Events have spiralled since the first edition of How to Dismantle the NHS in 10 Easy Steps. The junior doctors' strike, the Conservative victory in the 2015 general election, the Corbyn phenomenon, the unexpected Brexit vote and the arguably even more unexpected loss of the Conservative majority in 2017. Further, since writing the first edition, Dr. Youssef El-Gingihy found himself stricken with a life-threatening illness and the NHS doctor became the NHS patient. The fight to save the NHS transformed into a fight for his own life. Now, fully recovered, Dr. Youssef El-Gingihy returns to his 10 Easy Steps in order to strengthen his original argument and continue what Labour leader, Jeremy Corbyn, deems 'one of the most fundamental battles we face in a struggle for a British society that works for the many'. In the year of the 70th anniversary of the NHS, Dr El-Gingihy's insights have never been more vital as our national health service continues to be hit by the privatisation of public services. New expanded second edition with chapters on junior doctor's strikes and plans for US-style healthcare.

'A sharp and incisive account of how state education has been dismantled into a system of competing Multi-Academy Trusts. We were told ‘choice' would deliver higher standards. It didn't. It made the system more chaotic, wasteful and segregated. This book explains how it was done.' Alasdair Smith, National Secretary, Anti Academies Alliance Terry Edwards and Carl Parsons tell the story of the takeover of England's schools by the super-efficient, modernising, academising machine, which, in collaboration with a dynamic, forward-looking government is recasting the educational landscape. England's school system is turbo-charged into a new era and will be the envy of the world, led by Chief Executives of Multi Academy Trusts on bankers' salaries, imposing a slim curriculum, the soundest of discipline regimes and ensuring that highest standards will be achieved even if at the expense of teacher morale, poor service to special needs, off-rolling of students and despite an absolute lack of evidence that this privatised system works.

Who makes the Fash is a compelling analysis of the relationships between art and fascism. Originating from the desire of conceptualising an antifascist artistic practice, this book investigates fascism in Italy and its relationships with futurism and neoliberalism. When seen in a historical context, the aesthetic appeal of the “new”, glamorous fascism is unmasked as a media-sponsored strategy of smoke and mirrors, functional to the preservation of a racist and patriarchal capitalism disguised as anti-systemic and innovative; from CasaPound, to the 5 Star Movement in Italy, to Elon Musk (hopefully soon in space). What role can the arts have in this scenario? The assumption that this field is a stronghold of the left can not be held true anymore: if as artists we want to counter the making of fascist hegemony, we must embrace a responsibility that goes beyond our practice. This book offers an accessible historical overview, political analysis and a passionate call to radicalise the politics and practices of arts and culture around an outspokenly antifascist praxis.

The hymn of Digitalization is nothing new: We must encourage the creation of new apps. We must develop AI in order to prevail among international competition. Technology's advance will halt climate change and let robots do the dumb stuff for us. Our faith in technology is powerful because it has saved us in the past. The Almighty Machine shows us technology’s flip side. The things that once powered us toward a brighter tomorrow are already undermining our quality of life. The data stream has shattered our concentration, human relationships have been reduced to a menu of emojis, constant surveillance has nullified much of our privacy, and the development of AI could be the beginning of the end for us. We are becoming the casualties of our own success. Pekka Vahvanen's bristling and timely critique, deftly translated by Mark Jones, throws doubt on the necessity of technological development in a world saturated in tech. The Almighty Machine presents an important question: Does progress no longer make us happier?

'Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.' Maurizio Ferraris, Italian continental philosopher and author of the Manifesto of New Realism The Graham Harman Reader is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman’s resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman’s novel arguments for why causal relations between two entities can only be indirect. The fourth chapter discusses why aesthetics deserves to be called first philosophy. The fifth chapter contains Harman’s underrated contributions to ethics and politics, and the sixth deals with epistemology, mind, and science. A concluding seventh chapter contains several previously unpublished writings not available anywhere else. Written in Harman’s typical clear and witty style, the /Reader/ is an essential resource for veteran readers of Harman and newcomers alike.

A memoir of one man’s journey into, and out of, the movement that foreshadowed the modern-day “Antifa.” Between 1999-2005, as the nation convulsed with uncertainty over a contested election and the Sept. 11 attacks, A.J. Lozier attended and helped organize protests across the United States, as an active participant in the anarchist "black bloc," predecessor to the modern-day "Antifa." He was charged, tackled, swung at, shot at with rubber bullets, punched and, once, arrested. He did his fair of shoving too, all in the name of Anarchy, which he believed to be the only hope for a more peaceful and equitable society, in which capitalism was a thing of the past. This is no "behind the mask" exposé, but nor is it a work of unselfconscious propaganda. It is first and foremost a story, but one that charts how a pure-intentioned desire for peace and justice morphed into a mechanism for justifying any behavior. It is a story that foreshadows the Antifa we see today.

Navigating from the White Anthropocene to the Black Chthulucene radically re-interprets Buster Keaton's iconic 1924 film, The Navigator, through the combined lenses of posthumanism and critical race theory. This book deconstructs the film's underlying anti-Blackness and anti-Indigeneity while exposing the unthinking whiteness of theorists and philosophers, including Gilles Deleuze, who have given Keaton's work pride of place in the history of cinema. Through its daring and provocative analysis of Keaton's classic, Navigating from the White Anthropocene to the Black Chthulucene invites us to consider cinema itself, at least in its classical narrative form, as a tool for constructing and maintaining white supremacy while building the conceptual tools for a world beyond whiteness.