Taije Silverman's debut collection chronicles her family's devotion and dissolution through the death of her mother. Ranging in style from measured narratives to fragmented lyrics that convey the ambiguity of loss, these poems both arc into the past and question the possibility of the future, exploring the ways in which memory at once sustains and fails love. Ultimately the poems are elegies not only to one beloved mother, but to the large and diffusive presences of Keats, Mandelstam, a concentration camp near Prague, a coming-of-age on a Greek island, and the nearly traceless particles of neutrinos that--as with each detail toward which the poet lends her attention -- become precious as the mother departs from her position at the center of the world. Furious, redemptive, and deeply immediate, Houses are Fields is a beautifully moving first book.

K-Stone, an L.A. gangbanger, struggles to find himself while surviving a mindframe and system that entraps many young men today. While incarcerated he experiences death, disloyalty, education, rape, relationships, and a new understanding of life.

The follow-up to Pulling Down the Barn, House of Fields is a collection of evocative personal essays that recall the many facets of a young girl's formal and informal education in rural Michigan. Anne-Marie Oomen uses a wealth of vivid language and personal details to bring scenes from her childhood on a family farm to life in House of Fields. Yet the focus of this book shifts away from the daily activities of the farm, which Oomen presented in Pulling Down the Barn, to life outside its boundaries, as she explores the complex meaning of "education" in all of its rural forms. From reading lessons to shattered windows, from dynamite to first kisses, from lost underwear to confirmation names, these stories depict the spiritual and emotional journey of being educated by family, fields, and church--as well as by traditional schools. Oomen's description of the farmhouse where she grew up becomes the central image for this collection of essays. This once-grand home, filled with memories and the physical wear of family life, is the soul of her family's farm, and its sense of nurturing and protection is reflected in the author's relationships to her mother, her teachers, and her mentors. Within this context, Oomen examines memories from her formal education, which began during the final years of the one-room school era then shifted to the "consolidated" schools of the late 1950s and 1960s and to a parochial school system. Struggles with reading, first friendships, early loves, and contradictory educational models are coupled with the challenges of coming of age and the ups and downs of an emotional education between mother and daughter. Fans and teachers of creative nonfiction, as well as anyone with roots in a rural community, will enjoy this lyrical and revealing volume.

Zoey and the Magical Hummingbirds is an exciting and wonderful tale of a little girl’s enchanted adventure through the island of Jamaica. After the birth of a new baby sister, the little girl becomes jealous and decides to run away from home. While on her road to find a new home, she meets two beautiful and charming hummingbirds, who take her on a magical journey to find new places and new things. Through her fun-filled journey, she meets new friends along the way who teach her the importance of treasuring a loving family.

"This edition published in agreement with The O'Brien Press, Ltd." --T.p. verso.