This book offers the first comprehensive critical study of David Hume’s Four Dissertations of 1757, containing the Natural History of Religion, the Dissertation on the Passions, and the two essays Of Tragedy and Of the Standard of Taste. The author defends two important claims. The first is that these four works were not published together merely for convenience, but that they form a tightly integrated set, unified by the subject matter of the passions. The second is that the theory of the passions they jointly present is significantly different—indeed, significantly improved—from that of the earlier Treatise. Most strikingly, it is anti-egoist and anti-hedonist about motivation, where the Treatise had espoused a Lockean hedonism and egoism. It is also more cognitivist in its analysis of the passions themselves, and demonstrates a greater awareness of the limits of sympathy and of the varieties of human taste. This book is an important contribution to the scholarly literature on Hume’s work on the passions, art, and superstitious belief.

Tom Beauchamp presents the definitive scholarly edition of two famous works by David Hume, both originally published in 1757. In A Dissertation on the Passions Hume sets out his original view of the nature and central role of passion and emotion. The Natural History of Religion is a landmark work in the study of religion as a natural phenomenon.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1757 edition. Excerpt: ... the idea of a station or situation altogether desirable. The draughts of life, according to the poet's fiction, are always mixed from the vessels on each hand of Jupiter Or if any cup be presented altogether pure, it is drawn only, as the fame poet tells us, . from the left-handed vessel. The more exquisite any good is, ofwhich a small specimen is afforded us, the sharper is the evil, allied to it; and few exceptions are found to this uniform law of nature. T he most sprightly wit borders on madness; the highest effusions of joy produce the deepest melancholy; the most ravishing pleasures are attended with the most cruel lassitude and disgust $ the most flattering hopes make way for the severest disappointments. And in general, no course of life has such sasety (for happiness is not to be dreamed of) as the temperate and moderate, which maintains, as far as possible, a mediocrity, and a kind of insensibility, in every thing. As the good, the great, the sublime, the ravishing are found eminently in the genuine principles of theism; it may be expected, from the analogy of nature, that the base, the absurd, the mean, the terrifying will be discovered equally in religious fictions and chimeras. The universal propensity to believe in invisible, intelligent power, if not an original instinct, being at least a general attendant of human nature, it may be considered as a kind of mark or stampv which the divine workman has set upon his work; and nothing surely can more dignify mankind, than to be thus selected from all the other parts of the creation, and to bear the image or impression of the universal Creator. But consult this image, as it commonly appears in the popular religions of the world. How is the deity disfigured in our representations of him!...

Hume's Aesthetic Theory examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume. This is a major contribution to our understanding of Hume's general philosophy and provides fresh insights into the history of aesthetics.

Hume's Enquiry concerning the Principles of Morals is one of the landmark works in the history of moral philosophy; this volume presents a section-by-section study of the work in the form of new interpretative essays by leading Hume scholars. The result is a comprehensive reassessment of Hume's 'recasting' of his moral philosophy in this work. Particular attention is given to the Enlightenment concepts of justice and benevolence, as well as to the concept of humanity and moral sentiment. Fifteen original chapters take the reader through the nine sections and four appendices of Hume's Enquiry, as well as 'A Dialogue,' to assess critically the moral philosophy he presents. How does it differ from the moral philosophy of the Treatise, and how should we understand the significance of the arguments he advances? Additional chapters examine the relation between Hume's mature moral philosophy and related subjects such as his epistemology, his writings on religion, beauty and criticism, the passions, and his own intellectual and philosophical development during the period in which he conceived and wrote the Enquiry.

David Hume’s philosophical work presents the reader with a perplexing mix of constructive accounts of empirically guided belief and destructive sceptical arguments against all belief. This book reconciles this conflict by showing that Hume intended his scepticism to be remedial. It immunizes us against the influence of “unphilosophical” causes of belief, determining us to proportion our beliefs to the evidence. In making this case, this book develops Humean positions on topics Hume did not discuss in detail but that are of interest to contemporary philosophers: consciousness and the unity of consciousness, temporal experience, visual spatial perception, the experience of colour and other qualia, objective experience, and spatially extended minds. It also challenges currently accepted interpretations of Hume’s views on the finite divisibility of space and time, vacuum, the duration of unchanging objects, and identity over time. It deals with criticisms of Hume that were raised by his contemporaries, notably by Thomas Reid, draws attention to earlier seventeenth‐ and eighteenth‐century work that has bearing on the interpretation of Hume’s thought, and compares Hume’s achievements with those of later nineteenth‐century psychologists and philosophers. Consciousness, Time, and Scepticism in Hume’s Thought will appeal to scholars and advanced students interested in Hume, history of philosophy, and early modern theories of perception, time, and consciousness.

Examines each section of Hume's second Enquiry in detail and considers its place within Hume's philosophy as a whole.