A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the Cornish woods, only to wonder whether it was he himself who committed the crime. Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the county in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. With tales by horror luminaries such as Bram Stoker, Poe, and Mary Elizabeth Braddon, this edition also features a host of underappreciated writers such as F. Tennyson Jesse and Margery Williams - said to be a strong influence on Lovecraft's writing.

This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.

Pioneering and interdisciplinary in nature, this bibliography constitutes a comprehensive list of regional fiction for every county of Ireland, Scotland, Wales and England over the past two centuries. In addition, other regions of a usually topographical or urban nature have been used, such as Birmingham and the Black Country; London; The Fens; the Brecklands; the Highlands; the Hebrides; or the Welsh border. Each entry lists the author, title, and date of first publication. The geographical coverage is encompassing and complete, from the Channel Islands to the Shetlands. An original introduction discusses such matters as definition, bibliographical method, popular readerships, trends in output, and the scholarly literature on regional fiction.

This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.

This volume brings together essays that examine a vast gamut of different contemporary cultural manifestations of fear, anxiety, horror, and terror. Topics range from the feminine sublime in American novels to the monstrous double in horror fiction, (in)security at music festivals, the uncanny in graphic novels, epic heroes' Being-towards-death and authenticity, atrocity and history in Central European art, the theme of old age in absurdist literature, and iterations of the "home invasion" subgenre in post-9/11 popular culture. This diversity of insights and methodologies ensures a kaleidoscopic look at a cluster of phenomena and experiences that often manage to both be immediately and universally recognizable and defy straightforward categorization or even description. Contributors are Emily-Rose Carr, Ghada Saad Hassan, Woodrow Hood, María Ibáñez-Rodríguez, Nicole M. Jowsey, Marta Moore, Pedro Querido and Ana Romão.

Sabine Baring-Gould's 'The Book of Ghosts (Collected Horror Tales)' is a captivating collection of chilling stories that delve into the realm of the supernatural. With haunting narratives and eerie settings, Baring-Gould's literary style combines elements of Gothic fiction with a unique blend of folklore and superstition. The stories in this anthology transport readers to a world where ghosts, specters, and other mysterious beings lurk in the shadows, waiting to haunt and terrify the living. Drawing inspiration from traditional ghost stories, Baring-Gould brings a fresh perspective to the horror genre, making this book a must-read for fans of spooky tales. The author's attention to detail and vivid descriptions immerse readers in a world where the boundaries between the living and the dead blur, creating an atmosphere of suspense and dread. Sabine Baring-Gould's background as a clergyman and folklorist adds depth and authenticity to his exploration of the supernatural, making 'The Book of Ghosts' a fascinating and thought-provoking read for anyone interested in the macabre and mysterious.