A New York Times Notable Book: A novel about growing up in a remote corner of Vermont, from the author Richard Russo calls “one of our very best writers.” When six-year-old Austen Kittredge was sent up north to live on his grandparents’ farm in 1948, he didn’t know that he would spend the next twelve years of his life there—or that his remarkable stay would never leave him, no matter how far he traveled. The farm in Lost Nation Hollow would become a magical place for Austen, full of eccentric people—like his stubborn but loving grandparents, whose marriage was known as the Forty Years War—wild adventures, and festering family secrets. An enchanting, startling coming-of-age novel, Northern Borders evokes a world of county fairs, heirloom quilts, and timber forests, in “a touching and unforgettable portrait of a people and time that are past” (Fannie Flagg, The New York Times Book Review). “A contemporary classic . . . A complex, yet idyllic, story of childhood in Vermont.” —Los Angeles Times

This novel of murder and its aftermath in a small Vermont town in the 1950s is “reminiscent of To Kill a Mockingbird . . . Absorbing” (The New York Times). In Kingdom County, Vermont, the town’s new Presbyterian minister is a black man, an unsettling fact for some of the locals. When a French-Canadian woman takes refuge in his parsonage—and is subsequently murdered—suspicion immediately falls on the clergyman. While his thirteen-year-old son struggles in the shadow of the town’s accusations, and his older son, a lawyer, fights to defend him, a father finds himself on trial more for who he is than for what he might have done. “Set in northern Vermont in 1952, Mosher’s tale of racism and murder is powerful, viscerally affecting and totally contemporary in its exposure of deep-seated prejudice and intolerance . . . [A] big, old-fashioned novel.” —Publishers Weekly “A real mystery in the best and truest sense.”—Lee Smith, The New York Times Book Review A Winner of the New England Book Award

Howard Frank Mosher has spent the greater part of his career depicting a relatively isolated section of Vermont known as the Northeast Kingdom. Yet, even as he writes about that particular area in the Green Mountain State, he is investigating age-old themes from among the best English and American literary works. His first novel, Disappearances (1977), signaled the arrival of a master craftsman harkening us back to Melville's Billy Budd and Moby-Dick, in terms of humankind's struggle against an ever present evil. A full 33 years after the publication of his first novel, the Vermont author, in Walking to Gatlinburg (2010), examined the polarity between cowardice and honor. In the intervening years, between Disappearances and Gatlinburg, Mosher explored crucial matters such as the disappearing wilderness, industrialization, black male/white female encounters, the necessity of humor, the quest for salvation, and the immortality of romantic love, all issues that he delved into as he staked out a unique terrain within the pantheon of Bunyan, Shakespeare, Dreiser, Twain, Faulkner, Steinbeck, Harper Lee, and others.

On the eighth birthday of Ethan "E.A". Allen, who lives with his mother and Gran in a Vermont town decades behind the rest of New England, a drifter named Teddy comes into their world, teaching E.A. how to play ball and the secrets of baseball.

Available again, six tales of Kingdom County, Vermont

Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

A young man comes of age—and uncovers his family's deepest secret—in this "epic work of genius" by "the rarest thing in literature: an original." —Howard Norman