineteen Nineteen, published to accompany a centennial exhibition of the Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, explores the institution and its founding through the lens of this single, tumultuous year. The fully illustrated catalog features works from The Huntington's vast collections of books, manuscripts, photographs, ephemera, and art, many of them never exhibited or published before.

When she was a girl, Lisa See spent summers in the cool, dark recesses of her family`s antiques store in Los Angeles' Chinatown. There, her grandmother and great-aunt told her intriguing, colourful stories about their family`s past - stories of missionaries, concubines, tong wars, glamorous nightclubs, and the determined struggle to triumph over racist laws and discrimination. They spoke of how Lisa`s great-great-grandfather emigrated from his Chinese village to the United States, and how his son followed him. As an adult, See spent fives years collecting the details of her family`s remarkable history. She interviewd nearly one hundred relatives and pored over documents at the National Archives, the immigration office, and in countless attics, basements, and closets for the initmate nuances of her ancestors` lives. The result is a vivid, sweeping family portriat that is att once particular and universal, telling the story not only of one family, but of the Chinese people in America - and of America itself, a country that both welcomes and reviles its immigrants like no other culture in the world.

2017 PubWest Book Design Bronze Award Winner for Art Book This book offers a celebration of one of America’s most important collections of European art, housed in The Huntington, among the world’s great cultural, research, and educational centers. Gainsborough’s Blue Boy is just one of the masterpieces contained in the Huntington Galleries—the first public collection of Old Master painting, sculpture, and decorative arts in Southern California, and among the most important collections of British Grand Manner portraits anywhere. Over one hundred of the most impressive works housed at The Huntington, including paintings, sculptures, decorative arts, and works on paper, are published together for the first time in this handsome catalog. Breathtaking in their range, these works are presented in a dynamic format that juxtaposes medium, style, and cultural origin. The result is a visually stunning selection of European masterpieces that will serve as both a guide to The Huntington's collection and an enlightening compendium for anyone interested in European art.

Medieval Manuscripts in the Digital Age explores one major manuscript repository's digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment. Through contributions from a large group of distinguished international scholars, the volume assesses the impact of being able to access and interpret these early manuscripts in new ways. The focus on Parker on the Web, a world-class digital repository of diverse medieval manuscripts, comes as that site made its contents Open Access. Exploring the uses of digital representations of medieval texts and their contexts, contributors consider manuscripts from multiple perspectives including production, materiality, and reception. In addition, the volume explicates new interdisciplinary frameworks of analysis for the study of the relationship between texts and their physical contexts, while centring on an appreciation of the opportunities and challenges effected by the digital representation of a tangible object. Approaches extend from the codicological, palaeographical, linguistic, and cultural to considerations of reader reception, image production, and the implications of new technologies for future discoveries. Medieval Manuscripts in the Digital Age advances the debate in manuscript studies about the role of digital and computational sources and tools. As such, the book will appeal to scholars and students working in the disciplines of Digital Humanities, Medieval Studies, Literary Studies, Library and Information Science, and Book History.