The classic debut collection from Pulitzer Prize winner James Alan McPherson Hue and Cry is the remarkably mature and agile debut story collection from James Alan McPherson, one of America’s most venerated and most original writers. McPherson’s characters -- gritty, authentic, and pristinely rendered -- give voice to unheard struggles along the dividing lines of race and poverty in subtle, fluid prose that bears no trace of sentimentality, agenda, or apology. First published in 1968, this collection includes the Atlantic Prize-winning story “Gold Coast” (selected by John Updike for the collection Best American Short Stories of the Century). Now with a new preface by Edward P. Jones, Hue and Cry introduced America to McPherson’s unforgettable, enduring vision, and distinctive artistry.

Jared Austin, staunch member of the mutual protection society that defends his 1830s New Hampshire community against thieves, tries to temper justice with mercy when his deaf daughter Melody befriends a young Irish immigrant who has stolen a horse.

"The people of Ramsey included clerics, knights, and laborers, and their activities overlapped to the point that the infamous tripartite division of medieval society - into those who prayed, fought, and worked - becomes meaningless. The book also crosses chronological boundaries, moving through decades of rebellion, plague, demographic turnover, violence, bloodshed, and war, and ending with religious upheaval that spelled the death of the 600-year-old abbey and the intrusion of an ambitious new lay landlord with courtly connections."--BOOK JACKET.

An innocent English governess goes on the lam with a detective hot on her heels in this thrilling mystery by the author of the Miss Silver novels. In six months, Marion “Mally” Lee will wed the dashing Roger Mooring and become mistress of Curston, his family estate. Determined to enjoy her freedom before she becomes a married woman, Mally impulsively accepts a position as governess to the young daughter of a shipping magnate. But when she arrives at the Peterson townhouse in London, Mally has the strangest urge to flee. Sir George Peterson, whose wife left him for an itinerant artist, is an enigma. His sister, Lena Craddock, is nice enough, but Mally’s young charge, Barbara, hates Lena’s nephew, Paul, with a passion. When Mally is suddenly branded a thief and spy after valuable papers and a priceless diamond pendant disappear, she does the only thing she can: run away. With her fiancé believing the worst of her and private investigators hot on her trail, Mally goes on the lam, feeling like a fugitive from justice. But she’s stumbled upon a dangerous criminal conspiracy led by men desperate to get back the missing documents before a critical encrypted message is decoded.

The award-winning memoir of one tumultuous year of boyhood in Fort Worth, Texas, opening with a handshake with JFK, and recalling the changes and revelations of the months that followed. Winner of the LA Times Christopher Isherwood Prize for Autobiographical Prose, and a New York Times Editor's Choice. “A marvel of a book—elegant, touching, singular.” —Mary Karr “Brief and moving . . . An elegantly written book, erudite, perceptive and at times painfully candid.”—Moira Hodgson, Wall Street Journal After John F. Kennedy’s speech in front of the Hotel Texas in Fort Worth on November 22, 1963, he was greeted by, among others, an 11-year-old Benjamin Taylor and his mother waiting to shake his hand. Only a few hours later, Taylor’s teacher called the class in from recess and, through tears, told them of the president’s assassination. From there Taylor traces a path through the next twelve months, recalling the tumult as he saw everything he had once considered stable begin to grow more complex. Looking back on the love and tension within his family, the childhood friendships that lasted and those that didn’t, his memories of summer camp and family trips, he reflects upon the outsized impact our larger American story had on his own. Benjamin Taylor is one of the most talented writers working today. In lyrical, translucent prose, he thoughtfully extends the story of twelve months into the years before and after, painting a portrait of the artist not simply as a young man, but across his whole life. As he writes, “[A]ny twelve months could stand for the whole. Our years are so implicated in one another that the least important is important enough . . . Any year I chose would show the same mettle, the same frailties stamping me at eleven and twelve.”

Effective care of the cancer patient increasingly involves systemic treatment, and as the range of available therapeutic agents continues to expand, the medical oncologist must be fully aware of the rationale for choosing specific drugs and combinations. Already acclaimed in previous editions as a key source of reference for all working in the field of Oncology, the third edition of this text has now been completely revised with important new chapters and illustrations throughout to keep it at the forefront of cancer medicine. Short Contents