For the modern Pagan and Witchcraft community, horns play a major role as a symbol of fertility, power, and protection and yet there are few books that discuss the significance in a way that makes sense to a practicing Pagan. In Horns of Honor, neo-pagan scholar and award-winning author Raven Grimassi updates one of the few classic texts on horns, Frederick Thomas Elworthy’s classic 1900 text, Horns of Honor. Grimassi has added a new introduction, footnotes, and commentary to make this extensive overview of animal horns in cultures across time, accessible to the Pagan community. Horns of Honor examines the religious and ritualistic significance of horns in many cultures, the ancient reverence for horned gods, and the horn as a positive symbol. This revived classic is sure to be welcomed by all in the Pagan community.

For the modern Pagan and Witchcraft community, horns play a major role as a symbol of fertility, power, and protection and yet there are few books that discuss the significance in a way that makes sense to a practicing Pagan. In Horns of Honor, neo-pagan scholar and award-winning author Raven Grimassi updates one of the few classic texts on horns, Frederick Thomas Elworthy's classic 1900 text, Horns of Honor. Grimassi has added a new introduction, footnotes, and commentary to make this extensive overview of animal horns in cultures across time, accessible to the Pagan community. Horns of Honor examines the religious and ritualistic significanc of horns in many cultures, the ancient reverence for horned gods, and the horn as a positive symbol. This revived classic is sure to be welcomed by all in the Pagan community.

For the modern Pagan and Witchcraft community, horns play a major role as a symbol of fertility, power, and protection and yet there are few books that discuss the significance in a way that makes sense to a practicing Pagan. In "Horns of Honor," neo-pagan scholar and award-winning author Raven Grimassi updates one of the few classic texts on horns, Frederick Thomas Elworthy's classic 1900 text, "Horns of Honor." Grimassi has added a new introduction, footnotes, and commentary to make this extensive overview of animal horns in cultures across time, accessible to the Pagan community. "Horns of Honor" examines the religious and ritualistic significanc of horns in many cultures, the ancient reverence for horned gods, and the horn as a positive symbol. This revived classic is sure to be welcomed by all in the Pagan community.

Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, when kings, ladies, gentlemen, priests and scientists prescribed, swallowed or wore human blood, flesh, bone, fat, brains and skin against epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. One thing we are rarely taught at school is this: James I refused corpse medicine; Charles II made his own corpse medicine; and Charles I was made into corpse medicine. Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Medicinal cannibalism utilised the formidable weight of European science, publishing, trade networks and educated theory. For many, it was also an emphatically Christian phenomenon. And, whilst corpse medicine has sometimes been presented as a medieval therapy, it was at its height during the social and scientific revolutions of early-modern Britain. It survived well into the eighteenth century, and amongst the poor it lingered stubbornly on into the time of Queen Victoria. This innovative book brings to life a little known and often disturbing part of human history.

In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.