China is a nation of rich cultural tradition. Through the countless relics that have survived we can trace the development of her major arts, and comprehend the nature of her creative genius. And by virtue of its aesthetic qualities, Chinese art occpies an important place in the context of world art. These were the reasons which propelled me to the study of Chinese antiquities--a pursuit which I have been engaged for more than a decade.--Foreword.

An intimate examination of early Ch'ing China

Describes the social and cultural transformation of seventeenth-century China through the life and work of Li Yu

This is the first major study in Chinese business history based largely on business's own records. It focuses on the battle for the cigarette market in early twentieth-century China between the British-American Tobacco Company, based in New York and London, and its leading Chinese rival, Nanyang Brothers Tobacco Company, whose headquarters were in Hong Kong and Shanghai. From its founding in 1902, the British-American Tobacco Company maintained a lucrative monopoly of the market until 1915, when Nanyang entered China and extended tis operations into the country's major markets despite the use of aggressive tactics against it. Both companies grew rapidly during the 1920s, and competition between them reached its peak, but by 1930 Nanyang weakened, bringing an end to serious commercial rivalry. Though less competitive, both companies continued to trade in China until their Sino-foreign rivalry ended altogether with the founding of the People's Republic in 1949. Debate over international commercial rivalries has often been conducted broadly in terms of imperialist exploitation and economic nationalism. This study shows the usefulness and limitations of these terms for historical purposes and contributes to the separate but related debate over the significance of entrepreneurial innovation in Chinese economic history. By analyzing the foreign Chinese companies' business practices and by describing their involvement in diplomatic incidents, boycotts, strikes, student protests, relations with peasant tobacco growers, dealings with the Kuomintang and Chinese Communist Party, and a host of other activities, the author brings to light the roles that big businesses played not only in China's economy but also in its politics, society, and foreign affairs.

Wei Chuang was a prolific Tang dynasty poet. He not only wrote in the shih form (poems in the old and new styles, the latter having strict rules of meter, rhyme, and euphony), but also was one of two literati founders of the tz’u (lyric) tradition, based on a popular song form. This tripartite study provides a thoroughgoing picture of his life and work. The book begins with the first detailed biography of Wei Chuang in a Western language, drawn both from historical sources and Wei’s poetry. The shih poems are intensely autobiographical and provide insight into Wei’s own experience and into the situation in China at the end of the ninth century. A second section analyzes the poetry, demonstrating that Wei’s tz’u cannot be understood without reference to his shih compositions, a new approach to the totality of Wei’s work. Finally, this volume presents translations, briefly annotated, of 110 shih poems, including his major narrative poem, The Lament of the Lady of Chin, and almost all the tz’u attributed to him, constituting more than a third of Wei Chuang’s extant poetry. The translations, while hewing close in meaning to their Chinese originals, have considerable value as poems in English. This work offers information that is useful to those interested in the literature, history, and general culture of medieval China. The translations bring to modern readers of English poetry the pleasures of becoming acquainted with a complex and innovative voice from the Chinese past.