This chilling, suspenseful indictment of mind control is a classic of science fiction and will haunt readers long after the last page is turned. One by one, five sixteen-year-old orphans are brought to a strange building. It is not a prison, not a hospital; it has no walls, no ceiling, no floor. Nothing but endless flights of stairs leading nowhere--except back to a strange red machine. The five must learn to love the machine and let it rule their lives. But will they let it kill their souls? "An intensely suspenseful page-turner." --School Library Journal "A riveting suspense novel with an anti-behaviorist message that works . . . because it emerges only slowly from the chilling events." --Kirkus Reviews

The House of Stairs - an unputdownable crime classic from bestselling author Barbara Vine Lizzie hasn't seen her old friend, Bell, for some fourteen years, but when she spots her from a taxi in a London street she jumps out and pursues her despite 'all the terrible things' that passed between them. As Lizzie reveals those events, little by little, the women rekindle their friendship, with terrifying results ... 'This is the third psychological thriller by Ruth Rendell writing as Barbara Vine and when I say it surpasses the first two that's really saying something ... Vine has not only produced a quietly smouldering suspense novel but also presents an accurately atmospheric portrayal of London in the heady 60's. Literally unputdownable' Time Out The House of Stairs is a modern masterpiece of the crime genre and will leave you gripped from the first page to the last. If you enjoy the novels of P.D. James, Ian Rankin and Scott Turow, you will love this book. 'The Rendell/ Vine partnership has for years been producing consistently better work than most Booker winners put together' Ian Rankin 'A superb and original writer' Amanda Craig, Express Barbara Vine is the pen-name of Ruth Rendell. She has written fifteen novels using this pseudonym, including A Fatal Inversion and King Solomon's Carpet which both won the Crime Writers' Association Gold Dagger Award. Her other books include: A Dark Adapted Eye; The House of Stairs; Gallowglass; Asta's Book; No Night Is Too Long; In the Time of His Prosperity; The Brimstone Wedding; The Chimney Sweeper's Boy; Grasshopper; The Blood Doctor; The Minotaur; The Birthday Present and The Child's Child.

In this spine-tingling, atmospheric “nail-biter of a novel” (Shelf Awareness), a woman returns to her hometown after her childhood friend attempts suicide at an alleged haunted house—the same place where a traumatic incident shattered their lives twenty years ago. Few in sleepy Sumner’s Mills have stumbled across the Octagon House hidden deep in the woods. Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma. With little to lose, Clare returns to her roots to uncover the darkness responsible for ruining their lives. A “spellbinding horror story, where the terror comes not from ghosts, but from the haunted places we find within ourselves” (Elizabeth Brundage, author of The Vanishing Point), Beneath the Stairs is perfect for fans of Jennifer McMahon, Simone St. James, and Chris Bohjalian.

NATIONAL BESTSELLER • From “one of the most acute and lasting writers of her generation” (The New York Times) comes a piercing novel of race, class, love, and war in America. Twenty-year-old Tassie Keltjin, the daughter of a gentleman farmer, has come to a university town as a student. When she takes a job as a part-time nanny for a mysterious and glamorous family, she finds herself drawn deeper into their world and forever changed. “An indelible portrait of a young woman coming of age in the Midwest in the year after 9/11…. Moore has written her most powerful book yet.” —The New York Times

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city--from one of America's most acclaimed young fantasy writers. The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world's new geopolitical power, but the surreal landscape of the city itself—first shaped, now shattered, by the thousands of miracles its guardians once worked upon it—stands as a constant, haunting reminder of its former supremacy. Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov's oppressors. Unofficially, she is one of her country's most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem—and that Bulikov's cruel reign may not yet be over.

In a museum far from home a man stumbles onto a painting of a woman for whom he once, long ago, risked everything and who then mysteriously disappeared from his life. As a young lawyer, the nameless protagonist of The Woman on the Stairs became entangled in the affairs of three people mired in a complex and destructive relationship. An artist, the woman whose portrait he had painted, and her husband became a triangle that drew the lawyer deeper and deeper into their tangled web. Now, encountering the painting that triggered it all, the lawyer must reconcile his past and present selves; when he eventually locates the woman, he is forced to confront the truth of his love and the reality that his life has been irrevocably changed. With The Woman on the Stairs, the internationally acclaimed author of The Reader delivers a powerful new novel about obsession, creativity, and love. Intricately crafted, poignant, and beguiling, this is Bernhard Schlink writing at his peak.