How To Draw Extreme Perspective is a comprehensive drawing handbook covering all aspects of drawing objects in extreme perspectives, from soaring skyscrapers to fantastical fairy castles, including essential concepts such as vanishing points, light, tone and composition. It includes step-by-step instructions for mastering different kinds of extreme perspective drawing.

Step-by-step exercises teach the fundamentals of drawing both male and female life figures. The instructions apply to various media, including pencil, charcoal, ink, and crayon. The book is filled with color photos, how-to-diagrams, and reproductions of artwork in various stages, and details and pictures materials needed and how to use them.

In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.

This book offers a command of the basic principals of perspective that is essential to creating dynamic, plausible compositions.

Using a fun and accessible graphic novel format, Perspective in Action features 33 easy-to-follow demonstrations to teach artists the major discoveries in perspective. Perspective is a fundamental element in the development of art and for understanding spatial relationships, but it is an underserved topic in the world of art instruction. Author and artist David Chelsea takes readers through the major perspective-related developments in history, teaching them how to re-create these same experiments by leading artists in all fields (including drawing, painting, and sculpture). Covering a wide-range of mediums (pen and ink, paint, chalk, digital art, woodwork, and more), Perspective in Action gives readers a more hands-on approach to perspective, as opposed to the usual theoretical presentations found in other books.

Here is an essential guide that is head and shoulders above the rest! In The Head, expert Andrew Loomis teaches you the basics of drawing the human head, including detailed drawings of a variety of male and female models in different poses. First he covers the basic proportions of the head and the proper placement of facial features. Then he shows you how to render light and shadow, as well as exploring simple techniques for capturing an array of facial expressions and depicting differences in type and character. This comprehensive guide is a welcome addition to any artistÆs drawing reference library!

The 35th anniversary edition of the classic how-to book that has helped millions of artists learn to draw. When it was originally published in 1970, How to Draw What You See zoomed to the top of Watson-Guptill’s best-seller list—and it has remained there ever since. “I believe that you must be able to draw things as you see them—realistically,” wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. How to Draw What You See shows artists how to recognize the basic shape of an object—cube, cylinder, cone, or sphere—and use that shape to draw the object, no matter how much detail it contains.