Huellas de una Reina sin Corona, representa en sí, la labor poética más importante en la incipiente carrera literaria del autor. Escrito entre algunos inigualables rincones de Canadá y sus alrededores: British Columbia, Québec y Ontario, éste libro ha sido la mayor muestra de inspiración, admiración y amor desenfrenados por la vida y la mujer, que el poeta ha desarrollado a través de las letras plasmadas, y donde las metáforas se disgregan con el más solemne canto perdido entre palabras. Surgida de un romance repentino entre largas horas de nevadas soledades, ésta poesía logrará entre sus sonidos y cadencias, desdoblar al lector hacia una súbita revolución emocional, donde no habrá cabida a la lógica, y la muerte pretende no importar ya más, sino inspirar y enaltecer hasta el fifi nal, porque es a través del lenguaje del alma que realmente entendemos nuestra existencia... El amor es parecido al cigarro del poeta, suele ser inspirador y casi siempre mata, su ausencia desespera, puede tirarlo y pisarlo, o disfrutarlo hasta que apagado desvanezca...

Footprints of the Queen without a Crown, represents itself, the most important poetic work in the incipient literary career of the author. Written among some unique corners of Canada and surrounding areas: British Columbia, Quebec and Ontario, this book has been the greatest display of unrestrained inspiration, admiration and love for life and women, that the poet has embodied through letters and, where metaphors are broken with the solemn chant lost among words. Emerging from a sudden romance within long hours of snowy solitudes, this poetry will achieve, between sounds and cadences, to unfold the reader to a sudden emotional revolution, where there will be no space for logic, and where death does not matter anymore, but inspire and praise to the end, because it is through the language of the soul in which we really understand our existence Love is like the cigarette of the poet, often inspiring and almost always kills, its absence tend to exasperate, you can throw and tread on it, or enjoy it until it fades off

En esta novela el autor trata por medios racionales de explicar la existencia de esa poderosa y desconocida fuerza que gobierna el universo. Este tratado es un esfuerzo racional por explicar lo inexplicable, lo que no tiene forma, ni olor, ni está condicionado por el tiempo ni el espacio. Es un esfuerzo racional por tratar de averiguar si la conciencia divina o inteligencia suprema puede ser encontrada y experimentada por los seres humanos mientras respiramos y caminamos sobre la tierra.

"Ask anything in my name, I will do it." (John 14:14) Charles H. Spurgeon supplies daily deposits of God's promises into the reader's personal bank of faith. He urges the reader to view each Bible promise as a check written by God, which can be cashed by personally endorsing it and receiving the gift it represents!

This book is amazing it was not put together over night it is a combination of my blood, sweat, & tears through the process of composing this book. It’s very special work of art maybe 1% of the whole book is a bit left field so I apologize in advance... as you read you’ll get an idea when this book was first put together I have been working on it going on 7 years. It has been a constant creation well worth your time...

Autobiography of deaf and blind woman, and activist, Helen Keller.

This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.