Twenty-three years of joint endeavors and extensive field collecting of the narratives referred to in the present volume have resulted in the availability of a multimedia archive of Philippine epics, ballads and rituals both at the Pardo de Tavera collection of the Rizal Library, Ateneo de Manila University, and online. The linguists, anthropologists, and ethno-musicologists who have contributed to this book have long been conscious of the close links between ‘Intangible Heritage’ and ‘Tangible Heritage’. In the Philippines, sung narratives have been recorded in situ (through both audio and audio-video media), transcribed, translated, digitized, and analyzed by scholars and knowledgeable persons from fifteen cultural communities in the islands of Luzon, Panay, Palawan, Mindanao, Sulu, and Tawi-Tawi. Meanwhile, other scholars have dedicated their lifelong research to the Mergui Archipelago, central Sulawesi, southwest Maluku, and East Timor. Emerging from international collaboration, the scholarship provided here seeks not only to safeguard and comprehend the uniqueness and evolving beauty of ancient sung narratives that are currently performed in the islands of Southeast Asia, but also to defend their vitality in today’s changing world. This collection of twelve essays is the most recent achievement of ongoing studies of performances by singers of tales and ritualists in contemporary socio-cultural contexts by means of pioneering initiatives in the Digital Humanities, multiple analytical approaches and expert use of our growing technical capacity to safeguard and explore Intangible Heritage.

Contemporary public discourses about the ocean are routinely characterized by scientific and environmentalist narratives that imagine and idealize marine spaces in which humans are absent. In contrast, this collection explores the variety of ways in which people have long made themselves at home at sea, and continue to live intimately with it. In doing so, it brings together both ethnographic and archaeological research – much of it with an explicit Ingoldian approach – on a wide range of geographical areas and historical periods.

Throughout the world, closely related species are found on landmasses separated by wide stretches of ocean. What explains these far-flung distributions? Why are such species found where they are across the Earth? Since the discovery of plate tectonics, scientists have conjectured that plants and animals were scattered over the globe by riding pieces of ancient supercontinents as they broke up. In the past decade, however, that theory has foundered, as the genomic revolution has made reams of new data available. And the data has revealed an extraordinary, stranger-than-fiction story that has sparked a scientific upheaval. In The Monkey's Voyage, biologist Alan de Queiroz describes the radical new view of how fragmented distributions came into being: frogs and mammals rode on rafts and icebergs, tiny spiders drifted on storm winds, and plant seeds were carried in the plumage of sea-going birds to create the map of life we see today. In other words, these organisms were not simply constrained by continental fate; they were the makers of their own geographic destiny. And as de Queiroz shows, the effects of oceanic dispersal have been crucial in generating the diversity of life on Earth, from monkeys and guinea pigs in South America to beech trees and kiwi birds in New Zealand. By toppling the idea that the slow process of continental drift is the main force behind the odd distributions of organisms, this theory highlights the dynamic and unpredictable nature of the history of life. In the tradition of John McPhee's Basin and Range, The Monkey's Voyage is a beautifully told narrative that strikingly reveals the importance of contingency in history and the nature of scientific discovery.

Since before recorded history, people have congregated near water. But as growing populations around the globe continue to flow toward the coasts on an unprecedented scale and climate change raises water levels, our relationship to the sea has begun to take on new and potentially catastrophic dimensions. The latest generation of coastal dwellers lives largely in ignorance of the history of those who came before them, the natural environment, and the need to live sustainably on the world’s shores. Humanity has forgotten how to live with the oceans. In The Human Shore, a magisterial account of 100,000 years of seaside civilization, John R. Gillis recovers the coastal experience from its origins among the people who dwelled along the African shore to the bustle and glitz of today’s megacities and beach resorts. He takes readers from discussion of the possible coastal location of the Garden of Eden to the ancient communities that have existed along beaches, bays, and bayous since the beginning of human society to the crucial role played by coasts during the age of discovery and empire. An account of the mass movement of whole populations to the coasts in the last half-century brings the story of coastal life into the present. Along the way, Gillis addresses humankind’s changing relationship to the sea from an environmental perspective, laying out the history of the making and remaking of coastal landscapes—the creation of ports, the draining of wetlands, the introduction and extinction of marine animals, and the invention of the beach—while giving us a global understanding of our relationship to the water. Learned and deeply personal, The Human Shore is more than a history: it is the story of a space that has been central to the attitudes, plans, and existence of those who live and dream at land’s end.

Sacred tattoos, called 'sak yant' in Thailand, have been around Southeast Asia for centuries and afford protection from accident, misfortune, and crime. Young women get tattooed with love charms in order to attract partners, while adolescent men use the protective power of their yants in fights with rival youth gangs. For most though, the tattoos serve as reminders to follow a moral code that endorses positive behavior. During the application of a sak yant, the tattoo master establishes a series of life 'rules' that need to be closely adhered to, starting with Buddhism's first five precepts. Failure to observe the master's instructions will cause the sak yant to lose their power. Beautifully photographed these are tattoos that are the essence and 'key' to individual identity, a philosophy for living, the translation of soul to skin, as complex as the leaves of an autobiography, the story of a life.