In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.

... how to bring house and garden into perfect harmony.

Beginning in the tenth century, Chaco Canyon emerged as an important center whose influence shaped subsequent cultural developments throughout the Four Corners area of the American Southwest. Archaeologists investigating the prehistory of Chaco Canyon have long been impressed by its massive architecture, evidence of widespread trading activities, and ancient roadways that extended across the region. Research on Chaco Canyon today is focused on what the remains indicate about the social, political, and ideological organization of the Chacoan people. Communities with great houses located some distance away are of particular interest, because determining how and why peripheral areas became associated with the central canyon provides insight into the evolution of the Chacoan tradition. This volume brings together twelve chapters by archaeologists who suggest that the relationship between Chaco Canyon and outlying communities was not only complex but highly variable. Their new research reveals that the most distant groups may have simply appropriated Chacoan symbolism for influencing local social and political relationships, whereas many of the nearest communities appear to have interacted closely with the central canyon--perhaps even living there on a seasonal basis. The multifaceted approach taken by these authors provides different and refreshing perspectives on Chaco. Their contributions offer new insight into what a Chacoan community is and shed light on the nature of interactions among prehistoric communities.

Cedar Grove, The Cliffs, Grumblethorpe, Mount Airy, Bartram's House and Garden: Accommodation of the Vernacular

Anchored by Austin and San Antonio, Texas Hill Country is celebrated for its frontier history and natural beauty. Architects and interior designers build contemporary houses using local materials and drawing on the area’s diverse heritage—Spanish Colonial missions and Mexican-style haciendas, French pioneers’ log cabins, German stonework, and the legacy of the “new regionalism” espoused by O’Neil Ford in the 1930s—to create inspired residences that respect tradition and allow their owners to enjoy expansive rural surroundings. This volume presents nineteen of the area’s most remarkable private houses, with lush photography to provide a glimpse of how life in Central Texas is unique—from restored Victorian houses in bohemian Southtown, to a glass-walled ranch in Boerne canopied by oak trees; from floating stairs and sustainable systems to the casual elegance of country antiques, screen porches, and longleaf pine floors. The rolling hills, spring-fed creeks, rivers, timber forests, and fertile grass-covered prairies of Hill Country—along with their abundance of natural materials such as limestone, cedar, local pecan, mesquite, oak, and cypress—inspire architects and interior designers to create beautiful modern spaces. They draw from the strong vernacular tradition of classic farmhouses that once dotted the land, and the building techniques that have been handed down through generations. The architecture and interiors featured here in beautiful full-color photography celebrate the wonderful particularities of this singular place.

The spectacular houses of Marmol Radziner merge interior and exterior life as they engage the built and natural environment. With lush photography and an expansive format, Site: Marmol Radziner in the Landscape focuses on the evolving relationship between house and landscape, revealing what the architects describe as "the gradual erasure of boundaries between indoor and outdoor" spaces. This collection of nineteen houses, shown in over two-hundred full-color photographs that will make readers swoon, is organized by habitat—desert, urban, canyon, and woodland—and includes projects in Arizona, Southern California, Utah, Nevada, and the Netherlands. A foreword by novelist Mona Simpson provides a personal reflection on her experiences in a Marmol Radziner house, while an interview with Leo Marmol and Ron Radziner and detailed descriptions of their projects offer insights into the architects' philosophy and process.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.