The anthology 'Mr. Punch's Country Life: Humours of Our Rustics' presents a rich tapestry of pastoral humor through a collection of works from a diverse group of late 19th and early 20th-century British illustrators and satirists. Its pages encapsulate a wide array of literary styles, from caricature to gentle satire, exploring the quirks and idiosyncrasies of rural British life. The variety of approaches to the theme of country life showcases the depth and diversity of talent among the contributors, making the collection significant both as a historical document and a piece of literary art. Standout pieces within the anthology serve as cultural commentaries, offering insights into the social dynamics and daily experiences of rustic Britain during this period. The contributing artists and cartoonists, including Phil May, George du Maurier, and Charles Keene among others, bring together a unique blend of backgrounds, united by their prolific contributions to notable publications such as Punch magazine. Their collective work reflects the broader context of Victorian and Edwardian satire, marked by a transition from more straightforward ridicule to a nuanced exploration of social norms and human behavior. This anthology not only aligns with but enriches the historical and cultural understanding of this era's comedic and critical examination of country life. As such, 'Mr. Punch's Country Life: Humours of Our Rustics' is an essential collection for anyone interested in British humor, satire, or cultural history. Beyond its value as an archival piece, the anthology offers readers an unparalleled opportunity to engage with the works of some of the era's most influential artists and satirists. Each piece serves as a window into the pastoral world of yesteryear, inviting a comparative reflection on contemporary rural life. This collection is particularly recommended for enthusiasts of social satire, students of British cultural history, and lovers of classic illustrative art, promising both educational enrichment and delightful entertainment.

This wry and visceral debut novel follows a young Turkish-American woman who, rather than grieving her father's untimely death, seeks treatment for a stubborn headache and grows obsessed with a centuries-old theory of medicine. "[A] humane and refreshingly astringent novel." —Lauren LeBlanc, The New York Times Book Review Twenty-year-old Sibel thought she had concrete plans for the summer. She would care for her grandmother in Istanbul, visit her father’s grave, and study for the MCAT. Instead, she finds herself watching Turkish soap operas and self-diagnosing her own possible chronic illness with the four humors theory of ancient medicine. Also on Sibel’s mind: her blond American boyfriend who accompanies her to Turkey; her energetic but distraught younger sister; and her devoted grandmother, who, Sibel comes to learn, carries a harrowing secret. Delving into her family’s history, the narrative weaves through periods of political unrest in Turkey, from military coups to the Gezi Park protests. Told with pathos and humor, Sibel’s search for strange and unusual cures is disrupted as she begins to see how she might heal herself through the care of others, including her own family and its long-fractured relationships.

A collection of 89 song lyrics suitable for the solo voice and group singing. The songs are presented in three sections. Volume I contains seventeenth century Royalist songs, popular songs and black letter ballads suitable for use by re-enactmentor and in theatre productions. Volumes II and III contain more recent folk songs and sea shanties. All three volumes are bound in this single edition which has been typeset in the style of black latter ballads using an antique type face with woodcut illustrations.

It's a Funny Thing, Humour contains the papers presented at the International Conference on Humor and Laughter, held in Cardiff in July 1976. The symposium provides a platform from which authors from different professional and personal background can talk about their own definition and analysis of humor. The book is structured into 10 main sections that reflect the structure of the conference and presents various studies and research on the nature of humor and laughter. Contributions range from theoretical discussions to practical and experimental expositions. Topics on the psychoanalytical theory of humor and laughter; the nature and analysis of jokes; cross-cultural research of humor; mirth measurement; and humor as a tool of learning are some of the topics covered in the symposium. Psychologists, sociologists, teachers, communication experts, psychiatrists, and people who are curious to know more about humor and laughter will find the book very interesting and highly amusing.

This book critically examines the role and politics of humour and the performance of power in South Asia. What does humour do and how does it manifest when lived political circumstances experience ruptures or instability? Can humour that emerges in such circumstances be viewed as a specific narrative on the nature of democracy in the region? Drawing upon essays from India, Sri Lanka and Bangladesh, this volume discusses many crucial historical and contemporary themes, including dance-drama performances in northern India; caste and stand-up comedy in India; cartoon narratives of citizens’ anxieties; civic participation through social media memes in Sri Lanka; media, politics and humorous public in Bangladesh; the politics of performance in India; and the influence of humour and satire as political commentaries. The volume explores the impact of humour in South Asian folklore, ritual performances, media and journalism, and online technologies. This topical and interdisciplinary book will be essential for scholars and researchers of cultural studies, political science, sociology and social anthropology, media and communication studies, theatre and performance studies, and South Asian studies.

"Humours of '37, Grave, Gay and Grim," written by Robina Lizars and Kathleen Macfarlane Lizars, is a comprehensive account of the 1837 rebellion in Canada. The book offers a detailed analysis of the key events and personalities involved in the rebellion, providing readers with a vivid and engaging portrayal of this significant period in Canadian history.