If you have ever lived with Uncle Merle, you are probably laughing out loud, right now. If you haven't lived with him, that's too bad. Howard Noel, the author of Just Humor Me brought to these pages a hilarious look at the funny side of family life. And at his side is Uncle Merle. Uncle Merle is wise. He is "steely strong" and opinionated. He is experienced and stubborn. He listens to everyone. He just doesn't pay attention. He understands the world around him, and is quick to let you know it. Uncle Merle can make sense of the most complex issues and problems. He will reduce his intellectual competitor to tears of frustration, and his audience to tears of laughter. For after it all...Uncle Merle is a hilarious representation of the conventional wisdom of this day. Just Humor Me is a collection of the best of the syndicated column The Front Porch. It is from that porch that family, neighborhood and community problems are discussed and solved every week. This collection of lively essays gives us an intimate look into the world of the author, his family, his neighbors, and of course, the venerable Uncle Merle.

For fans of Romantic Comedy by Curtis Sittenfeld, a hilarious, heartfelt novel about the healing power of female friendship, unexpected love, and stand-up comedy Presley Fry is not amused. She’s been an assistant at the Late Night Show for way too long, she’s adopted a “business casual” approach to dating to save herself from the embarrassment of seeking genuine connection, and she’s content to let her gregarious roommate, Isabelle, orchestrate her entire social life. Not completely disillusioned, Presley is enamored with the world of stand-up comedy. The joy she finds in discovering up-and-coming comedians is enough for now. Presley is still reeling from her mother's death, which still knocks the wind out of her every time she reaches for the phone. Enter Susan Clark, her late mother's childhood best friend. Susan is married to the head of the network where Presley works, and is determined to take Presley under her wing. She’s equally determined to connect Presley with her son, the bright and affable Lawrence, who couldn’t be further from Presley’s type. As Presley grapples with the loss of her mother and finds her people among those who seek out comedy to make the world a bit brighter, Humor Me reminds us that friendship can emerge from where you least expect it and that shared laughter can ease the deepest pain.

WALL STREET JOURNAL, LOS ANGELES TIMES, AND USA TODAY BESTSELLER • Anyone—even you!—can learn how to harness the power of humor in business (and life), based on the popular class at Stanford’s Graduate School of Business. Don’t miss the authors’ TED Talk, “Why great leaders take humor seriously,” online now. “The ultimate guide to using the magical power of funny as a tool for leadership and a force for good.”—Daniel H. Pink, #1 New York Times bestselling author of When and Drive We are living through a period of unprecedented uncertainty and upheaval in both our personal and professional lives. So it should come as a surprise to exactly no one that trust, human connection, and mental well-being are all on the decline. This may seem like no laughing matter. Yet, the research shows that humor and laughter are among the most valuable tools we have at our disposal for strengthening bonds and relationships, diffusing stress and tension, boosting resilience, and performing when the stakes are high. That’s why Jennifer Aaker and Naomi Bagdonas teach the popular course Humor: Serious Business at the Stanford Graduate School of Business, where they help some of the world’s most hard-driving, blazer-wearing business minds infuse more humor and levity into their work and lives. In Humor, Seriously, they draw on findings by behavioral scientists, world-class comedians, and inspiring business leaders to reveal how humor works and—more important—how you can use more of it, better. Aaker and Bagdonas unpack the theory and application of humor: what makes something funny, how to mine your life for material, and simple ways to identify and leverage your unique humor style. They show how to use humor to rebuild vital connections; appear more confident, competent, and authentic at work; and foster cultures where levity and creativity can thrive. President Dwight David Eisenhower once said, “A sense of humor is part of the art of leadership, of getting along with people, of getting things done.” If Dwight David Eisenhower, the second least naturally funny president (after Franklin Pierce), thought humor was necessary to win wars, build highways, and warn against the military-industrial complex, then you might consider learning it too.

In a collection of stories, quips, and quotes that only Barbara Johnson could conceive, readers will laugh at the zany, unforgettable surprises of being a mother. Mothers-they've seen it all-the good, the bad, and the hilarious. And now they're talking about it. Best-selling author, speaker, and all-around funny lady, Barbara Johnson continues her tradition of serious hilarity with a humorous look at the joys of motherhood. A collection of stories, quotes, and anecdotes that help moms forget the stress and frustration of unmade beds and a fast-food lifestyle, Humor Me, I'm Your Mother is the perfect book that will soon have them giggling, chuckling, and laughing out loud.

The perfect book for anyone with a sense of humor: more than fifty of the greatest pieces of comic writing of our time, selected by the incomparable Ian Frazier.

“If Tina Fey and David Sedaris had a daughter, she would be Maeve Higgins.” —Glamour A startlingly hilarious essay collection about one woman’s messy path to finding her footing in New York City, from breakout comedy star and podcaster Maeve Higgins Maeve Higgins was a bestselling author and comedian in her native Ireland when, at the grand old age of thirty-one, she left the only home she’d ever known in search of something more and found herself in New York City. Together, the essays in Maeve in America create a smart, funny, and revealing portrait of a woman who aims for the stars but sometimes hits the ceiling and the inimitable city that helped make her who she is. Here are stories of not being able to afford a dress for the ball, of learning to live with yourself while you’re still figuring out how to love yourself, of the true significance of realizing what sort of shelter dog you would be. Self-aware and laugh-out-loud funny, this collection is also a fearless exploration of the awkward questions in life, such as: Is clapping too loudly at a gig a good enough reason to break up with somebody? Is it ever really possible to leave home? “Maeve Higgins is hilarious, poignant, conversational, and my favorite Irish import since U2. You’re in for a treat.” —Phoebe Robinson

A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline.