Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States. Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited. Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status. "There are no other works that even begin to approach this definitive accomplishment." --Amanda Porterfield, author of Female Piety in Puritan New England

A compelling analysis of how "middling" Americans entertained themselves and how these entertainments changed over time. The changing styles of middle-class home entertainments, Melanie Dawson argues, point to evolving ideas of class identity in U.S. culture. Drawing from 19th- and early-20th-century fiction, guidebooks on leisure, newspaper columns, and a polemical examination of class structures, Laboring to Play interrogates the ways that leisure performances (such as parlor games, charades, home dramas, and tableaux vivants) encouraged participants to test out the boundaries that were beginning to define middle-class lifestyles. From 19th-century parlor games involving grotesque physical contortions to early-20th-century recitations of an idealized past, leisure employments mediated between domestic and public spheres, individuals and class-based affiliations, and ideals of egalitarian social life and visible hierarchies based on privilege. Negotiating these paradigms, home entertainments provided their participants with unique ways of performing displays of individual ambitions within a world of polite social interaction. Laboring to Play deals with subjects as wide ranging as social performances, social history (etiquette and gentility), literary history, representations of childhood, and the history of the book.

Reproduction of the original: How to Behave and How to Amuse by G. H. Sandison

This dictionary is probably the first dictionary of human instincts to be published. Moreover, the Introduction of the dictionary contains the first publication of the new and important Bronston heritability coefficient. Note: A Dictionary of Human Instincts also appears as an appendix to Human Behavior: The New Synthesis by Mitch Bronston and Nils K. Oeijord.

In this first detailed account of growing up in Tonga, Helen Morton focuses on the influence of anga fakatonga ("the Tongan way") in all facets of Tongan childhood, from the antenatal period to late adolescence. Childhood is a crucial period when cultural identity and notions of tradition are constructed, as well as beliefs about self, personhood, and emotion. Based on her anthropological fieldwork and her experiences in Tonga over several years, Morton traces the Tongan socialization process—from being vale (ignorant, socially incompetent) to becoming poto (clever, socially competent)—in fascinating detail. The socialization of emotion is also given detailed attention, especially the management of anger and emphasis on emotional restraint.