A gothic, Dickensian take on The Elephant Man, featuring a misshapen young boy as the titular character, Hug.

In 1888 Oswell Danford is living a hard but satisfying life as a rancher in Virginia when he receives an unexpected telegram. A wedding invitation should be cause to celebrate but not when it means he'll have to face past deeds that he's deeply ashamed of. Now he and his brother, along with their ex-compatriot, an inveterate gambler from New York, will have to travel to Montana Territory to settle an old score they'd nearly forgotten. They will join the expectant congregation at the church for the marriage of their former brother-in-arms. But while everyone else will be wishing a blissful future for the happy couple they will be praying the darkness from their past doesn't devour the entire town. A Congregation of Jackals is an unrelenting tale of betrayal and revenge told with a precision and brutality that will leave you breathless and haunted. Fans of Zahler's breakout hits Bone Tomahawk and Wraiths of the Broken Land will be floored by this, originally the first installment of his western horror trilogy.

A brutal and unflinching tale that takes many of its cues from both cinema and pulp horror, Wraiths of the Broken Land is like no Western you’ve ever seen or read. Desperate to reclaim two kidnapped sisters who were forced into prostitution, the Plugfords storm across the badlands and blast their way through Hell. This gritty, character-driven piece will have you by the throat from the very first page and drag you across sharp rocks for its unrelenting duration. Prepare yourself for a savage Western experience that combines elements of Horror, Noir and Asian ultra-violence. You’ve been warned. Praise from Kurt Russell, Joe R. Lansdale, Booklist, Jack Ketchum, and Ed Lee: "Zahler's a fabulous story teller whose style catapults his reader into the turn of the century West with a ferocious sense of authenticity." -Kurt Russell, star of Tombstone, Escape from New York, Dark Blue, and Death Proof "If you're looking for something similar to what you've read before, this ain't it. If you want something comforting and predictable, this damn sure ain't it. But if you want something with storytelling guts and a weird point of view, an unforgettable voice, then you want what I want, and that is this." -Joe R. Lansdale, author of The Bottoms, Mucho Mojo, and Savage Season" "[C]ompulsively readable.... Fans of Zahler's A Congregation of Jackals (2010) will be satisfied; think Quentin Tarantino's Django Unchained. [C]lever mayhem ... leads to a riveting climax." -Booklist "[A] classic Western that's been twisted into the shape of a snarling monster...." -Gabino Iglesias, Out Of The Gutter Online "It would be utterly insufficient to say that WRAITHS is the most diversified and expertly written western I've ever read."-Edward Lee, author of The Bighead and Gast. "WRAITHS always rings true, whether it's visiting the depths of despair, the fury of violence, or the fragile ties that bind us together for good or ill. It's a Western with heart and intelligence, always vivid, with characters you will detest or care about or both, powerfully written." -Jack Ketchum, author of Off Season and The Girl Next Door

A hardened city detective is sent to a hellhole rust belt town in Missouri where violent crime is skyrocketing and police officers are showing up dead in S Craig Zahler's crime thriller Mean Business on North Ganson Street. A distraught businessman kills himself after a short, impolite conversation with a detective named Jules Bettinger. Because of this incident, the unkind (but decorated) policeman is forced to relocate himself and his family from Arizona to the frigid north, where he will work for an understaffed precinct in Victory, Missouri. This collapsed rustbelt city is a dying beast that devours itself and its inhabitants...and has done so for more than four decades. Its streets are covered with dead pigeons and there are seven hundred criminals for every law enforcer. Partnered with a boorish and demoted corporal, Bettinger investigates a double homicide in which two policemen were slain and mutilated. The detective looks for answers in the fringes of the city and also in the pasts of the cops with whom he works—men who stomped on a local drug dealer until he was disabled. Bettinger soon begins to suspect that the double homicide is not an isolated event, but a prelude to a series of cop executions...

A devastating character study painted with the darkest shades of noir, as unforgiving on the reader as those who seek retribution against the slick for his nocturnal misdeeds.

During his 45th year of life "A singular voice in cinema," (Movies in Focus) and "One of genre's most exciting filmmakers" (Indiewire) decided to make a comic book. After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion--illustration. With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus. Here's the setup... Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers--a grumpy detective named Leo and a slick mobster named Tommy--seek answers that lead them to darkness, arcane medicine, and pain. Fans of Bone Tomahawk (recently named best film of the decade by Conan O'Brien) will enjoy Zahler's return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.

Decades in the future Corpus Chrome, Inc. develops a robotic body, dubbed a "mannequin," that can revive, sustain and interface with a cryonically-preserved human brain. Like all new technology, it is copyrighted. Hidden behind lawyers and a chrome facade, the inscrutable organization resurrects a variety of notable minds, pulling the deceased back from oblivion into a world of animated sculpture, foam rubber cars, dissolving waste and strange terrorism. Nobody knows how Corpus Chrome, Inc. determines which individuals should be given a second life, yet myriad people are affected. Among them are Lisanne Breutschen, the composer who invented sequentialism with her twin sister, and Champ Sappline, a garbage man who is entangled in a war between the third, fourth and fifth floors of a New York City apartment building. In the Spring of 2058, Corpus Chrome, Inc. announces that they will revive Derek W.R. Dulande--a serial rapist and murderer who was executed thirty years ago for his crimes. The public is horrified by the decision, and before long, the company's right to control the lone revolving door between life and death will be violently challenged...