In a remarkable synthesis of iconography and social history, Chiara Frugoni addresses the changing concept of the city as revealed in visual and literary images throughout medieval Europe. By exploring the sentiments expressed through the image of the city, she traces how notions of civic identity became fused in the consciousness of the people and in the daily flow of their lives. An examination of cities depicted in early medieval illustrations suggests a widespread feeling of insecurity, often conveyed through networks of bare walls marking the boundary between order and chaos. Analyzing chronicles and other historical texts, Frugoni shows that the strong relationship between cities and their bishops led to a consciousness of the city as a meeting place rather than simply a place to live under protection. As the religious and protective roles of the city diminished during the high Middle Ages and early Italian Renaissance, a secular ideology emerged, finding its expression, for example, in the Lorenzetti fresco in Siena, a political manifesto offering a reassuring view of Good Government in the city.

" ... Donald Barthelme's new collection ... takes us from New York to Tokyo to Copenhagen to Barcelona to Paris to the Radiant City of Le Corbusier, balancing twelve of his widely celebrated short stories against an equal number of brief visionary texts, new in his work, that provide a lovely, haunting counterpoint"--From dust jacket.

*Finalist for the Charlotte Mew Prize The poems themselves are archives, of the body, of place, of the body's gestures and movings through the city of these poems. The images are electric with worry and wonder, memory and possibility, and through it all, love. -Natalie Diaz, judge of the Charlotte Mew Prize "What does courage mean anymore?" asks the speaker in Freesia McKee's How Distant the City, a question that pulses through the nuanced body of this book to its profound extremities. "She would fly home more, but TSA never knows who to get to do the pat-down," comes one moment of revelation. "You realized your pain isn't the only pain/ worth knowing," comes another. How Distant the City is a courageous and arresting debut. -Julie Marie Wade, author of When I Was Straight and SIX: Poems Freesia McKee's How Distant the City is a city of questions, asking us to account for how we pay attention to our small wild moments in a time made strange by war. This poet pushes us to keep circling around what most would pass by to mark our stains on each page, to turn our ears to notice who has gone by and who has gone missing. -Ching-In Chen, author of The Heart's Traffic and recombinant Freesia McKee's debut chapbook, How Distant the City, illuminates geographical, emotional and psychic spaces to expose the alienation and displacement we create when we substitute apathy and avoidance for empathy and connection. This collection shines most brilliantly in poems that connect the quotidian to the remarkable, traversing with linguistic adroitness through representations of loss, rape, racial injustice, murder and commonplace acts such as getting a haircut or setting a Thanksgiving table. In the juxtaposition of everyday acts to acts of terror, McKee draws attention to the dialectics of the self's most private desires, struggles and traumas with those of the displaced and terrorized "others" in our villages, in our hearts, in our local and national news, and in our global community. McKee boldly makes connections across differences with a poetic fluency that is vibrant, honest, inspiring and chock-full of integrity. -Donna Aza Weir-Soley, author of First Rain, Eroticism, Spirituality and Resistance in Black Women's Writings, The Woman Who Knew and co-editor of Caribbean Erotic.

Distant Islands is a modern narrative history of the Japanese American community in New York City between America's centennial year and the Great Depression of the 1930s. Often overshadowed in historical literature by the Japanese diaspora on the West Coast, this community, which dates back to the 1870s, has its own fascinating history. The New York Japanese American community was a composite of several micro communities divided along status, class, geographic, and religious lines. Using a wealth of primary sources—oral histories, memoirs, newspapers, government documents, photographs, and more—Daniel H. Inouye tells the stories of the business and professional elites, mid-sized merchants, small business owners, working-class families, menial laborers, and students that made up these communities. The book presents new knowledge about the history of Japanese immigrants in the United States and makes a novel and persuasive argument about the primacy of class and status stratification and relatively weak ethnic cohesion and solidarity in New York City, compared to the pervading understanding of nikkei on the West Coast. While a few prior studies have identified social stratification in other nikkei communities, this book presents the first full exploration of the subject and additionally draws parallels to divisions in German American communities. Distant Islands is a unique and nuanced historical account of an American ethnic community that reveals the common humanity of pioneering Japanese New Yorkers despite diverse socioeconomic backgrounds and life stories. It will be of interest to general readers, students, and scholars interested in Asian American studies, immigration and ethnic studies, sociology, and history. Winner- Honorable Mention, 2018 Immigration and Ethnic History Society First Book Award