This introductory book describes the initial (first) level of studying the theory of inventive problem solving (TRIZ) from the series “TRIZ from A to Z,” and presents the most general methods for solving inventive problems and generating new ideas. Chapter 1 examines traditional technologies for problem solving, based on trial and error. Chapter 2 describes the general concept of TRIZ, while Chapter 3 explains the main notions of “system” approaches, like system thinking, system and its hierarchy, system effect, emergency, synergetic effect and systematicity. In turn, Chapter 4 describes the notion of “ideality” and Chapter 5 addresses the notion of resources, their types, and methods for using them. Chapter 6 acquaints readers with one of the most important aspects of TRIZ: contradiction. Chapter 7 describes the inventive principles, while Chapter 8 includes descriptions of the systems of trends proposed by G. Altshuller and the author. In closing, the author makes recommendations on how to most effectively use TRIZ tools, on how readers can improve their knowledge, skills and habits concerning the use of TRIZ, and on how they can hone their inventive thinking skills. The book also features Appendices that include analyses of selected problems, a list of the main websites related to TRIZ, and lists of examples, problems, illustrations, tables and formulae.

"There is a principle in things, about which we cannot be deceived, but must always, on the contrary, recognize the truth - viz. that the same thing cannot at one and the same time be and not be" with these words of the Metaphysics, Aristotle introduced the Law of Non-Contradiction, which was to become the most authoritative principle in the history of Western thought. However, things have recently changed, and nowadays various philosophers, called dialetheists, claim that this Law does not hold unrestrictedly - that in peculiar circumstances the same thing may at the same time be and not be, and contradictions may obtain in the world. This book opens with an examination of the famous logical paradoxes that appear to speak on behalf of contradictions (e.g., the Liar paradox, the set-theoretic paradoxes such as Cantor's and Russell's), and of the reasons for the failure of the standard attempts to solve them. It provides, then, an introduction to paraconsistent logics - non-classical logics in which the admission of contradictions does not lead to logical chaos -, and their astonishing applications, going from inconsistent data base management to contradictory arithmetics capable of circumventing Gödel's celebrated Incompleteness Theorem. The final part of the book discusses the philosophical motivations and difficulties of dialetheism, and shows how to extract from Aristotle's ancient words a possible reply to the dialetheic challenge. How to Sell a Contradiction will appeal to anyone interested in non-classical logics, analytic metaphysics, and philosophy of mathematics, and especially to those who consider challenging our most entrenched beliefs the main duty of philosophical inquiry. Francesco Berto is Lecturer in Logic and Metaphysics at the University of Venice, Italy. He has published articles in American Philosophical Quarterly, The Australasian Journal of Philosophy, Dialectica, Logique et Analyse, The European Journal of Philosophy, and the books La dialettica della struttura originaria [The Dialectics of the Basic Structure, Padua 2003], Che cos'è la dialettica hegeliana [What is Hegel's Dialectics?, Padua 2005], Teorie dell'assurdo [Theories of the Absurd, Rome 2006] and Logica da zero a Gödel [Logic, from Zero to Gödel, Rome 2007].

In this “highly entertaining snapshot of a wild-frontier moment in pop culture” (Rolling Stone), discover the wild and explosive true story of the early years of MTV directly from the original VJs. Nina Blackwood, Mark Goodman, Alan Hunter, and Martha Quinn (along with the late J. J. Jackson) had front-row seats to a cultural revolution—and the hijinks of pop music icons like Adam Ant, Cyndi Lauper, Madonna, and Duran Duran—as the first VJs on the fledgling network MTV. From partying with David Lee Roth to flying on Bob Dylan’s private jet, they were on a breakneck journey through a music revolution. Boing beyond the compelling behind the scenes tales of this unforgettable era, VJ is also a coming-of-age story about the 1980s, its excesses, controversies, and everything in between. “At last—the real inside story of the MTV explosion that rocked the world, in all its giddy excess, from the video pioneers who saw all the hair, drugs and guitars up close. VJ is the wild, hilarious, addictive tale of how one crazy moment changed pop culture forever” (Rob Sheffield, New York Times bestselling author).

This book breaks new ground in its representation of the voices of people in a superdiverse city as they go about their everyday lives. Poetic, polyphonic, and compelling, it places the reader at the heart of the market hall, surrounded by the translanguaging voices of people from all over the world. Based on four years of ethnographic research, the book is a gift to the senses, evoking the smells, sights, and sounds of the multilingual city. This is a book that reimagines the conventions of both ethnographic writing and academic discourse.

From the author of Ahead of the Curve, a revelatory look at successful selling and how it can impact everything we do The first book of its kind, The Art of the Sale is the result of a pilgrimage to learn the secrets of the world's foremost sales gurus. Bestselling author Philip Delves Broughton tracked down anyone who could help him understand what it took to achieve greatness in sales, from technology billionaires to the most successful saleswoman in Japan to a cannily observant rug merchant in Morocco. The wisdom and experience Broughton acquired, revealed in this outstanding book, demonstrates as never before the complex alchemy of effective selling and the power it has to overcome challenges we face every day.

Edited collection from acclaimed contemporary Woolf scholars, exploring the theme of contradiction in Virginia Woolf’s writing.

David Harvey examines the foundational contradictions of capital, and reveals the fatal contradictions that are now inexorably leading to its end