Everything old is new again with Bark House Design: A Rustic Style Reclaimed.

An interior design guide to creating English country house style wherever you may dwell, from property expert Katy Campbell and acclaimed photographer Mark Nicholson The authors of At Home in the Cotswolds return with a new book full of English charm and style savvy. English Country House Style explores the signature rooms and furnishings that are synonymous with this comfortable, sumptuously lived-in look. There are certain motifs unique to English country houses. These may be specific rooms, architectural details, decorative flourishes, or arrangements of furniture, but all are unmistakably synonymous with that peculiar and lovely ideal that is the English home in the countryside. These features are not solely the preserve of large country houses. Many can be found in country cottages as well as stately homes, and most can be recreated by modern homeowners in their own dwellings in urban, suburban, and rural environments. This book explores the iconography of the English country house and lifts the curtain on its interior design secrets, with more than a dozen chapters on various country house motifs, each illustrated with photographs taken in private country homes throughout England. From the boot room to the butler’s pantry, from the library drinks table to the kitchen AGA, each chapter unpacks all the little design details for readers who are eager to make the look their own—or simply wish to enjoy a peek at English country life.

An illustrated history of flower design at the White House from 1960 to the present showcases arrangements created for a variety of state and other events and provides instructions for creating arrangements at home.

Thoroughly rewritten and using a range of new examples from tabloid and broadsheet newspapers, non-mainstream and local and regional publications, Keeble examines key journalistic skills such as the art of interviewing, news reporting, reviewing, freelancing and feature writing.

Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.