"Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this volume underlines the ways in which these exhibitions affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo." "Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. This is a unique book on a crucial phenomenon, which takes us to the heart of Western fantasies and allows us to understand the genesis of identity in Japan, Europe and North America."--BOOK JACKET.

Human Zoos offers a fascinating, sobering and macabre tour of man's exploitation of man--that is, Western man's exploitation of non-Western men and women--as recorded throughout the early history of photography, from the 1860s to the 1930s and the invention of "humane exhibiting" of nonwhite persons. Freak shows, the circuses of Buffalo Bill and P.T. Barnum and European colonial exhibitions provided the occasions for most of these images, several of which were incorporated into posters, postcards and other ephemera, designed with an improbable jauntiness. Human Zoos traces the evolution of such paradigmatic conceptions as "specimen," "savage" and "native" for the designation of peoples as various as Native Americans, Asians and Africans from all corners of the continent. As horrific and compelling as it is brilliantly researched and compiled, this volume unflinchingly surveys the very recent history of the West's arrogant abuse of those deemed to fall outside its brutal terms of civilization.

A blistering new novel that follows a Filipino American journalist’s return to dictatorship-ruled Manila to research her book on tribes from a “cracklingly original” (Elle) and “singular” (New York Times Book Review) author, PEN Faulkner award-winner, Sabina Murray. Filipino-American Christina “Ting” Klein has just travelled from New York to Manila, both to escape her imminent divorce, and to begin research for a biography of Timicheg, an indigenous Filipino brought to America at the start of 20th century to be exhibited as part of a "human zoo." It has been a year since Ting’s last visit, and one year since Procopio “Copo” Gumboc swept the elections in an upset and took power as president. Arriving unannounced at her aging Aunt’s aristocratic home, Ting quickly falls into upper class Manila life—family gatherings at her cousin’s compound; spending time with her best friend Inchoy, a gay socialist professor of philosophy; and a flirtation with her ex-boyfriend Chet, a wealthy businessman with questionable ties to the regime. All the while, family duty dictates that Ting be responsible for Laird, a cousin’s fiancé, who has come from the States to rediscover his roots. As days pass, Ting witnesses modern Filipino society languishing under Gumboc’s terrifying reign. To make her way, she must balance the aristocratic traditions of her extended family, seemingly at odds with both situation and circumstance, as well temper her stance towards a regime her loved ones are struggling to survive. Yet Ting cannot extricate herself from the increasingly repressive regime, and soon finds herself personally confronted by the horrifying realities of Gumboc’s power. At once a propulsive look at contemporary Filipino politics and the history that impacted the country, The Human Zoo is a thrilling and provocative story from one of our most celebrated and important writers of literary fiction.

2016 NAACP Image Award Winner An award-winning journalist reveals a little-known and shameful episode in American history, when an African man was used as a human zoo exhibit—a shocking story of racial prejudice, science, and tragedy in the early years of the twentieth century in the tradition of The Immortal Life of Henrietta Lacks, Devil in the White City, and Medical Apartheid. In 1904, Ota Benga, a young Congolese “pygmy”—a person of petite stature—arrived from central Africa and was featured in an anthropology exhibit at the St. Louis World’s Fair. Two years later, the New York Zoological Gardens displayed him in its Monkey House, caging the slight 103-pound, 4-foot 11-inch tall man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe. Spectacle explores the circumstances of Ota Benga’s captivity, the international controversy it inspired, and his efforts to adjust to American life. It also reveals why, decades later, the man most responsible for his exploitation would be hailed as his friend and savior, while those who truly fought for Ota have been banished to the shadows of history. Using primary historical documents, Pamela Newkirk traces Ota’s tragic life, from Africa to St. Louis to New York, and finally to Lynchburg, Virginia, where he lived out the remainder of his short life. Illuminating this unimaginable event, Spectacle charts the evolution of science and race relations in New York City during the early years of the twentieth century, exploring this racially fraught era for Africa-Americans and the rising tide of political disenfranchisement and social scorn they endured, forty years after the end of the Civil War. Shocking and compelling Spectacle is a masterful work of social history that raises difficult questions about racial prejudice and discrimination that continue to haunt us today.

Jax Cooper lives a comfortable life, maybe too comfortable. Born into a powerful family. Jax is the son of the largest mogul in the world. As a journalist for The Globe, he takes on a unique, self-assigned piece: to investigate his father's empire, The Human Zoo. Disguised as one of the animals and stripped of his identity, wealth, and eugenic luxuries, Jax is challenged by what it means to be human when he meets Priya.Born into the zoo's captivity, Priya has only known two things; she does not belong here, and she will do anything to escape, but freedom always seemed impossible until an unusual new animal, Jax, arrives.A gripping investigation turned life changing, Jax is forced to make a decision. Will he risk dismantling society by exposing who-or what-being an animal means...or succumb to his only living protection, his family's empire?

At the dawn of the last century, leading scientists and politicians giddily predicted that science—especially Darwinian biology—would supply solutions to all the intractable problems of American society, from crime to poverty to sexual maladjustment. Instead, politics and culture were dehumanized as scientific experts began treating human beings as little more than animals or machines. In criminal justice, these experts denied the existence of free will and proposed replacing punishment with invasive “cures” such as the lobotomy. In welfare, they proposed eliminating the poor by sterilizing those deemed biologically unfit. In business, they urged the selection of workers based on racist theories of human evolution and the development of advertising methods to more effectively manipulate consumer behavior. In sex education, they advocated creating a new sexual morality based on “normal mammalian behavior” without regard to longstanding ethical and religious imperatives. Based on extensive research with primary sources and archival materials, John G. West’s captivating Darwin Day in America tells the story of how American public policy has been corrupted by scientistic ideology. Marshaling fascinating anecdotes and damning quotations, West’s narrative explores the far-reaching consequences for society when scientists and politicians deny the essential differences between human beings and the rest of nature. It also exposes the disastrous results that ensue when experts claiming to speak for science turn out to be wrong. West concludes with a powerful plea for the restoration of democratic accountability in an age of experts.

In the early century, Charles Darwin published his book on the origin of species species American promoter unveiled a new attraction at his popular Museum. Visitors were told that the creature had been captured by hunters in Africa who discovered a race of beings roving among the tree sand branches like Eames and monkeys. Museum staff declared that the creature had been pronounced by scientists as a connecting link between African blacks and lower animals.