Matching a fine (and often funny) imagination to a sharp, plainspoken intelligence, the poems in How I Got Lost So Close to Home move through familiar landscapes: the busy intersections of streets and parks, the changing topographies of self and family, and the hard won territory of beauty in an imperfect world. With their remarkable clarity, Dryansky's poems make us feel as though we too are present in her landscapes, and not just looking at them. The gift of these poems is their exacting detail, their compassion without sentimentality, and their ability to draw us into what the poet ultimately calls "home," a fluid awareness of the self that must be returned to again and again.

His cover: courthouse janitor. His cause: justice. But when Paul McGrath uncovers a shocking connection to a file of missing evidence, he finds the truth sometimes hits a little too close to home. An intelligence agent-turned-courthouse janitor, Paul McGrath notices everything and everyone—but no one notices him. It’s the perfect cover for the justice he seeks for both his father and the people who’ve been wronged by a corrupt system. Now he’s discovered a missing file on Alex Pardew—the man who defrauded and likely murdered McGrath’s father but avoided conviction, thanks in large part to the loss of this very file. And what lies behind its disappearance is even worse than McGrath had feared. Meanwhile, at the courthouse, he stumbles on the case of Len Hendrie, a small businessman who’s been accused of torching a venture capitalist’s mansion. Though Hendrie admits starting the fire, McGrath learns how the VC has preyed on average Joes to benefit himself—and his extensive wine collection. McGrath can’t resist looking deeper into this financial predator and soon finds himself in a gray area between his avenging moral compass and the limits of the law. Then, just as the Hendrie case is heating up, McGrath receives word of the death of his father’s former housekeeper, sending him back to his family home to confront unfinished business from his past. And he’s about to find some unwelcome truths about the mother he lost as a child—and the father who hid even more secrets than he realized.

Taylor Edwards family might not be that close - everyone is a little too busy and overscheduled, but for the most part, they get along just fine. Then Taylor's dad gets some devastating news, and her parents decide that the family will spend on last summer together at their old lake house in the Pcocono Mountains. Crammed into a place much smaller than they are used to, they begin to get to know each other again, but as the summer progresses they're more aware than ever that they're battling a ticking clock. And as Taylor tries to deal with the drama at home, she is faced with the fact that the friends she thought she'd left behind haven't actually gone anywhere. Her former summer best friend is still living across the lake and still as mad with Taylor as she was five years ago, and her first boyfriend has moved in next door… but he's much cuter at seventeen than he was at twelve. Can one summer be enough time to get a second chance - with family, friends, and love?

Originally published in Great Britain in 2015.

The authors provide two very different stories of life in Siemiatcyze, a small town located forty miles from the Treblinka death camp.

Critically acclaimed and bestselling author Linwood Barclay brings terror closer than ever before in a stunning thriller in which murder strikes in the place we should feel safest of all…. In a quiet neighborhood, in the house next door, a family is brutally murdered for no apparent reason. You can’t help thinking, It could have been us. And you start to wonder: What if we’re next? Promise Falls isn’t the kind of community where families are shot to death in their own homes. But how well did Jim and Ellen Cutter really know their neighbors—or the darker secrets of their small town? They don’t have to look further than their own marriage to know that things aren’t always what they seem. Now the Cutters and their son, Derek, must face the unthinkable: that a murderer isn’t just stalking too close to home…but is inside it already.

On February 1, 2003, the nation was stunned to watch the shuttle Columbia disintegrate into a blue-green sky. Despite the numerous new reports surrounding the tragedy, the public remained largely unaware that three men, U.S. astronauts Donald Pettit and Kenneth Bowersox, and Russian flight engineer Nikolai Budarin, remained orbiting the earth. With the launch program suspended indefinitely, these astronauts, who were already near the end of a fourteen-week mission, had suddenly lost their ride home. Out of Orbit is the harrowing, behind-the-scenes chronicle of the efforts of beleaguered Mission Controls in Houston and Moscow who worked frantically against the clock to bring their men safely back to Earth, ultimately settling on a plan that felt, at best, like a long shot. Given that no shuttle could come for them, the astronauts’ only hope for a return flight became a Russian-built Soyuz TMA-1 capsule, latched to the side of the space station—a piece of equipment roughly the equivalent of a “padded box attached to a parachute,” with a troubled history (in 1971 a malfunction in the Soyuz 11 capsule left three Russian astronauts dead) and dated technology. Gripping and faced-paced, Out of Orbit is an adventure in outer space that will keep you on the edge of your seat. In a day and age when space travel is poised to become available to masses, Out of Orbit vividly captures both its hazardous realities and soaring majesty.