Flight Lieutenant Silk, a twice-decorated Lancaster pilot in WW II, rejoins the R.A.F. and qualifies to fly the Vulcan bomber. Piloting a Vulcan is an unforgettable experience: no other aircraft comes close to matching its all-round performance. And as bombers go, it's drop-dead gorgeous. But there's a catch. The Vulcan has only one role: to make a second strike. To act in retaliation for a Russian nuclear attack. Silk knows that knows that if he ever flies his Vulcan in anger, he'll be flying from a smoking wasteland, a Britain obliterated. But in the mad world of Mutually Assured Destruction, the Vulcan is the last--the only--deterrent. Derek Robinson returns with another rip-roaring, gung-ho R.A.F. adventure, one that exposes and confronts the brinkmanship and saber-rattling of the Cold War Era.

Flight Lieutenant Silk, a twice-decorated Lancaster pilot in WW II, rejoins the R.A.F. and qualifies to fly the Vulcan bomber. Piloting a Vulcan is an unforgettable experience: no other aircraft comes close to matching its all-round performance. And as bombers go, it's drop-dead gorgeous. But there's a catch. The Vulcan has only one role: to make a second strike. To act in retaliation for a Russian nuclear attack. Silk knows that knows that if he ever flies his Vulcan in anger, he'll be flying from a smoking wasteland, a Britain obliterated. But in the mad world of Mutually Assured Destruction, the Vulcan is the last - the only - deterrent. Derek Robinson returns with another rip-roaring, gung-ho R.A.F. adventure, one that exposes and confronts the brinkmanship and sabre-rattling of the Cold War Era.

This new, updated edition of The Battle of Britain on Screen examines in depth the origins, development and reception of the major dramatic screen representations of 'The Few' in the Battle of Britain produced over the past 75 years. Paul MacKenzie explores both continuity and change in the presentation of a wartime event that acquired and retains near-mythical dimensions in popular consciousness and has been represented many times in feature films and television dramas. Alongside relevant technical developments, the book also examines the social, cultural, and political changes occurring in the second half of the 20th century and first decade of current century that helped shape how the battle came to be framed dramatically. This edition contains a new chapter looking at the portrayal of the Battle of Britain at the time of its 70th anniversary. Through its perceptive demonstration of how our memory of the battle has been constantly reshaped through film and television, The Battle of Britain on Screen provides students of the Second World War, 20th-century Britain and film history with a thorough and complex understanding of an iconic historical event.

North Africa, 1942. Dust, heat, thirst, flies. A good clean fight, for those who like that sort of thing, and some do. From an advanced landing field, striking hard and escaping fast, our old friends from Hornet Squadron (Piece of Cake) play Russian roulette, flying their clapped-out Tomahawks on ground-strafing forays. Meanwhile, on the ground, the men of Captain Lampard's S.A.S. patrol drive hundreds of miles behind enemy lines to plant bombs on German aircraft. This is the story of a war of no glamor and few heroes, in a setting often more lethal than the enemy.

World War One pilots were the knights of the sky, and the press and public idolised them as gallant young heroes. At just twenty-three, Major Stanley Woolley is the old man and commanding officer of Goshawk Squadron. He abhors any notion of chivalry in the clouds and is determined to obliterate the decent, gentlemanly outlook of his young, public school-educated pilots - for their own good. But as the war goes on he is forced to throw greener and greener pilots into the meat grinder. Goshawk Squadron finds its gallows humour and black camaraderie no defence against a Spandau bullet to the back of the head.

I can say with absolute certainty that, everybody enjoys watching movies, cinema, films and television. But few, if any, know how a film is made: a film has inbuilt special effects or 'tricks'to make it appealing to audiences. MOVING CAMERAS AND LIVING MOVIES reveals to you ALL about films & Filmmaking; it is a hard and tasking enterprise involving tens of thousands of workers and millions of investment dollars. After reading MOVING CAMERAS...your love for movies will triple. Movie technicians and camera gurus have a license to mould, alter, and manipulate the screen to produce or induce rain, sunlight, snow, fire, or fly any object in space in defiance of gravity or even cause 'accidents'or 'raise' the dead to life. Learn the fascinating, exciting world of film, actresses, actors, fashion, and fictional entities.