"There have been many influences for us over the years but the defining factor in our firm's work is that we practice architecture in Maine, amidst extraordinary and ordinary beauty." Although it has become something of a cliché for architects to say they pay close attention to a building's site and surroundings, for Elliott + Elliott Architecture, residing, working, and building along Maine's rugged coast has translated not only into refreshing architectural forms whose roots in tradition are clear, but also into collaborative processes with local builders and artisans, in the spirit of the shipbuilders and craftsmen of the state's history. Featuring six of their most emblematic residential projects, Houses of Maine demonstrates that, in the right hands, the rough-around-the-edges individualism and often harsh natural environment for which this coast is known allow for a balanced, serene, and vernacular architecture whose links with the past create nothing less than a confidently optimistic preview of the region's architectural future.

Architectural historian Glass and renowned architectural photographer Brink bring their well-honed skills to bear on celebrating historic Maine homes, both public and private.

Robert R. Pyle Our sense of place and community is made up of memories—personal memories of first-hand experience; oral memories that recount our ancestors’ experiences; and f- mal, codified civic memories set down in laws, ceremonies, and rituals. Together they are vital building blocks of citizenship. In a vivid and meaningful way this book p- serves memories relevant to understanding the roots of communities on Mount Desert Island, Maine. The surnames of many of Mount Desert’s earliest settlers are still found in today’s telephone directories. In these families many oral traditions are passed down from generation to generation, building outward from a historical core like the rings of a tree. “Dad used to farm this field,” Fred L. Savage’s great-nephew Don Phillips told me once, gesturing toward an alder growth. “His father grew vegetables for the hotel, and my great-grandfather grew grains. This road used to go right on up over the hill, and they used it to move the cemetery up there from where the hotel is now. ” Describing the field, Don ignores the alders and the towering evergreens beyond them, for in his mind’s eye he sees yellow, waving wheat and rye, bare ground, and a narrow cart track leading up the hill into the distance, on which his ancestors tra- ported the remains of their own forebears to a new resting place. Oral traditions, living memory, set the stage for him, and he accepts the reality of things he has never seen.

With its elegant simplicity and rugged DIY sensibility, the Maine aesthetic is both evergreen and timely. In this one-of-a-kind book, the Remodelista team offers readers both a guide for the design-minded traveler and a master class in re-creating the Maine look in one's own home. Author Annie Quigley takes readers into 10 exceptional homes, ranging from a renovated farmhouse to a sophisticated artists' retreat, offering invaluable design lessons along the way. There are interviews with local experts, who teach readers how to channel the Maine way of life (chop firewood, hunt for flea market finds, and weather the summer without AC), and step-by-step projects for Maine-inspired home decor, including printed tea towels, mussel-shell votives, and balsam fir pillows. Expertly curated itineraries include design shops, galleries, restaurants, hotels, and more. And finally, the Remodelista team highlights the 'Maine 25': classic, beautiful products that are built to last, sourced from local makers. It adds up to the perfect travel companion, design inspiration, and how-to manual, all rolled into one!

Pretty Good House provides a framework and set of guidelines for building or renovating a high-performance home that focus on its inhabitants and the environment--but keeps in mind that few people have pockets deep enough to achieve a "perfect" solution. The essential idea is for homeowners to work within their financial and practical constraints both to meet their own needs and do as much for the planet as possible. A Pretty Good House is: * A house that's as small as possible * Simple and durable, but also well designed * Insulated and air-sealed * Above all, it is affordable, healthy, responsible, and resilient.

Inspired by his From the Ground Up New York Times blog, a beautifully written memoir about building and brotherhood. Confronted with the disappointments and knockdowns that can come in middle age-job loss, the death of his mother, a health scare, a divorce-Lou Ureneck needed a project that would engage the better part of him and put him back in life's good graces. City-bound for a decade, Lou decided he needed to build a simple post-and-beam cabin in the woods. He bought five acres in the hills of western Maine and asked his younger brother, Paul, to help him. Twenty years earlier the brothers had built a house together. Now Lou saw working with Paul as a way to reconnect with their shared history and to rediscover his truest self. As the brothers-with the help of Paul's sons-undertake the challenging construction, nothing seems to go according to plan. But as they raise the cabin, Ureneck eloquently reveals his own evolving insights into the richness and complexity of family relationships, the healing power of nature, and the need to root oneself in a place one can call home. With its exploration of the satisfaction of building and of physical labor, Cabin will also appeal to readers of Robert Pirsig's Zen and the Art of Motorcycle Maintenance, Matthew Crawford's Shop Class as Soulcraft, and Tracy Kidder's House.

The twentieth anniversary edition of the classic architectural study of the development of the connected farm buildings made by 19th-century New Englanders, which offers insight into the people who made them.