Charity feels left behind and unsure where she fits. Her closest friends, Fear, Worry, Condemnation are always pulling her one way or another until she finally finds the strength to leave her hometown of Stay-the-Same. Her launch into the outside world takes her on an unforgettable adventure filled with pain and beauty, trials and excitement―and ultimately, belonging. How I Met Peace is a delightful, allegorical challenges readers to step out into the unknown―to risk―to give up their ideal world for Christ's kingdom―to find peace in the journey of surrender, even in unsteady places where faith and confusion collide. Charity's journey reminds the reader that despite tough circumstances and challenging people, God never leaves. He fights for those that are His.

Mesmerizing sci-fi from the author the Denver Post calls "one of the literary giants of science fiction." The melancholy memoir of Alden Dennis Weer, an embittered old man living in a small midwestern town, reveals a miraculous dimension. For Weer's imagination has the power to obliterate time and reshape reality, transcending even death itself.

The fundamental subject of A. D. Nuttall’s bold and daring first book, Two Concepts of Allegory, is a particular habit of thought--the practice of thinking about universals as though they were concrete things. His study takes the form of an inquiry into certain conceptual questions raised, in the first place, by the allegorical critics of The Tempest, and, in the second place, by allegorical and quasi-allegorical poetry in general. The argument has the further consequence of suggesting that allegory and metaphysics are in practice more closely allied than is commonly supposed. This paperback reissue includes a new preface by the author.

This study examines issues in politics and political theory in selected works of Pedro Calder&ón de la Barca (1600&–1681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Calder&ón's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Calder&ón's political theater. Rupp's argument proceeds from abstract principles of political theory to particular institutions and events at the Hapsburg court. Discussion of two comedias (La vida es sue&ño and La cisma de Inglaterra) and five autos (La vida es sue&ño, A Dios por raz&ón de Estado, El maestrazgo del Tois&ón, El nuevo palacio del Retiro, and El lirio y la azucena) demonstrates Calder&ón's assimilation of true reason of state to providence, his attitudes concerning the conciliar system and the regime of the royal favorite or valido, and his allegorical treatment of significant state occasions.

John Donne has been one of the most controversial poets in the history of English literature, his complexity and intellectualism provoking both praise and censure. In this major re-assessment of Donne's poetry, Hugh Grady argues that his work can be newly appreciated in our own era through Walter Benjamin's theory of baroque allegory. Providing close readings of The Anniversaries, The Songs and Sonnets, and selected other lyrics, this study reveals Donne as being immersed in the aesthetic of fragmentation that define both the baroque and the postmodernist aesthetics of today. Synthesizing cultural criticism and formalist analysis, Grady illuminates Donne afresh as a great poet for our own historical moment.