ANNABETH WAS DEAD, AND IT HADN'T BEEN AN ACCIDENT. It’s hard for Adley to wake up after a night of fun at a sleepover and discover that her best friend was murdered – especially since she remembers fragments of committing the deed. Adley has no idea why she killed Annabeth Landers. All she knows is that the voice in the back of her head – the devil on her shoulder – is intensifying and connected to why she killed Anna. As days pass, Adley begins to discover a whole new side of herself – one that’s more dangerous than anyone could ever imagine. However, Jessi Alvarez, Anna’s other best friend, is dead-set on unraveling the truth about what happened that night. Adley tries to keep any evidence away from herself in hopes that she won’t be discovered. But when Jessi wants Adley to help her solve the mystery, Adley is thrown at a crossroads. Hiding the truth from everyone around her isn’t easy. And when people from Adley’s past come back to haunt her, it makes the lying game harder to play. Especially when it takes playing with secrets to stay alive.

Aestheticization of evil is a frequently used formula in cinema and television. However, the representation of evil as an aesthetic object pushes it out of morality. Moral judgments can be pushed aside when evil is aestheticized in movies or TV series because there is no real victim. Thus, situations such as murder or war can become a source of aesthetic pleasure. Narratives in cinema and television can sometimes be based on a simple good-evil dichotomy and sometimes they can be based on individual or social experiences of evil and follow a more complicated method. Despite the various ways evil is depicted, it is a moral framework in film and television that must be researched to study the implications of aestheticized evil on human nature and society. International Perspectives on Rethinking Evil in Film and Television examines the changing representations of evil on screen in the context of the commonness, normalization, aestheticization, marginalization, legitimization, or popularity of evil. The chapters provide an international perspective of the representations of evil through an exploration of the evil tales or villains in cinema and television. Through looking at these programs, this book highlights topics such as the philosophy of good and evil, the portrayal of heroes and villains, the appeal of evil, and evil’s correspondence with gender and violence. This book is ideal for sociologists, professionals, researchers and students working or studying in the field of cinema and television and practitioners, academicians, and anyone interested in the portrayal and aestheticization of evil in international film and television.

While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.

SOMETHING ELSE HAPPENED THAT NIGHT. It’s hard for Jessi Alvarez to mourn the death of her sworn enemy, Adley Morgenstern, who recently died after taking her own life. After all, Jessi was the one who threatened Adley to leave Ember Falls - and she knows that if everyone else knew the truth about the chaos Adley caused, they would have wanted her dead too. Ethan Landers, on the other hand, is struggling to understand why something bad keeps happening to everyone around him. First, his sister, Annabeth, was murdered, and now, his girlfriend had supposedly committed suicide on the night they were going to run away. Was there something more going on? What nobody knows is that there are two witches in town with a plan for vengeance, though to perform their spell, they'll need an angel, a full demon, and a witch without knowledge of their powers... The past can't stay dead forever, and sometimes, knowledge is dangerous when secrets are more tightly intertwined than one might think.

Can anyone say anything that has not already been said about the most scrutinized text in human history? In one of the most radical rereadings of the opening chapters of Genesis since The Zohar, David Kishik manages to do just that. The Book of Shem, a philosophical meditation on the beginning of the Bible and the end of the world, offers an inspiring interpretation of this navel of world literature. The six parts of the primeval story—God's creation, the Garden of Eden, Cain and Abel, Noah's Ark, the first covenant, and the Tower of Babel—come together to address a single concern: How does one become the human being that one is? By closely analyzing the founding text of the Abrahamic religions, this short treatise rethinks some of their deepest convictions. With a mixture of reverence and violence, Kishik's creative commentary demonstrates the post-secular implications of a pre-Abrahamic position. A translation of the Hebrew source, included as an appendix, helps to peel away the endless layers of presuppositions about its meaning.

The events that occur in the book of Job present readers with a profound question: "Why do the righteous suffer?" Although a direct answer to this question seems important, the book of Job does not set forth such a response. Job never learned the reasons for his suffering. In fact, when God finally confronted Job, he could only put his hand over his mouth and say nothing. His silence underscores the importance of trusting God's purposes in the midst of suffering, because suffering—like all other human experiences—is directed by perfect divine wisdom. In this study, pastor John MacArthur will guide you through an in-depth look at the defining themes and interpretative challenges in Job. Studies include close-up examinations of doctrinal themes such as God's Justice and "A Discourse on Human Frailty." —ABOUT THE SERIES— The MacArthur Bible Study series is designed to help you study the Word of God with guidance from widely respected pastor and author John MacArthur. Each guide provides intriguing examinations of the whole of Scripture by examining its parts and incorporates: Extensive, but straight-forward commentary on the text. Detailed observations on overriding themes, timelines, history, and context. Word and phrase studies to help you unlock the broader meaning and apply it to your life. Probing, interactive questions with plenty of space to write down your response and thoughts.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.