"Back in 2005, the board of the directors of the Houston Police Officers' Union commissioned Mitchel Roth, Ph.D., and Tom Kennedy to research and write a book that chronicled the history of the Houston Police Department and the Houston Police Officers' Union."--Foreword.

In the clubs, ballrooms, and barbecue joints of neighborhoods such as Third Ward, Frenchtown, Sunnyside, and Double Bayou, Houston's African American community birthed a vibrant and unique slice of the blues. Ranging from the down-home sounds of Lightnin' Hopkins to the more refined orchestrations of the Duke-Peacock recording empire and beyond, Houston blues was and is the voice of a working-class community, an ongoing conversation about good times and hard times, smokin' Saturday nights and Blue Mondays. Since 1995, Roger Wood and James Fraher have been gathering the story of the blues in Houston. In this book, they draw on dozens of interviews with blues musicians, club owners, audience members, and music producers, as well as dramatic black-and-white photographs of performers and venues, to present a lovingly detailed portrait of the Houston blues scene, past and present. Going back to the early days with Lightnin' Hopkins, they follow the blues from the streets of Houston's Third and Fifth Wards to its impact on the wider American blues scene. Along the way, they remember the vigorous blues community that sprang up after World War II, mourn its decline in the Civil Rights era, and celebrate the lively, if sometimes overlooked, blues culture that still calls Houston home. Wood and Fraher conclude the book with an unforgettable reunion of Houston blues legends that they held on January 3, 1998.

All it takes is one missed step for your life to change forever. Luca Mason knows exactly who he is and what he wants: In six months, he’s going to be accepted into the Australian Ballet School, leave his fancy private high school, and live his life as a star of the stage—at least that’s the plan until he falls down a flight of stairs and breaks his foot in a way he can never recover from. With his dancing dreams dead on their feet, Luca loses his performing arts scholarship and transfers to the local public school, leaving behind all his ballet friends and his whole future on stage. The only bright side is that he strikes up unlikely friendships with the nicest (and nerdiest) girl at his new school, Amina, and the gorgeous, popular, and (reportedly) straight school captain, Jordan Tanaka-Jones. As Luca’s bond with Jordan grows stronger, he starts to wonder: who is he without ballet? And is he setting himself up for another heartbreak?

A new high point for a master novelist, an emotionally charged reckoning with art, marriage, and the past Kevin Pace is working on a painting that he won’t allow anyone to see: not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn’t know or, more accurately, doesn’t care. What Kevin does care about are the events of the past. Ten years ago he had an affair with a young watercolorist in Paris. Kevin relates this event with a dispassionate air, even a bit of puzzlement. It’s not clear to him why he had the affair, but he can’t let it go. In the more distant past of the late seventies, Kevin and Richard traveled to El Salvador on the verge of war to retrieve Richard’s drug-dealing brother, who had gone missing without explanation. As the events of the past intersect with the present, Kevin struggles to justify the sacrifices he’s made for his art and the secrets he’s kept from his wife. So Much Blue features Percival Everett at his best, and his deadpan humor and insightful commentary about the artistic life culminate in a brilliantly readable new novel.

AN POST IRISH BOOK AWARD NOVEL OF THE YEAR Longlisted for the Dublin Literary Awards “Mr. Ryan writes conspicuously beautiful prose… The fleeting happiness and abiding melancholy of the asymmetry, heightened by the intimately rendered surroundings, brings out Mr. Ryan’s most sensuous and emotive writing.” –The Wall Street Journal From the Booker nominated author of The Queen of Dirt Island, Donal Ryan's new novel follows the Gladney family across three generations seeking the true meaning of what it is to find home and love. In 1973, twenty-year-old Moll Gladney takes a morning bus from her rural home in Ireland and disappears. Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again. Five years later, Moll returns from London. What - and who - she brings with her will change the course of her family's life forever. Beautiful and devastating, this exploration of loss, alienation and the redemptive power of love reaffirms Donal Ryan as one of the most talented and empathetic writers at work today.

A magical tale of finding friendship where you least expect it. Bertie the giraffe's life runs over very straight lines. He always has the same breakfast. He always takes the same stroll. He always naps under the same tree. But - wait a minute - who's this under the tree today? A blue giraffe? Blue?! Kristyna studied Illustration at Edinburgh College of Art and graduated in 2010. She now lives in a beautiful village in Yorkshire where she is heavily reliant on the good old pencil and a great big cup of tea to keep her going, whilst habitually singing, or twiddling her hair. Her first picture book, Flint's Odd Socks, followed by Chickens Can't See In The Dark were highly commended for the Macmillan Prize two year's running.

This book is about the other Texas, not the state known for its cowboy conservatism, but a mid-twentieth-century hotbed of community organizing, liberal politics, and civil rights activism. Beginning in the 1930s, Max Krochmal tells the story of the decades-long struggle for democracy in Texas, when African American, Mexican American, and white labor and community activists gradually came together to empower the state's marginalized minorities. At the ballot box and in the streets, these diverse activists demanded not only integration but economic justice, labor rights, and real political power for all. Their efforts gave rise to the Democratic Coalition of the 1960s, a militant, multiracial alliance that would take on and eventually overthrow both Jim Crow and Juan Crow. Using rare archival sources and original oral history interviews, Krochmal reveals the often-overlooked democratic foundations and liberal tradition of one of our nation's most conservative states. Blue Texas remembers the many forgotten activists who, by crossing racial lines and building coalitions, democratized their cities and state to a degree that would have been unimaginable just a decade earlier--and it shows why their story still matters today.