Huddersfields Roll of Honour 1914-1922 is a detailed account of 3,439 service personnel from Huddersfield who lost their lives during the First World War. In the Preface, HRH The Duke of York KG writes: This publication represents the lifetime work of Margaret Stansfield who sadly passed away in 2012. Margaret spent 30 years compiling the 3,439 biographical entries giving a poignant insight into the background, working lives and families of those who selflessly left Huddersfield to fight for their country never to return. Along with the biographical accounts there are many moving letters to the families of soldiers who lost their lives reflecting an attempt to bring comfort amid the darkness that their loss brought to both families and comrades alike.

When war was declared in August 1914, it not only changed the lives of the soldiers who fought, but also the lives of their families, their neighbourhood and, ultimately, the whole of society. Women came out of their homes to take up work in industry, to drive the trams, to police the streets as well as nurse the wounded. Government, local and national, imposed extensive controls on all aspects of social life - who could remain in work, who had to fight, what could be grown as crops, what clothes were appropriate and how to feed a family. ??This study looks at how these changes affected Huddersfield and its inhabitants, showing how employment changed, how the town contributed to financing the war and how the local tribunals dealt with those who did not want to fight. Local families, from the highest to the lowest walks of life, find their stories illustrated here.

From Huddersfield to war-torn Holland, this is the true story of one English boy serving with the Black Watch during World War II. When he was only seventeen, James Watson signed up to serve the nation in the fight against Nazi invasion. Knowing the legacy of their bravery and honour, he expressed a desire to serve in the Black Watch Highland Regiment, and it would only be a few months later when he began his training and the road to war. Written from the perspective of a close comrade, the true-story of James ?Jim? Watson?s wartime exploits follow him from his first day of training to the very last battle he would ever fight. Poignantly and emotionally-written, it is a story that conveys the day-to-day suffering of young soldiers as they fought for the liberation of Europe and for the safety of their friends and family back home. Alongside the stalwart men of the 5th Black Watch, James Watson?s actions from his role in the storming of the beaches on D-Day to being amongst the first to cross the border into Germany in 1945 are recollected in vivid detail. Friends dead and innocence shattered, the true cost of war on the young souls forced into violence is powerfully preserved in this account of James? war. However the question still remains as to whether he will make it home at all. Written by James Watson?s nephew, A Teenager?s War is an inspiring but down-to-earth record of the lives of young soldiers and the war that defined their generation.

During the Second World War, people arrived in Britain from all over the world as troops, war-workers, nurses, refugees, exiles, and prisoners-of-war-chiefly from Europe, America, and the British Empire. Between 1939 and 1945, the population in Britain became more diverse than it had ever been before. Through diaries, letters, and interviews, Mixing It tells of ordinary lives pushed to extraordinary lengths. Among the stories featured are those of Zbigniew Siemaszko - deported by the Soviet Union, fleeing Kazakhstan on a horse-drawn sleigh, and eventually joining the Polish army in Scotland via Iran, Iraq, and South Africa - and 'Johnny' Pohe - the first Maori pilot to serve in the RAF, who was captured, and eventually murdered by the Gestapo for his part in the 'Great Escape'. This is the first book to look at the big picture of large-scale movements to Britain and the rich variety of relations between different groups. When the war ended, awareness of the diversity of Britain's wartime population was lost and has played little part in public memories of the war. Mixing It recovers this forgotten history. It illuminates the place of the Second World War in the making of multinational, multiethnic Britain and resonates with current debates on immigration.

What was it that the British people believed they were fighting for in 1914–18? This compelling history of the British home front during the First World War offers an entirely new account of how British society understood and endured the war. Drawing on official archives, memoirs, diaries and letters, Adrian Gregory sheds new light on the public reaction to the war, examining the role of propaganda and rumour in fostering patriotism and hatred of the enemy. He shows the importance of the ethic of volunteerism and the rhetoric of sacrifice in debates over where the burdens of war should fall as well as the influence of religious ideas on wartime culture. As the war drew to a climax and tensions about the distribution of sacrifices threatened to tear society apart, he shows how victory and the processes of commemoration helped create a fiction of a society united in grief.

This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.

In this lucid and cogently-argued book, Christine Hallett explores the nature of the practices developed by nurses and their volunteer-assistants during the First World War. She argues that nurses found meaning in their complex and stressful work by identifying it as a process of "containing trauma." Broad in its scope and detailed in its research, the book analyzes the work of nurses from Britain, Australia, New Zealand, Canada, South Africa and the United States of America. It draws on highly personal writings: letters and diaries drawn from archives and libraries throughout the world. This wide-ranging book explores a range of treatment scenarios, from the Western and Eastern fronts to the Eastern Mediterranean, Mesopotamia, and India. It considers both the efforts of nurses to provide physical, emotional, and moral containment to their patients, and the work they did to maintain their own physical and emotional integrity.