Humankind’s fascination with the animal kingdom began as a matter of survival – differentiating the edible from the toxic, the ferocious from the tractable. Since then, our compulsion to catalogue wildlife has played a key role in growing our understanding of the planet and ourselves, inspiring religious beliefs and evolving scientific theories. The book unveils wild truths and even wilder myths about animals, as perpetuated by zoologists – revealing how much more there is to learn, and unlearn. Long before Darwin, our ancestors were obsessed with the visual similarities and differences between the animals. Early scientists could sense there was an order that unified all life and formulated a variety of schemes to help illustrate this. This human quest to classify living beings has left us with a rich artistic legacy, from the folklore and religiosity of the ancient and Medieval world through the naturalistic cataloging of the Enlightenment to the modern, computer-generated classificatory labyrinth. This book tells the fascinating, visual story of this process. The wonderful zoological charts reflect prevailing artistic trends and scientific discoveries, as well as telling us as much about ourselves as they do about the creatures depicted.

Humankind’s fascination with the animal kingdom began as a matter of survival – differentiating the edible from the toxic, the ferocious from the tractable. Since then, our compulsion to catalogue wildlife has played a key role in growing our understanding of the planet and ourselves, inspiring religious beliefs and evolving scientific theories. The book unveils wild truths and even wilder myths about animals, as perpetuated by zoologists – revealing how much more there is to learn, and unlearn. Animals were among the first subjects ever drawn by humans. Long before Darwin or Watson and Crick, our ancestors studied the visual similarities and differences between the creatures which inhabit the Earth alongside us. Early savants could sense there was an order, a scheme, which unified all life. The schemes they formulated often tell us as much about ourselves as they do about the animals depicted, highlighting obsessions, fears, revelations and hopes. The human quest to classify living beings has left us with a rich artistic legacy in four great stages—the folklore and religiosity of the ancient and Medieval world; the naturalistic cataloging of the Enlightenment; the evolutionary trees and maps of the nineteenth century; and the modern, computer-hued classificatory labyrinth. The aim of this book is to tell the story of our systematization of the beasts. These charts of the zoological world parallel prevailing artistic trends and scientific discoveries, woven together with philosophical threads that run throughout: animal life as parable, a tree, a maze, a terra incognita, a mirror upon ourselves.

The stick is a universal toy. Totally natural, all-purpose, free, it offers limitless opportunities for outdoor play and adventure and it provides a starting point for an active imagination and the raw material for transformation into almost anything! As New York's Strong National Museum of Play pointd out when they selected a stick for inclusion in their National Toy Hall of Fame, 'It can be a Wild West horse, a medieval knight's sword, a boat on a stream, or a slingshot with a rubber band . . .' In this book Fiona Danks and Jo Schofield offer masses of suggestions for things to do with a stick, in the way of adventures and bushcraft, creative and imaginative play, games, woodcraft and conservation, music and more.

Did you know that you are more closely related to a mushroom than to a daisy? That dinosaurs are still among us? That the terms "fish" and "invertebrates" do not indicate scientific groupings? All this is the result of major changes in classification. This book diagrams the tree of life according to the most recent methods of this system.

This new edition of a foundational text presents a contemporary review of cladistics, as applied to biological classification. It provides a comprehensive account of the past fifty years of discussion on the relationship between classification, phylogeny and evolution. It covers cladistics in the era of molecular data, detailing new advances and ideas that have emerged over the last twenty-five years. Written in an accessible style by internationally renowned authors in the field, readers are straightforwardly guided through fundamental principles and terminology. Simple worked examples and easy-to-understand diagrams also help readers navigate complex problems that have perplexed scientists for centuries. This practical guide is an essential addition for advanced undergraduates, postgraduates and researchers in taxonomy, systematics, comparative biology, evolutionary biology and molecular biology.

Plant classifications are based on morphological characters and it is difficult, particularly in small plants and grasses, to identify these below generic level on the basis of these characters using a dissecting microscope. Plant species have intra- and inter-specific variation in secondary metabolites which can be utilized as marker compounds for identification and classification of plants. Secondary metabolites are produced as a result of primary metabolism and the production of these compounds not only involves several genes but also it is an energy dependent process. Hence these products cannot be considered as insignificant for the plant and the environment. Modern tools of molecular biology and secondary metabolites present in them can definitively decide about classification of plants. Absence of correct identification of plant is associated to many problems of resource utilization. Due to wide availability of these tools, interest has revived in systematics and correct classification of plants based on these parameters for their sustainable utilization and resource management. The purpose of this book is to assess the potential of phytochemical and molecular tools in the systematic and classification of plants. The topics covered include species concept, barcoding and phylogenetic analysis, chemotaxonomy use of polyketides, carotenes, cuticular wax, volatile oils, biodiversity of corals, metazoans, Ruta and Echinocereus. It provides comprehensive and broad subject-based reviews, useful for students, teachers, researchers, and all others interested in the field. The field has been kept wide and general to accommodate the wide-ranging topics. This book will be useful to agriculturists, chemists, botanists, industrialists, and those involved in planning of crop plants.

Petite in size but packed with inspiration, Just Draw Botanicals presents 90 beautiful, contemporary botanical artworks in a range of media and styles. Each spread includes a stunning work of art paired with a discussion of the artist’s approach to creating it, including the techniques employed. At the bottom of the page, find tips on the tools, materials and methods used to make the piece. A hyper-realistic blackberry, a watercolour sketch of a bunch of mint in a glass, a detailed scratchboard study of three pussy willow twigs, a tribal-style pattern inspired by different leaf shapes, an abstract image-transfer print of a milkweed plant… the techniques and subjects covered are diverse. With these and more artworks – created in a variety of media, including watercolour, coloured pencils, oil, pen and ink, mixed media and pencil – explore: Shape, form and light Harmonious colours Contrasting elements Fine detail Capturing movement Cropped compositions Using negative space Anatomical accuracy A visual index is included at the front of the book so you can easily skip to a style or colour palette that interests you. At the back of the book, find an overview of materials and tips for using them; a list of further resources, including books and websites; and two additional indexes, one by artist name and the other by subject. Whether you are an artist looking for fresh ideas for creating botanical art or simply enjoy looking at nature-inspired images, this portable volume is a rich resource.