A collection of 52 of the celebrity interiors photographed by Horst P. Horst during the 1960s, 70s, and 80s.

Drawing on new research in sports medicine, nutrition, and fitness, this book offers a training program to help any climber achieve superior performance and better mental concentration on the rock, with less risk of injury.

From his musical beginnings as a piano player in gambling houses and society cafés, Louis Horst (1884-1964) became one of the chief architects of modern dance in the twentieth century. How a musician untrained in dance came to make such a mark is told here for the first time in rich detail. At the center of this story is Horst's relationship with Martha Graham, who was his intimate for decades. "I did everything for Martha," Horst said late in life. Indeed, as her lover, ally, and lifelong confidante, he worked with such conviction to make her the undisputed dance leader in the concert world that Graham herself would later remark: "Without him I could not have achieved anything I have done." Drawing on the conversation and writings of Horst and his colleagues, Janet Mansfield Soares reveals the inner workings of this passionate commitment and places it firmly in the context of dance history. Horst emerges from these pages as a man of extraordinary personality and multifaceted talent: a composer whose dance scores, such as the one for Graham's Primitive Mysteries, became models for many who followed; a concert pianist for American dancers such as Doris Humphrey and Helen Tamiris, as well as their German counterparts; an editor and writer whose advocacy for American dance made him a leading critic of his time; and, above all, a teacher and mentor whose work at the Neighborhood Playhouse, the Bennington School of Dance, American Dance Festival, and Juilliard helped shape generations of dancers and choreographers. Richly illustrated, sensitive to intimate detail and historical nuance, this comprehensive biography reveals the raison d'etre underlying Horst's theories and practices, offering a wealth of insight into the development of dance as an art form under his virtually unchallenged rule.

Dorothy Madden's lively book about Louis Horst (You don't call me Mr. Horst, you call me Louis, he always said) makes for compulsive reading. She follows Horst's extraordinary life, punctuating her narrative with reminiscences, illuminating anecdotes from her personal store of memories, as well as the shared thoughts of others, all interspersed with her choice of evocative and expressive photographs and illustrations, to create a dynamic and memorable portrait of this key figure in American modern dance. Louis Horst: musician, composer, pianist, violonist, pit player, arranger, super accompanist (all sorts), conductor, régisseur, stage manager, tour tartar, catalyst, editor, writer, critic, teacher, consoler, the Sherlock Holmes of restaurants, keeper of journals and budgets, loan provider, lover, friend...

Previously unpublished documents in archives in Europe and the USA show how Britain’s Secret Intelligence Service showed a insensitive disregard for its former agents murdered in German concentration campsA callous disregard by recruiting the Gestapo major responsible for their deaths as a consultant in Britain’s own post-war counter espionage activities against Soviet agentsResearch that shows not only how Britain recruited Kopkow, but also protected him from prosecution as a war criminalHistorically rich in detail with photographs of many of the characters involved On 27 May 1942, SS-General Reinhard Heydrich was assassinated by Czech agents who were trained in the UK and dropped by parachute into Czechoslovakia. Heydrich succumbed to his wounds on 4 June 1942. Two days later, Gestapo Captain Horst Kopkow’s department at Reich National Security headquarters was given fresh orders. From 6 June 1942 until the end of the war, Kopkow was responsible for co-ordinating the fight against Soviet and British agents dropped in Germany or German-occupied territories. This new direction for Kopkow made his name. Within months, the ‘Rote Kapelle’ Soviet espionage ring was uncovered in Belgium whose traces went directly to Berlin and Paris. A new counter-espionage war began and agents caught would pay with their lives. In France and Holland, the Gestapo caught many SOE agents trained in Britain. By spring 1944, around 150 British agents had been deported to concentration camps. By December 1944, almost all had been murdered without trial and Kopkow was directly involved in these murders. Arrested by British forces after the war, Kopkow was extensively interrogated due to his counter-espionage experience. For the next 20 years, Kopkow was a consultant for Britain’s Secret Intelligence Service. 39 black-and-white photographs

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