Although astronomical CCD cameras can be very costly, digital cameras – the kind you use on holiday – on the other hand, are relatively inexpensive. Moreover, their technology – especially thermal noise, sensitivity (ISO number) and resolution – has progressed to a point where such cameras are more than capable of photographing the brighter astronomical objects. Now Tony Buick has teamed up with fellow author and astro imager Phil Pugh, to produce a completely revised, updated, and extended second edition to How to Photograph the Moon and Planets with your Digital Camera, first published in 2006. The revisions take into account changing (and improving) camera technology, and some items which are now available commercially but which previously had to be home-made. The section of solar observing has been expanded to include observing by H-alpha light, and among the many additional sections are photographing the constellations, aurorae, and basic post-imaging processing.

Since the advent of astronomical CCD imaging it has been possible for amateurs to produce images of a quality that was attainable only by universities and professional observatories just a decade ago. However, astronomical CCD cameras are still very expensive, and technology has now progressed so that digital cameras – the kind you use on holiday – are more than capable of photographing the brighter astronomical objects, notably the Moon and major planets. Tony Buick has worked for two years on the techniques involved, and has written this illustrated step-by-step manual for anyone who has a telescope (of any size) and a digital camera. The color images he has produced – there are over 300 of them in the book – are of breathtaking quality. His book is more than a manual of techniques (including details of how to make a low-cost DIY camera mount) and examples; it also provides a concise photographic atlas of the whole of the nearside of the Moon – with every image made using a standard digital camera – and describes the various lunar features, including the sites of manned and robotic landings.

A beacon of creativity with boundless energy, Chase Jarvis is well known as a visionary photographer, director, and social artist. In The Best Camera Is The One That’s With You, Chase reimagines, examines, and redefines the intersection of art and popular culture through images shot with his iPhone. The pictures in the book, all taken with Chase’s iPhone, make up a visual notebook—a photographic journal—from the past year of his life. The book is full of visually-rich iPhone photos and peppered with inspiring anecdotes. Two megapixels at a time, these images have been gathered and bound into a book that represents a stake in the ground. With it, Chase underscores the idea that an image can come from any camera, even a mobile phone. As Chase writes, “Inherently, we all know that an image isn’t measured by its resolution, dynamic range, or anything technical. It’s measured by the simple—sometimes profound, other times absurd or humorous or whimsical—effect that it can have upon us. If you can see it, it can move you.” This book is geared to inspire everyone, regardless of their level of photography knowledge, that you can capture moments and share them with our friends, families, loved ones, or the world at the press of a button. Readers of The Best Camera Is The One That’s With You will also enjoy the iPhone application Chase Jarvis created in conjunction with this book, appropriately named Best Camera. Best Camera has a unique set of filters and effects that can be applied at the touch of a button. Stack them. Mix them. Remix them. Best Camera also allows you to share directly to a host of social marketing sites via www.thebestcamera.com, a new online community that allows you to contribution to a living, breathing gallery of the best iPhone photography from around the globe. Together, the book, app, and website, represent a first-of-its-kind ecosystem dedicated to encouraging creativity through picture taking with the camera that you already have. The Best Camera Is The One That’s With You—shoot!

Offers a guide to capturing everyday moments using an amateur camera, including tips on do's and don'ts, phtographic techniques, special effects, and candid photographs.

Since the advent of astronomical CCD imaging it has been possible for amateurs to produce images of a quality that was attainable only by universities and professional observatories just a decade ago. However, astronomical CCD cameras are still very expensive, and technology has now progressed so that digital cameras – the kind you use on holiday – are more than capable of photographing the brighter astronomical objects, notably the Moon and major planets. Tony Buick has worked for two years on the techniques involved, and has written this illustrated step-by-step manual for anyone who has a telescope (of any size) and a digital camera. The color images he has produced – there are over 300 of them in the book – are of breathtaking quality. His book is more than a manual of techniques (including details of how to make a low-cost DIY camera mount) and examples; it also provides a concise photographic atlas of the whole of the nearside of the Moon – with every image made using a standard digital camera – and describes the various lunar features, including the sites of manned and robotic landings.

First published in 1999, this much expanded and updated edition of the best-selling handbook Astrophotography for the Amateur provides a complete guide to taking pictures of stars, galaxies, the Moon, the Sun, comets, meteors and eclipses, using equipment and materials readily available to the hobbyist. In this new edition, the book has been completely revised and now includes new chapters on computer image processing and CCD imaging; expanded advice on choosing cameras and telescopes; completely updated information about the films; a much larger bibliography; and hundreds of new photographs (in colour, and black and white) demonstrating the latest equipment and techniques. Astrophotography for the Amateur has become the standard handbook for all amateur astronomers. This expanded and updated edition provides an ideal introduction for beginners and a complete handbook for advanced amateurs. It will also appeal to photography enthusiasts who can discover how to take spectacular images with only modest equipment.

Photographer and teacher Brenda Tharp marries photography craft with artistic vision to help intermediate photographers translate what they see into a personal impression of a subject in nature. Using single images, along with before-and-after and with-or-without examples, Expressive Nature Photography teaches how to make exposures that are creative, not necessarily correct. Inspiring photographers to get out early and stay out late, this book explains how to use light, an essential element of outdoor photography. Readers will learn how to “see in the dark,” use filters to create very long exposures, create a natural effect using light painting, photograph night skies and moonlit landscapes, and make the best use of available natural light. This book also covers how to use shutter speeds to express motion and capture the energy of fast-moving subjects, such rushing streams, ocean swells, and bounding wildlife. A chapter on the art of visual flow discusses how to create compositions that direct the viewer's eye through the frame for maximum impact. Photographers will develop a sense of when to break the "rules" of composition, how to use elements to frame subjects, what to include and exclude in the frame, how to create the feeling of depth and dimension in a scene, and how to push the boundaries of composition to make memorable nature images that capture and convey fresh viewpoints. High-tech cameras can help create a good exposure and focused image, but they can't replace the artist's eye for composition, visual depth, and design, nor their instinct for knowing when to click the shutter. There are many books on photography technique focused on technical quality, but Expressive Nature Photography goes beyond the technical. It guides the way to pulling emotion and meaning out of a dynamic landscape, a delicate macro study, or an outstanding nighttime image.