Moniza Alvi's title sequence How The Stone Found Its Voice is a series of poems inspired by creation myths. Begun in the wake of the tragedy of 9/11, they are imbued with the dark spirit of that time, with titles including 'How The World Split In Two', 'How The Answers Got Their Questions' and 'How The Countries Slipped Away'. These are followed by poems in which Moniza Alvi takes a more autobiographical approach to racial conflict and the split between East and West, and by The Return of My Wife' a continuation of a sequence from her earlier book Carrying My Wife. Versions of the French poet Jules Supervielle (1884-1960) with their Second World War background and exploration of personal fragility provide a linking thread. How the Stone Found Its Voice is a varied collection with echoes across its different sections, all equally vital to the whole.

Set in 1950s Italy, "Voice from the Stone" is the gothic and ghost story of Verena, a nurse, and Jakob, a young boy who has fallen silent since the sudden death of his mother Malvina. Jakob is affected by selective mutism. He has decided not to speak believing that silence can bring mummy back and considers Verena as an enemy. Verena's mission is to break Jakob's wall. Jakob fights for his isolation and communicates only with a falcon and the old stones of the ancient country house where they live. As in Henry James' masterpiece "The Turn of the Screw", also in Raffo's haunting psychological thriller everything can be interpreted in a supernatural or non supernatural way and this ambiguity has very amazing results. The inspiration for the novel has came to the author from a real encounter with a boy who chose silence after her mother had abandoned him. Some years later, visiting a little cemetery in Switzerland, Raffo found the names Jakob and Verena written on a grave. Perfect names for his characters tormented by the mysterious voice from the stone.

As the online world of creative writing teaching, learning, and collaborating grows in popularity and necessity, this book explores the challenges and unique benefits of teaching creative writing online. This collection highlights expert voices who have taught creative writing effectively in the online environment, to broaden the conversation regarding online education in the discipline, and to provide clarity for English and writing departments interested in expanding their offerings to include online creative writing courses but doing so in a way that serves students and the discipline appropriately. Interesting as it is useful, Theories and Strategies for Teaching Creative Writing Online offers a contribution to creative writing scholarship and begins a vibrant discussion specifically regarding effectiveness of online education in the discipline.

The reality of international relations and its academic study are still almost entirely constituted by men. Rethinking the Man Question is a crucial investigation and reinvigoration of debates about gender and international relations. Following on from the seminal The Man Question in International Relations this book looks at the increasingly violent and 'toxic' nature of world politics post 9/11. Contributors including Raewyn Connell, Kimberley Hutchings, Cynthia Enloe, Kevin Dunn and Sandra Whitworth consider the diverse theoretical and practical implications of masculinity for international relations in the modern world. Covering theoretical issues including masculine theories of war, masculinity and the military, cyborg soldiers, post-traumatic stress disorder and white male privilege. The book also focuses on the ways in which masculinity configures world events from conscientious objection in South Africa to 'porno-nationalism' in India, from myths and heroes in Kosovo to the makings of Zimbabwe. This essential work will define the field for many years to come.

The New York Times-bestselling collection of poems from celebrated poet Mary Oliver In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

In this study, ten independent critical essays and a coda explore the English-language poetry of South Asians in terms of time, place, themes and poetic methodologies. The transnational perspective taken establishes connections between colonial and postcolonial South Asian poetry in English as well as the poetry of the old and new diaspora and the Subcontinent. The poetry analysis covers the relevance of historical allusions as well as underlying concerns of gender, ethnicity and class. Comparisons are offered between poets of different places and time periods, yielding numerous sociopolitical paradigms that surface in the poetry.