Books are dangerous People in Blanow think that books are dangerous: they fill your head with drivel, make poor firewood and cannot be eaten (even in an emergency). This book is about Howul. He sees things differently: fires are dangerous; people are dangerous; books are just books. Howul secretly writes down what goes on around him in Blanow. How its people treat foreigners, treat his daughter, treat him. None of it is pretty. Worse still, everything here keeps trying to kill him: rats, snakes, diseases, roof slates, the weather, the sea. That he survives must mean something. He wants to find out what. By trying to do this, he gets himself thrown out of Blanow… and so his journey begins. Like all gripping stories, HOWUL is about the bad things people do to each other and what to do if they happen to you. Some people use sticks to stay safe. Some use guns. Words are the weapons that Howul uses most. He makes them sharp. He makes them hurt. Of course books are dangerous. Cover design: Alison Buck

There are few students in my class. When one considers what the subject is, this isn’t surprising. I teach myself. In other words, I impart to my students facts and fancies based on my life and ideas. It’s the least popular class in the university and I doubt it will be funded for another term. But none of that is my fault. I wanted to teach a proper discipline such as ecology, but the authorities wouldn’t let me. They insisted that I teach myself; and as a result, I do so. The students are given an assignment. They each have to write a short piece about how I spend my free time. But this is information I’ve always kept secret. I can’t imagine how they’re expected to know anything about my private life, certainly not in detail. Clearly I’m being spied on. Unless it’s guesswork? I read the essays anxiously. Yes, only some of them have got it right… Cover design: Alison Buck

Of all the denizens of the circles of Hell, perhaps none is more feared among those of a high-minded sensibility than the succubi. The Assizes of Suffolk in the eighteenth century granted the Office of the Witchfinder General the power to employ ‘demonic powers’ so long as their use is ‘reasonable’ and ‘made only to defeat some yet greater supernatural threat’. No attempt was made in the wording of the assizes to measure or grade such threats, however – making the question of whether it is acceptable to fight fire with fire a troublingly subjective one. Now, in the twenty-first century, Danesh Shahzan, Acolyte in Her Majesty’s Office of the Witchfinder General, had been struggling with that very question ever since the events of The Eye Collectors. An unexpected evening visit from his boss, the Crow, was alarming enough – but when it turned out to be to discuss his thesis on succubi, Danesh was surprised yet intrigued. Clearly, another investigation beckoned. Cover design: Alison Buck

A passionate environmental allegory Thomas Tellman, an RAF pilot who disappeared pursuing a UFO in 1948, unexpectedly returns entirely un-aged to a small town on Scotland’s north-east coast. He finds that his 7-year-old daughter is now a bed-bound 87-year-old woman suffering from dementia. She greets him as her father but others assume she is deluded and that Thomas is an unhinged impostor or con man. While Thomas endeavours to blend in to an ordinary life, his presence gradually sets off unpredictable consequences, locally, nationally and globally. Members of the British Intelligence Services attempt to discredit Thomas in advance of what they anticipate will be his public disclosure of evidence of extra-terrestrial activity, but the local community protect him. Thomas, appalled by the increase in environmental damage that has occurred in his 80 year absence, appears to have returned with a mission: whose true nature he guards from everyone around him. Douglas Thompson’s thought-provoking novel is unashamedly science-fiction yet firmly in the tradition of literary explorations of the experience of the outsider. He weaves together themes of memory loss and dementia, alienation, and spiritual respect for the natural world; while at the same time counterposing the humanity inherent in close communities against the xenophobia and nihilistic materialism of contemporary urban society. Of all the book’s vivid characters, the fictional village of Kinburgh itself is the stand-out star: an archetypal symbol of human community. In an age of growing despair in the face of climate crises, Stray Pilot offers a passionate environmental allegory with a positive message of constructive hope: a love song to all that is best in ordinary people. Cover design: Tenebrae

Racing against time, Jade and her friends must hide evidence of Life on Mars to stop the probes from Earth finding them Jade is on her way to meet up with her dad, Elvis, for her sixteen-millionth birthday (tortles live a long time in spite of the harsh conditions on Mars), when she gets side-tracked by a strange object that appears to have fallen from the sky. Elvis’ travelling companion Starkwood, an electrostatic plant, is hearing voices, claiming that “The Vikings Are Coming”, while their football-pitch-sized flying friend Fionix confirms the rumour: the Earth has sent two craft to look for life on Mars. It then becomes a race against time to hide any evidence of such life before Earth destroys it for good. Can Jade and her friends succeed, with help from a Lung Whale, a liquid horse, some flying cats, the Hellas Angels, the Pyrites and a couple of House Martins from the South of France? Oh, and a quantum tunnelling worm – all while avoiding Zombie Vegetables and trouble with a Gravity Artist and the Physics Police?! A gentle and lightly humorous science fantasy adventure. Cover artwork and illustrations: Natascha Booth “Life on Mars is fantasy on steroids. Instead of swords and magic potions, we have the ‘magic’ science of quantum physics and relativity theory, channeled through what feels like a hallucinogenic dream. My favourite character is a quantum-tunneling worm, but the author’s fevered imagination provides us with a menagerie of almost equally bizarre creatures, on a mission to save the world — their world, that is, not ours. Suspend disbelief, strap in for the ride, and enjoy.” – John Gribbin, Scientist, science writer and author of In Search of Schrodinger’s Cat: Quantum Physics and Reality

Even geniuses need practice Not everything goes to plan at the first attempt… In Da Vinci’s downstairs loo hung his first, borderline insulting, versions of the Mona Lisa. Michelangelo’s back garden was chock-a-block full of ugly lumps of misshapen marble. Even Einstein committed a great ‘blunder’ in his first go at General Relativity. God is no different, this universe may be his masterpiece, but there were many failed versions before it – and they’re still out there. Far Far Beyond Berlin is a fantasy novel, which tells the story of a lonely, disillusioned government worker’s adventures after being stranded in a faraway universe – Joy World: God’s first, disastrous attempt at creation. God’s previous universes, a chain of 6 now-abandoned worlds, are linked by a series of portals. Our jaded hero must travel back through them, past the remaining dangers and bizarre stragglers. He’ll join forces with a jolly, eccentric and visually arresting, crew of sailors on a mysteriously flooded world. He’ll battle killer robots and play parlour games against a clingy supercomputer, with his life hanging in the balance. He’ll become a teleportation connoisseur; he will argue with a virtual goose – it sure beats photocopying. Meanwhile, high above in the heavens, an increasingly flustered God tries to manage the situation with His best friend Satan; His less famous son, Jeff; and His ludicrously angry angel of death, a creature named Fate. They know that a human loose in the portal network is a calamity that could have apocalyptic consequences in seven different universes. Fate is dispatched to find and kill the poor man before the whole place goes up in a puff of smoke; if he can just control his temper… Cover art: Gordon Miller

Time is the Ultimate Deceiver On a cold morning in 2219, Cara Montgomery and her husband, Jackson, have a frightening encounter on the beach. An encounter that leads to a war with a depraved and relentless alien race, the Shapeless, changing their lives forever. Three hundred years earlier, Harriet Turner travels to the future to learn the shocking secret behind Victorian London’s most notorious serial killer, Jack the Ripper. A mysterious barber, Fred, goes with her, but Fred has a shocking secret of his own. Hunted by the ruthless Miss Morgan and plagued by visions of a snake eating its own tail, Harriet discovers that the all-powerful Million Eyes isn’t the only one with an agenda. Time itself has one too. Cover artwork by Alison Buck