Recalling both the excess of The Wolf of Wall Street, and the drifting narrator of A Single Man, Ioannis Pappos’s debut novel is a portrait of privilege, aspiration, and international finance during the wayward course of the American economy between 9/11 and the 2008 Financial collapse, and is filled with surprisingly tender observations about identity, loneliness, and human connection. “I’m homeless, but in First Class.” Stathis Rakis abandoned his small Greek village for a more worldly life, first in San Francisco, where the Dot Com Bubble had already burst, and then in Paris, France, where he is pursuing an MBA at an elite business school. After falling helplessly in love with a liberal New England journalist with a good conscience, who comes to campus with some scores to settle, Stathis moves to the United States to begin as a consultant for a company called Command. He spends the very few hours of the day that aren’t consumed by work draining the minibar, battling insomnia, and binging on more than room service. Luxury is a given, happiness is not. As the economy recovers and a new bubble expands in a post-9/11 world, Stathis drifts upward, baring witness to the criminal decadence that will become the 2008 financial crisis, as well as his new habits of indulgence—drugs, sex, and insider trading. In a world of insiders--from corporate suits to Hollywood celebutantes—Stathis remains the outsider: too foreign to be one of them, too cynical to turn back.

From the palace hotels of the elite to cheap lodging houses, residential hotels have been an element of American urban life for nearly two hundred years. Since 1870, however, they have been the target of an official war led by people whose concept of home does not include the hotel. Do these residences constitute an essential housing resource, or are they, as charged, a public nuisance? Living Downtown, the first comprehensive social and cultural history of life in American residential hotels, adds a much-needed historical perspective to this ongoing debate. Creatively combining evidence from biographies, buildings and urban neighborhoods, workplace records, and housing policies, Paul Groth provides a definitive analysis of life in four price-differentiated types of downtown residence. He demonstrates that these hotels have played a valuable socioeconomic role as home to both long-term residents and temporary laborers. Also, the convenience of hotels has made them the residence of choice for a surprising number of Americans, from hobo author Boxcar Bertha to Calvin Coolidge. Groth examines the social and cultural objections to hotel households and the increasing efforts to eliminate them, which have led to the seemingly irrational destruction of millions of such housing units since 1960. He argues convincingly that these efforts have been a leading contributor to urban homelessness. This highly original and timely work aims to expand the concept of the American home and to recast accepted notions about the relationships among urban life, architecture, and the public management of residential environments.

What is a hotel? As Caroline Field Levander and Matthew Pratt Guterl show us in this thought-provoking book, even though hotels are everywhere around us, we rarely consider their essential role in our modern existence and how they help frame our sense of who and what we are. They are, in fact, as centrally important as other powerful places like prisons, hospitals, or universities. More than simply structures made of steel, concrete, and glass, hotels are social and political institutions that we invest with overlapping and contradictory meaning. These alluring places uniquely capture the realities of our world, where the lines between public and private, labor and leisure, fortune and failure, desire and despair are regularly blurred. Guiding readers through the story of hotels as places of troublesome possibility, as mazelike physical buildings, as inspirational touchstones for art and literature, and as unsettling, even disturbing, backdrops for the drama of everyday life, Levander and Guterl ensure that we will never think about this seemingly ordinary place in the same way again.

An immersive photographic tour of the legendary Hotel Chelsea, whose residents share their spaces, their stories, and a delirious collective history of this landmark. Jackson Pollock, Robert Mapplethorpe, Patti Smith, Dylan Thomas, Arthur Miller, Bob Dylan, Arthur C. Clarke, Andy Warhol, William S. Burroughs, Janis Joplin, Eugene O'Neill, Rufus Wainwright, Betsey Johnson, R. Crumb, Thomas Wolfe, Jasper Johns—these are just a few of the figures who at one time occupied one of the most alluring and storied residences ever: the Chelsea Hotel. Born during the Gilded Age and once the tallest building in New York, the twelve-story landmark has long been a magnet for artists, writers, musicians, and cultural provocateurs of all stripes. In this book, photographer Colin Miller and writer Ray Mock intimately portray the enduring bohemian spirit of the Chelsea Hotel through interviews with nearly two dozen current residents and richly detailed photographs of their unique spaces. As documented in Miller's abundant photographs, these apartments project the quirky decorating sensibilities of urban aesthetes who largely work in film, theater, and the visual arts, resulting in deliriously ornamental spaces with a kitschy edge. Weathering the overall homogenization of New York and the rapid transformation of the hotel itself—amid recent ownership changeovers and tenant lawsuits—residents remain in about seventy apartments while the rest of the units are converted to rentals (and revert to a hotel-stay basis, which had ceased in 2011). For the community of artists and intellectuals who remain, the uncertain status of the hotel is just another stage in a roller-coaster history. A fascinating portrait of a strand of resilient bohemian New Yorkers and their creative, deeply idiosyncratic homes, Hotel Chelsea is a rich visual and narrative document of a cultural destination as complicated as it is mythical.

Architect and photographer Gary Chang has a strange obsession: he absolutely loves hotels. It's a good thing, as he spends about 120 days a year traveling all over the world. Chang has become something of a hotel expert, but meeting his exacting standards for a suitable home away from home isn't easy. He doesn't stay at just any hotel. He plans his trips with exhaustive research on the hotels of his destination and even stays at several different ones during the same trip to one city. His favorite hotels are those places that have a certain special quality, ranging from New York's kitschy Maritime to Budapest's classic Gellert to Zurich's brand-spanking new Zurichberg. Chang's most-loved finds are documented in beautiful photographs, his hand drawn floor plans, and personal texts in Hotel as Home. He presents thirty-five hotels from around the world in this wonderfully atmospheric bookfrom the Hotel 101 in Reykjavik to the Hotel Le Corbusier in Marseilles, the Soho House Hotel in New York, the W Hotel in Sydney, the Four Seasons in Tokyo, and the Hotel Metropolitan in Bangkok. Whether it's the all-white design of Starck's Hotel Delano in Miami, the Art Deco brass beds and chandeliers in the rooms of Istanbul's Pera Palaca Hotel, or the Zen atmosphere of London's Hotel Hempel, there's something to love in all of the hotels shown here. This a must-have for business class road warriors and all travelers in search of a unique, memorable, and rejuvenating hotel experience.

The Chelsea Hotel, since its founding by a visionary French architect in 1884, has been an icon of American invention: a cultural dynamo and haven for the counterculture, all in one astonishing building. Sherill Tippins, author of the acclaimed February House,delivers a masterful and endlessly entertaining history of the Chelsea and of the successive generations of artists who have cohabited and created there, among them Thomas Wolfe, Dylan Thomas, Arthur Miller, Allen Ginsberg, Bob Dylan, Janis Joplin, Leonard Cohen, Patti Smith, Robert Mapplethorpe, Andy Warhol, Sam Shepard, Sid Vicious, and Dee Dee Ramone. Now as legendary as the artists it has housed and the countless creative collaborations it has sparked, the Chelsea has always stood as a mystery as well: why and how did this hotel become the largest and longest-lived artists' community in the known world? Inside the Dream Palaceis the intimate and definitive story.

INTERNATIONAL BESTSELLER • From the bestselling author of Station Eleven and Sea of Tranquility, an exhilarating novel set at the glittering intersection of two seemingly disparate events—the exposure of a massive criminal enterprise and the mysterious disappearance of a woman from a ship at sea. “The perfect novel ... Freshly mysterious.” —The Washington Post Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis's billion-dollar business is really nothing more than a game of smoke and mirrors. When his scheme collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives. Look for Emily St. John Mandel’s bestselling new novel, Sea of Tranquility!