Twenty-three handsomely rendered drawings celebrate the beauty and majesty of America From California's Big Sur country to Mount Desert island off the rock-bound coast of Maine, these beautiful drawings capture images of all things great and small. Included, among other landmark American scenes, are views of Everglades wildlife, Niagara Falls, the Grand Canyon, Mt. McKinley, California redwoods, the Petrified Forest, Old Faithful at Yellowstone National Park, and bobwhite quail in a Kansas wheatfield. Colorists of all ages will enjoy painting or coloring these landscapes, which feature: • Beautiful drawings, specially printed with light gray lines that virtually disappear with the addition of colors for a finished, professional look • High-quality paper, printed on one side only and suitable for watercolor, colored pencils, and other media • Perforated pages for easy removal from the book

The definitive volume on how paint has been used in the U.S. in the last 250 years. Eminent contributors cover the history of this medium in American buildings from the 17th century to the end of the 19th century. Contains a survey of practices and materials in England, cutting-edge techniques used by today's researchers in examining historic paints, fascinating case studies and an important chart of early American paint colors. Explains how to identify pigments and media, how to prepare surfaces for application and apply paint. Includes the chemical properties of paint with a table of paint components, plus a glossary and bibliography.

The American War is one of the most popular periods to wargame, and rightly so; it is a fascinating period of history. This book offers the opportunity to learn how to paint wargames miniatures from someone who has been an experienced sculptor and painter. All of the main styles that are used for painting wargames miniatures are covered in great detail. For anyone wanting to start painting for the first time, these pages contain a wealth of information that will help you get started. The book covers: miniature preparation; layer painting; painting with washes; basing; horses and artillery and buildings and scenery. Each chapter is full of detailed step-by-step tutorials on how to paint wargames miniatures for the American Civil War. Superbly illustrated with 205 colour photographs that clearly show each stage of the painting or modelling process.

A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world

Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.

Fans of Charles Wysocki, Mary Engelbreit, Grandma Moses, and folk art in general will fall in love with this guide to painting, organized by seasons. Featuring projects that instruct artists of all skill levels how to draw and paint subjects that include quaint homes, pretty patterns, colorful gardens, picturesque farms, beautiful birds, and textured florals, this book features American-themed folk art infused with a modern twist. Beginning with an overview of what folk art is, followed by introductory topics like color, tools and materials, and drawing and painting techniques, Folk Art Fusion: Americana also includes sixteen simple step-by-step projects done in approachable and popular mediums. Rounding out the book is a gallery of folk-art pieces sure to inspire lovers of all things Americana. Simultaneously fresh and nostalgic, Folk Art Fusion: Americana draws on America’s rich artistic tradition and heritage and provides a fun, accessible take on creating beloved scenes from the heartland.