ItÍs not every book of poetry that includes an ñOde to Body Armor.î But then, itÍs not every poet whose experience in academia includes a stint at the police academy. The poems of Sarah Cortez are tough-minded, verbally supple, and often deeply (even explicitly) erotic: You want me to come/ to you each night, drop my gun belt,/ lie along your muscled length . . . And each of these fifty lyric poems (with titles such as ñRosie Working Plain Clothes,î ñLas TÕas,î and ñAttempt to Locateî) displays CortezÍs many facets: the street smarts of a law-enforcement officer (deputy constable in HoustonÍs Harris County); the bilingual vocabulary of a proud Mexican American; the coolly analytic eye of a corporate accountant (as she once was); the linguistic dexterity of a Latin teacher (another former occupation); and the frank sensuality of a strong and spirited woman. Surveying fellow officers, friends, criminals, lovers, strangers, and family members, Sarah Cortez has learned that a bullet-proof vest may, with luck, protect the body, but keeping the heart from harm is a chancier and more mysterious affair. Long after the pages of How to Undress a Cop have been turned, her unique and distinctive voice will stir the blood and haunt the memory.

Many children, from the time they are old enough to be attracted to a siren and flashing lights, dream their whole lives of becoming a police officer. As a retired police officer, herself, Alley Evola looks at the daily ins and outs of the job of a police officer. From recruitment, life at the academy, patrol and eventually promotion, she provides a helpful understanding of what you can really expect. She also looks at the current issues, including race and gender, and how these have shaped certain expectations from the public that a police officer needs to be prepared for when working in this field. When you’re young and dreaming you don’t think about the process it will take to become a police officer. And it’s also not evident until after the police academy the many challenges and issues you will face in the field. So You Want to Be a Cop is for everyone who secretly wishes they were a police officer, or is pursuing their dream in hopes of transforming it into reality.

Television dramas, reality shows, and police procedural mystery novels may try to replicate the truth of a cops life, but sometimes the real story is strangerand more entertaining. In more than thirty engaging anecdotes, Cop Stories gives a no-holds-barred inside look at the experiences of Dick Ellwood, police officer for the Baltimore Police Department from 1965 through his retirement in 1990. He vividly depicts the teeming street life of one of the most dangerous cities in the nation. From walking a beat in his boyhood neighborhood and his adrenaline-fueled work in vice to his ascent to detective and eventually supervisor in the homicide unit, Ellwood doesnt miss a chance to get down and dirty with the gritty details you wont find on primetime TV. In addition to investigating murders, arresting prostitutes, and fighting corruption, Ellwood had his lighter moments. He arrested his childhood hero, Mickey Mantle, for public drunkenness, and was propositioned in a gay night club. He also participated in history by working the race riots of 1968 and learned more than he wanted to know about arson. Spanning the turbulent times of the sixties through the decadence of the eighties, Cop Stories reveals what it truly means to protect, serve, and live the life of a tough, dedicated cop.

Cold Blue Steel contains fifty lyric poems set in the world of the urban street cop in Houston, the nation’s fourth largest metropolis. In the patrol car, at scenes of suicides and DOAs, in the overtime reality of aching feet and sweating torsos, the reader experiences the hard realities and unexpected luminosities of doing America’s most dangerous job.

Enter the dark welter of troubled history throughout the Americas, where a heritage of violence meets the ferocity of intent. This sharp, stylised and ambitious anthology of Native American literature sees authors of Indian heritage or blood join non-Indian authors in creating these diverse, gripping, dubious and sleazy stories. Includes contributions from award-winning author Reed Farrel Coleman and Lawrence Block, author of Hit and Run (Orion, 2009).