Napoleon has escaped from Elba – the Hundred Days have begun.

Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceau?escu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and loyalty is never absolute. And as the regime's authority falters, he finds himself uncomfortably, then dangerously, close to the eye of the storm. By turns thrilling and satirical, studded with poetry and understated revelation, The Last Hundred Days captures the commonplace terror of Cold War Eastern Europe. Patrick McGuinness's first novel is unforgettable.

Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”

A teen girl suffers from progeria, a rare disease that causes her to age rapidly. This is the story of three unlikely friends learning to live life to its fullest before ultimately letting it go.

From one of Australia’s most celebrated authors comes a powerful mother-daughter drama that explores the fault lines between love and control, pairing the claustrophobic intensity of Room and My Year of Rest and Relaxation with the youthful angst of Freshwater. Sixteen and pregnant, Karuna finds herself trapped in her mother’s Melbourne public housing apartment for one hundred days awaiting the birth of her child—and her mother’s next move in a shocking power struggle over who will raise the baby. To fill the seemingly endless hours of her imprisonment, she writes to her unborn child, determined that her baby will know the truth, no matter what happens. Karuna’s pregnancy is the result of a heady act of independence, lust, and defiance that happened in a moment of freedom from her overprotective mother. In reaction to her daughter’s recklessness, Karuna’s mother locks her inside their apartment to her to make sure she can’t get into any more trouble. While postpartum confinement is a tradition in many cultures, is Karuna’s an act of love—or emotional abuse? As the birth approaches, Karuna and her mother repeatedly trip the fault lines between love and control. And somehow, despite their battles, Karuna recognizes her mother’s love in even the strangest of behaviors. At times tense and unnerving, One Hundred Days illuminates the pain, confusion, and thrill of growing up and the overwhelming desire of adults to protect the children they

The bestselling, highly-acclaimed and most famous account of the Falklands War, written by the commander of the British Task Force.

In Hundred Days’ Literature, Lorenzo Andolfatto explores the landscape of early modern Chinese fiction through the lens of the utopian novel, casting new light on some of its most peculiar yet often overshadowed literary specimens. The wutuobang or lixiang xiaoshuo, by virtue of its ideally totalizing perspective, provides a one-of-a-kind critical tool for the understanding of late imperial China’s fragmented Zeitgeist. Building upon rigorous close reading and solid theoretical foundations, Hundred Days’ Literature offers the reader a transcultural critical itinerary that links Edward Bellamy’s Looking Backward to Wu Jianren’s Xin Shitou ji via the writings of Liang Qichao, Chen Tianhua, Bihe Guanzhuren, and Lu Shi’e. The book also includes the first English translation of Cai Yuanpei’s short story “New Year’s Dream.”