Giger's multi-faceted career: From surrealistic dream landscapes, to album cover designs, and sculpture For the last three decades H.R. Giger has reigned as one of the leading exponents of fantastic art. After he studied interior and industrial design for eight years at the School of Commercial Art in Zurich, Switzerland (1962-1970), he was soon gaining attention as an independent artist, with endeavors ranging from surrealistic dream landscapes created with a spray gun and stencils, to album cover designs for famous pop stars, and sculpture. In addition, Giger's multi-faceted career includes designing two bars, located in Tokyo and Chur, as well as work on various film projects--his creation of the set design and title figure for Ridley Scott's film Alien won him not only international fame but also an award for Best Achievement for Visual Effects (1980). "The more famous I get, the more I am tolerated, albeit with some head-shaking." --H.R. Giger About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions

Swiss fantasist H.R.Giger conducts readers through his diverse alien landscapes, inhabited by the spectral offspring of his vivid dreams and darkest nightmares.

More than 150 artworks, spanning 20 years in the career of the world's most renowned artist of the fantastical and the surreal, are gathered in one volume, rich with detail and color. Carefully rendered reproductions of Giger's best paintings are accompanied by his own commentary. 70 color illus. 75 b&w illus. 25 b&w photos.

Fantasy artist H.R. Giger has turned his creativity to a new movie, Species. The book documents the conception, development and final terrorizing 3D realization of Giger's macabre, otherworldly designs. Included are Giger's original sketches, photos of the film's animatronic puppets and sets, and action stills. 110 photos, 100 in color. 50 line drawings.

“There was video of the second shooter. There was video.” In the first reports of every mass shooting, there’s always mention of a second shooter—two sets of gunshots, a figure seen fleeing the scene—and they always seem to evaporate as events are pieced together. Commissioned by a fringe publisher to investigate the phenomenon, journalist Mike Karras finds himself tailed by drones, attacked by a talk radio host, badgered by his all-knowing (and maybe all-powerful) editor, and teaming up with an immigrant family of conspiracy buffs. Together, they uncover something larger and stranger than anyone could imagine—a technomystical plot to ‘murder America.’ Time for Karras to meet his deadline.