A pioneering history of cross-cultural knowledge that exposes enduring fractures in unity across the world’s largest continent The nineteenth century saw European empires build vast transport networks to maximize their profits from trade, and it saw Christian missionaries spread printing across Asia to bring Bibles to the colonized. The unintended consequence was an Asian communications revolution: the maritime public sphere expanded from Istanbul to Yokohama. From all corners of the continent, curious individuals confronted the challenges of studying each other’s cultures by using the infrastructure of empire for their own exploratory ends. Whether in Japanese or Persian, Bengali or Arabic, they wrote travelogues, histories, and phrasebooks to chart the vastly different regions that European geographers labeled "Asia." Yet comprehension does not always keep pace with connection. Far from flowing smoothly, inter-Asian understanding faced obstacles of many kinds, especially on a landmass with so many scripts and languages. Here is the dramatic story of cross-cultural knowledge on the world’s largest continent, exposing the roots of enduring fractures in Asian unity.

As Asia has become more prominent on the international scene in recent decades—economically, politically, and culturally—the scholarly discipline of Asian studies has grown commensurately. But major questions remain about the scope of the discipline and its goals. What about Asia? both surveys the current state of the debate on Asian studies and suggests several fruitful directions for future exploration, especially through the use of multiregional and interdisciplinary approaches.

An urgently needed risk map of the many dangers that could derail Asia s growth and stability Since Marco Polo, the West has waited for the Asian Century. Today, the world believes that Century has arrived. Yet from China s slumping economy to war clouds over the South China Sea and from environmental devastation to demographic crisis, Asia s future is increasingly uncertain. Historian and geopolitical expert Michael Auslin argues that far from being a cohesive powerhouse, Asia is a fractured region threatened by stagnation and instability. Here, he provides a comprehensive account of the economic, military, political, and demographic risks that bedevil half of our world, arguing that Asia, working with the United States, has a unique opportunity to avert catastrophe but only if it acts boldly. Bringing together firsthand observations and decades of research, Auslin s provocative reassessment of Asia s future will be a must-read for industry and investors, as well as politicians and scholars, for years to come.

"Mr. Hamid reaffirms his place as one of his generation's most inventive and gifted writers." –Michiko Kakutani, The New York Times "A globalized version of The Great Gatsby . . . [Hamid's] book is nearly that good." –Alan Cheuse, NPR "Marvelous and moving." –TIME Magazine From the internationally bestselling author of The Reluctant Fundamentalist and Exit West, the boldly imagined tale of a poor boy’s quest for wealth and love His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. How to Get Filthy Rich in Rising Asia meets that reputation—and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along. How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.

“I was twenty-three and I had set off for Asia to become a writer, intrigued by lurid tales of booms, busts, drugs, sex, violence, magic. There was a wicked sorcery in Asia, in the economic profligacy of the early nineties, in the way financiers and businessmen took a rapidly wiring and developing continent and looted billions, like a titanic parlor trick converting all that wealth into abandoned office complexes and half-completed shopping malls. . . . I wanted it all—the money, the sex, the drugs. And to this day I believe that if I am honest with myself, despite all I have learned the hard way over the past decade, I would still want it all again, the fucking and the getting loaded and the scheming to get enough money to pay for that life.” In the late 1980s, not long out of college, Karl Taro Greenfeld found himself stranded in New York, a failed writer before his career had even begun. His Jewish-American father angrily cut off support; his Japanese mother suggested he go to Japan to teach English. He did, accepting a job with no more promise than he’d had before. But he stayed in Asia for the next several years, working his way through a series of journalistic posts, watching a culture erupt before his eyes and facing his own demons. Through a series of vividly imagistic stories that range from the rigidly journalistic to the deeply intimate, Standard Deviations recounts Greenfeld’s experiences—both professional and personal—during Asia’s wild ride at the end of the twentieth century. Whether drinking Japanese cough syrup to get high with other Western expatriates, visiting a free-sex ashram in Bombay, or watching a former high school pal self-destruct as an equity analyst in Jakarta, Greenfeld evokes the spirit of a continent in flux at an explosive “bubble” economy’s end—and a man confronting his own identity and aspirations. Raunchy, insightful, eloquent and moving, Standard Deviations is an uncompromising work of cultural observation and self-exploration.

Despite competing with much larger imperialist neighbors in Southeast Asia, the Kingdom of Thailand—or Siam, as it was formerly known—has succeeded in transforming itself into a rival modern nation-state over the last two centuries. Recent historiography has placed progress—or lack thereof—toward Western-style liberal democracy at the center of Thailand’s narrative, but that view underestimates the importance of the colonial context. In particular, a long-standing relationship with China and the existence of a large and important Chinese diaspora within Thailand have shaped development at every stage. As the emerging nation struggled against colonial forces in Southeast Asia, ethnic Chinese entrepreneurs were neither a colonial force against whom Thainess was identified, nor had they been able to fully assimilate into Thai society. Wasana Wongsurawat demonstrates that the Kingdom of Thailand’s transformation into a modern nation-state required the creation of a national identity that justified not only the hegemonic rule of monarchy but also the involvement of the ethnic Chinese entrepreneurial class upon whom it depended. Her revisionist view traces the evolution of this codependent relationship through the twentieth century, as Thailand struggled against colonial forces in Southeast Asia, found itself an ally of Japan in World War II, and reconsidered its relationship with China in the postwar era.

Now back in print, these witty, insightful ssays on fashion, cinema, wartime, and everyday life demonstrate why Eileen Chang was and is a major icon of twentieth-century Chinese literature. Eileen Chang is one of the most celebrated and influential modern Chinese novelists and cultural critics of the twentieth century. First published in 1944, and just as beloved as her fiction in the Chinese-speaking world, Written on Water collects Chang’s reflections on art, literature, war, urban culture, and her own life as a writer and woman, set amid the sights and sounds of wartime Shanghai and Hong Kong. In a style at once meditative and vibrant, Chang writes of friends, colleagues, and teachers turned soldiers or wartime volunteers, and her own experiences as a part-time nurse. She also reflects on Chinese cinema, the aims of the writer, and the popularity of the Peking Opera. Chang engages the reader with her sly and sophisticated humor, conversational voice, and intense fascination with the subtleties of everyday life. In her examination of Shanghainese food, culture, and fashions, she not only reveals but also upends prevalent attitudes toward women, presenting a portrait of a daring and cosmopolitan woman bent on questioning pieties and enjoying the pleasures of modernity, even as the world convulses in war and a revolution looms.