Things at school have changed and at home Nanea's brother is talking about enlisting in the military; Nanea is having trouble coping with all these changes and turns to hula dancing to help her feel better.

"Nanea Mitchell had hoped that going back to school would make life seem normal again. But everything has changed since the war started, including Miss Smith's wonderful classroom. Nanea' dear friend Donna is gone, and now there's a new girl who seems to be getting all of Miss Smith's attention. There are also worries at home as Nanea' big brother talks about joining the Army. Nanea can't bear the thought of him leaving. In the swirl of changes, Nanea turns to hula. Dancing always makes her feel better. Then, Nanea gets a big idea-- could hula help lift the spirits of the soldiers, too?"--Page [4] of cover.

"Everything has changed...since the war started. Nanea had hoped that going back to school would make life seem normal again. But it hasn't. There are still curfews and blackouts and constant reminders of war. Nanea's dear friend Donna had to leave Hawaii, and Nanea's big brother keeps talking about joining the Army. She can't bear the thought of him far from home and in danger. In the swirl of changes, Nanea turns to hula. Dancing makes her feel better, and soon she learns how much it lifts the spirits of the soldiers, too. When a surprising hula partner boosts everyone's morale, Nanea gets a big idea" -- Back cover.

Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria. While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves. Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.

Nanea Mitchell thinks she is grown up enough to help in her grandparent's market, but before she can prove herself, Japan attacks Pearl Harbor, the naval base where her father works, and suddenly her island way of life is changed forever.

As two of the most popular entertainers of the mid-century film industry, comic greats Bud Abbott and Lou Costello offered an essential balm to the American public following the sorrows of the Great Depression and during the trauma of World War II. This is the first book to focus in detail on the immensely popular wartime films of Abbott and Costello, discussing the production, content, and reception of 18 films within the context of wartime events on the home front and abroad. The films covered include the service comedies Buck Privates, In the Navy, and Keep 'Em Flying; more mainstream comic relief films such as Pardon My Sarong and Who Done It?; and post-war experiments such as Little Giant and The Time of Their Lives. More than 120 stills and lobby cards from the author's personal collection illustrate the text, including many showing outtakes or deleted scenes.