we are all just one small disaster away from sinking, and sometimes you only realise when you're gasping for air On a daylight street in Minneapolis Minnesota, a Black man is asphyxiated - by callous knee of an officer, by cruel might of state, and under crushing weight of colony. In Melbourne the body of another woman has been found - this time, after catching a late tram home. The Atlantic has run out of the English alphabet, when christening hurricanes this season. The earth is on fire - from the redwoods of California, to Australia's east coast. The sea draws back, and tsunamis lash out in Samoa and Sumatra. Water rises in Sulawesi and Nagasaki. Bloated cod are surfacing, all along the Murray Darling. The virus arrives, and the virus thrives. Authorities seal the public housing towers up, and truck in one cop to every five residents. Notre Dame is ablaze - the cathedral spire blackened, and teetering. Out in Biloela, the deportation vans have arrived. Every Friday, in cities all across the world, children are walking out of school. The wolves are circling. The wolves are circling. These poems speak of the world that is, and sing for a world that may one day be. 'One of the most compelling voices in Australian poetry this decade' Overland Literary Journal 'a powerful and fearless storyteller' Dave Eggers 'Readers are left with the sense they have been seen, heard and understood' Books + Publishing

The only way to change culture is to create culture. Andy Crouch says we must reclaim the cultural mandate to be the creative cultivators God designed us to be. In this expanded edition of his award-winning book he unpacks how culture works and gives us tools to partner with God's own making and transforming of culture.

Winner of ABIA Literary Fiction of the Year Award 2015 Winner of the Indie Book Award for Debut Fiction 2015 Winner of the Victorian Premier's Unpublished Manuscript Award 2013 In Melbourne's western suburbs, in a dilapidated block of flats overhanging the rattling Footscray train lines, a young black mother is working on a collection of stories. The book is called Foreign Soil. Inside its covers, a desperate asylum seeker is pacing the hallways of Sydney's notorious Villawood detention centre, a seven-year-old Sudanese boy has found solace in a patchwork bike, an enraged black militant is on the warpath through the rebel squats of 1960s Brixton, a Mississippi housewife decides to make the ultimate sacrifice to save her son from small-town ignorance, a young woman leaves rural Jamaica in search of her destiny, and a Sydney schoolgirl loses her way. The young mother keeps writing, the rejection letters keep arriving . . . In this collection of award-winning stories, Melbourne writer Maxine Beneba Clarke has given a voice to the disenfranchised, the lost, the downtrodden and the mistreated. It will challenge you, it will have you by the heartstrings. 'Maxine Beneba Clarke is a powerful and fearless storyteller, and this collection - written with exquisite sensitivity and yet uncompromising - will stay with you with the force of elemental truth. Clarke is the real deal, and will, if we're lucky, be an essential voice in world literature for years to come.' - Dave Eggers bestselling author of A Heartbreaking Work of Staggering Genius 'Foreign Soil is a collection of outstanding literary quality and promise. Clarke is a confident and highly skilled writer.' - Hannah Kent, bestselling author of Burial Rites 'An assured and skilful debut' - Weekend Australian

Damien Broderick has been a leading Australian SF writer since the ‘70s. His novel The Dreaming Dragons was listed in SF: the 100 best novels. His recent nonfiction book, The Spike, is a mind-stretching look at the wonders of the high-tech future. Now in Transcension he brings to life one of the futures he imagined in The Spike, a world pervaded by nanotechnology and governed by artificial intelligence. Transcension may be Broderick’s best book yet. Amanda is a brilliant violinist, a mathematical genius, and a rebel. Impatient for the adult status her society only grants at age thirty, but determined to have a real adventure first, she has repeatedly gotten into trouble and found herself in the courtroom of Magistrate Mohammed Abdel-Malik, the sole resurrectee from among those who were frozen in the early twenty-first century, the man whose mind was the seed for Aleph, the AI that rules this utopia. Mathewmark is a real adolescent, living in the last place where they still exist, the reservation known as the Valley of the God of One's Choice, where those who have chosen faith over technology are allowed to live out their simpler lives. When Amanda determines that access to the valley is the key to the daring stunt she plans, it is Mathewmark she will have to lead into temptation. But just as Amanda, Mathewmark, and Abdel-Malik are struggling to find themselves and achieve their potentials, so is Aleph, and the AI's success will be a challenge to them and all of humanity. At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

Difference is everywhere, just look and see. This whole-wide-big-world is wondrous-unique. A gorgeous picture book about our diverse and wonderful world from award-winning author Maxine Beneba Clarke and illustrator Isobel Knowles. PRAISE FOR THE PATCHWORK BIKE 'Like all the best writing, The Patchwork Bike asks more questions than it answers, making it a great conversation starter to learn more about other cultures, but it's also a delightful picture book for kids aged three and up that depicts the universal joy that riding a bike bestows.' - Books+Publishing 'This is a wonderfully fast-moving picture book that celebrates the rebellious, the inventive and the just plain entertaining spirit of kids who are left to, rather than on their own devices.' - Picture Book Perusal

Folklore Rules is a brief introduction to the foundational concepts in folklore studies for beginning students. Designed to give essential background on the current study of folklore and some of the basic concepts and questions used when analyzing folklore, this short, coherent, and approachable handbook is divided into five chapters: What Is Folklore?; What Do Folklorists Do?; Types of Folklore; Types of Folk Groups; and, finally, What Do I Do Now? Through these chapters students are guided toward a working understanding of the field, learn basic terms and techniques, and learn to perceive the knowledge base and discourse frame for materials used in folklore courses. Folklore Rules will appeal to instructors and students for a variety of courses, including introductory folklore and comparative studies as well as literature, anthropology, and composition classes that include a folklore component.