The American press played a significant role in the transference of European civilization to America and in the shaping of American society. Settlement entrepreneurs used the press to persuade Europeans to come to America. Immigrants brought religious tracts with them to spread Puritanism and other doctrines to Native Americans and the white population. The colonists used the press to openly debate issues, print advertisements for business, and as a source of entertainment. But what did the colonists actually think about the press? The author has gathered information from primary sources to explore this question. Diaries and journals reveal how the colonists valued local news, often preferring American news to European news. This concentrated focus upon colonial attitudes and thoughts toward the press covers the period of colonial settlement from the 1500s through 1765. This book will appeal to scholars and students of American history and communication history. Primary documents expressing the colonists' thoughts will also be of interest to scholars and students of American thought, American philosophy, and early American literature and writing.

Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

In the late seventeenth century, theater and print began the history of their tense relations and imperfect alliance. Plays, of course, had been printed in England for more than a century. However, it was not until the printing of fine editions of English playwrights, by Tonson and others, that it became common for dramatists to worry over the details of both performace and print and to supervise closely the publication of their own works. The theater was joining itself to the page, defining itself against the printed word. The author's focus is the most active phase of the career of William Congreve, a crucial juncture in the history of print and publishing, the two decades before the 1710 Copyright Act, when the book trade was becoming a large, intricate, and lucrative commercial business. Congreve's work in the theater began to yield to his work with the book trade (not only as playwright but also as poet, scholar, translator, and editor), culminating in the three-volume edition of his Works in 1710.

Edgar Allan Poe continues to be a fascinating literary figure to students and scholars alike. Increasingly the focus of study pushes beyond the fright and amusement of his famous tales and seeks to locate the author within the culture of his time. In Poe and the Printed Word, Kevin Hayes explores the relationship between various facets of print culture and Poe's writings. His study provides a fuller picture of Poe's life and works by examining how the publishing opportunities of his time influenced his development as a writer. Hayes demonstrates how Poe employed different methods of publication as a showcase for his verse, criticism and fiction. Beginning with Poe's early exposure to the printed word, and ending with the ambitious magazine and book projects of his final years, this reappraisal of Poe's career provides an engaging account that is part biography, part literary history and part history of the book.